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#extradirty
Cosmic Funnies
wallacepolsom
Peter Solarz

祝日 / Permanent Vacation

JVL
styofa doing anything

shark vs the universe

PR's Tumblrdome

@theartofmadeline
Three Goblin Art
Not today Justin
occasionally subtle

Origami Around

oozey mess
Xuebing Du

if i look back, i am lost
Show & Tell

roma★

★

seen from Malaysia
seen from Malaysia
seen from Poland
seen from United States

seen from Germany
seen from United States
seen from Denmark

seen from Croatia

seen from Malaysia
seen from United States
seen from Denmark

seen from Singapore
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seen from Colombia
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seen from China

seen from United States
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seen from Malaysia
@passions-innumerable
Can't use messages, it seems
Check out the anarchord's server community on Discord - hang out with 12 other members and enjoy free voice and text chat.
ive been in here so long........
DESTROY A Nihilist Understanding of Social War On Autonomy, Domination, Representation, Class War, and Identity March 10th, 2023
"María Brousse and Lucía Norman were prolific writers far beyond just letters, and they dedicated heart and soul to PLM's struggle. In February 1916, Lucía wrote the following in Regeneración,
Let us not let others think for us or let them paint anarchy in words of blood and fire. Anarchy is peace, it is love, it is good will [..] Let whoever opposes progress blame themselves for blood and fire, not anarchy. We think with our heads. Anarchy Forward!
In November of the same year, María also expressed herself in the following manner within Regeneración,
For us, children of the people, the exploited [..] the Mexican Revolution is redeeming and sublime, and we love her and stay with her, and it's our interest that she continues standing until the last bourgeoisie, the last priest, and the last governor have disappeared from Mexico, because only then, and not a moment earlier, will the Mexican worker be free and happy.
Ricardo Flores Magón and PLM, alongside its members, did not call themselves anarchist until 1911. On the other hand, the work of citizens that María and Lucía realized, with all the risks they ran, were fundamental in keeping Flores Magón alive and, consequently, in keeping PLM leadership alive."
–Andrea Rodríguez Cabral, "María Brousse and Lucía Norman: Two Women Erased from Anarchist History" (2023, 2026)
"The first stage [between 1907 and 1909] is of value because the women who worked to distribute the printed material, implementing different cultural activities and disseminating the Party program published in April 1906, managed to gain the support of other socialist and anarchist groups, and thanks to their propaganda work, by 1910 PLM’s struggle was known internationally.
Of the second period of 1910 to 1918, we rescue those who wrote for Regeneración and were militant members within PLM, because they are a different type of women, workers and peasants, with an incendiary discourse, emphatic of problems of their gender proper, who influenced the culture and the values of the bases within the Party, and some who took up arms to fight in Mexico.
The above is taken up with the end of naming them, to see them and stress that they were not extensions of men, nor secondary figures by being, in different occasions, loving partners of luminaries, but rather that they were women who lived as libertarians —taking up the word they used for themselves— without placing the adjective of liberals, feminists, socialists and anarchists. They, in their actions and convictions took up a public space, in their different circumstances. They acted from their own trenches and in the process of building —ideologically as well as practically—, they intermingled activities that led them to new ways of living, questioning and reconfiguring gender roles.
To investigate about the women who participated in the Party entails a challenge, give that, as Graciela Gonzáles says, 'they suffer from a double-silencing stigma: being women … and revolutionaries in the most radical project at the start of the Mexican Revolution: PLM.' The majority are women without history, who we scan following the clues that the sources bring, but with the assurance that they were protagonists in the history of the Party." –Gabriela López Ruiz, "After the Traces of the Women Libertarians in Regeneración, 1907-1918"
Stop warning me about mature content I'm literally an adult
Happy pride month guys remember to shoot your senator
im kinda getting addicted to sandwiches
death to the united states of america
Sorry, but here’s a bunch of screenshots from another social media
You can download and play this game right now. Pay what you want (or don’t)
Falling Objects is a collaborative game of Regicide and Hard Bargains
I love you, vintage gay Pikachu. You’ll find the boy for you, I promise.
Flowers on Burgh Island, May 2016
it’s important to engage in at least some small degree of criminal activity in order to remind yourself that you don’t have to ask for permission
Use your PTO
GOG's absolutely ass response to one of their employees putting a black sun and SS doppelrune next to each other in the subject line of a GOG newsletter
my reply:
I want to open saying I have been a long-time champion of Good Old Games, from its earliest days a very vocal proselytizer of your platform over Steam to anyone who would listen.
Now on to the response: Charitably, most of your company would never use any Nazi symbolism after all that your grandparents' generation suffered...but even at the most charitable, one employee at GOG did in fact have the intention to use a black sun next to a doppelrune, which have only ever had Nazi connotations and did not pair together in any context prior to Nazism including in Polish heritage.
The doppelrune were created, as another user has pointed out, in 1929 by Walter Heck, who was a Sturmhauptführer in the Sturmabteilung when he invented it by doubling the Siegrune invented by Guido von List, a forerunner of the occult type of Nazis who died in 1919 but had virtually identical to Nazi beliefs including antisemitism and virulently racist pan-German nationalism and was at the far-right edge of Austrian and German politics of his time, which is why he was such an influence to Nazi occultist types (including Walter Heck). The black sun "rune" is the Schwarze Sonne type of Sonnenrad that Heinrich Himmler had designed for the Nazi Thule occultist hub castle and major SS focal point of Wewelsburg when he expanded the castle after purchasing it, designed explicitly as a Nazi occult symbol. It was used after the war by "former" SS scum Wilhelm Landig as a replacement for the Nazi swastika to try and evade German laws around Nazi symbols, but was later deemed a Nazi symbol (rightly so, given Landig's purpose in deploying it was to evade the legal ban and act as a Nazi swastika) and has since been used by neo-Nazis around the world in the manner which Landig intended.
To pair the Schwarze Sonne with the doppelrune of the Siegrune has no Polish heritage. It ONLY has Nazi heritage, these things are inventions of Nazis and their immediate forerunners, not ancient Polish or even ancient Germanic symbology. They are thoroughly modern and thoroughly fascist, and whoever did this at your company may be playing innocent under questioning but those of us who are antifascists can very plainly see the wolf under that sheep's clothing even if you cannot. There is ZERO reason aside from an edgy joke, at best, and privately held fascist ideology being telegraphed in a way they thought would be too stealthy for any but in-the-know fascists to pick up on (and they were wrong, antifascists also know this and spotted it immediately) more than likely, to pair those symbols right next to each other.
Anything less than a firing of this person is completely insufficient. Even at the very best case scenario, you have an edgy joke that someone lied to your faces about being an innocent mistake of Polish heritage to try and fool you into thinking this pairing of exclusively Nazi symbols right next to each other that have no precedent prior to Nazism was in fact something other than that to save their skin and their job, all while pissing all over their own ancestors and your ancestors from behind the teeth they were lying through.
I also find it deeply offensive and extremely bad form to say, in the comment I am replying to, "Bad mistake only, no one knows why." when one person very much knows why.
The appropriate PR move in a situation like this, in future, would be to ask the person and then report their answer even if it is "I don't know why I did that" or "I chose them at random to appear more Slavic" because then you can say, verbatim, what was said to your loyal customers for them to respond to. And believe me, if either of those were this person's answer, they are absolutely lying to you to save their skin. The only people who pair the Schwarze Sonne and the doppelrune of the Siegrune, whether in 2026 or 1946, are cryptofascists in the wake of Nazism's defeat trying to dogwhistle (and quite without subtlety, at a very loud volume) to other fascists or extremely edgy memers who think it's funny to emulate Nazis ironically, which is a thing anyone doing on a job should be fired for regardless of whether they protest they are not fascists or not. Even if they're not, that is so deeply unprofessional and disgusting and disrespectful to the memories of all of your ancestors that you invoked in the comment I'm replying to that an immediate firing is the only way to respond to that if you actually care as much about your ancestors' suffering as this comment claims.
Do you? Or was that just PR b.s.?
Happy May Day!
Critical Mass is an analog map-drawing game about anonymous rioters resisting Authority in the streets that asks players to reflect honestly about the actions of the rioters reconfigure the world around them.
Remember, practice makes perfect.
You can download the zine for free here:
a riotous map-drawing game for 1-4 players
some hyper famous artists like Van Gogh transcend overratedness and become underrated because they're so normalized. Like I'll look at a van Gogh and I'm like wait this really is amazing you guys don't get it
Shakespeare is like this
Every time I see a Van Gogh that’s not one of his better known pieces it absolutely blows me away
Have you seen this shit my liege? smh unreal