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Idk😭
I'm not actually into Saiki K but my sibling watches it a lot and I think the funniest part of the show that I've picked up on is Saiki's internal monologue always being like "fuck these people they're so annoying I hate being around them I'd do anything to avoid them right now I have to to make absolute sure they don't look at me or talk to me" but he's like always hanging out with these people. not only is he almost always around them, but he comes up with elaborate plans to help them get a job or pass a test or whatever the sub plot of the episode is. winning and losing the idgaf war simultaneously.
Dude Saiki K is so good why did I sleep on this for years
ts is so real,
i've heard it's good, but i didn't actually start watching it until a friend said he watched it
i don't know why but it feels like that everything i say on the internet will ultimately be a shout in the void seen by at most ten people
or at least the things i care about the most, i know people in my life who got popular on the internet by catering to a specific group of people
but i feel like everything i say is some weird strange cringy utterance that makes people want to not see me
it feels like i'm shadowbanned from everything on the basis of how i string my words together
Obsession (2026), Crossing the Rubicon and How the Movie Conveys Bear's Evil
Ok, so I just watched Obsession and it's really really good. I'm trying to write down some immediate first thoughts about the film.
One thing I am going to latch on is Bear's character and how the film makes it expressly clear that he is not a good person from 20 minutes within.
The phrase "Crossing the Rubicon" goes back to when Caesar defiantly lead an army within Rome proper, the Rubicon river being a boundary between Roman controlled lands and Rome proper. (I am paraphrasing this orgin from Wikipedia, take it with a grain of salt.)
Essentially it's an idiom describing an event horizon, once Caesar crossed the river he was essentially leading an armed force into his own country thereby making him a threat to the state.
Bear crosses a moral rubicon very early on into the film right after making his wish.
Nikki goes from being irritated over the "Freaky Nikki" comment to uncharacteristic fawning over him, and Bear recognizes this behavior as strange. He knows that she is not in a right place of mind, but he eats up the adulation. He takes her back to his place and gets intimate with her.
This whole scene is coded with imagery evocative of date rape, or taking advantage of someone under the influence. Nikki is, in a way under the influence of a dark and evil wish granting device, but she is also inebriated (Bear comments as much!) and yet, Bear still pursues this woman who he has brought back to his home.
It's very disgusting, and the film repeats this Crossing of a Moral Rubicon to make it clear to the viewer that Bear is in the wrong.
Outsiders to Nikki and Bear's relationship think that Nikki is going through some mental episode, and that Bear is taking advantage of it. And again, yes Bear is taking advantage of an episode, but it is one that he (knowingly or not) caused and is trying to benefit from.
I'm going to do a bulleted list of other scenes that stood out to me in the film that illustrated just how in the wrong Bear is.
When Nikki came back, still apparently unwell, he still pursued the relationship time and time again. Like after the cat shrine, or when he found out that she lied about the cancer.
Bear knows nothing about the real Nikki even. He didn't know that her and her dad weren't close anymore. He is in love with a projected ideal of her.
He's not even a good partner to Wish-Nikki, this sucks for both Nikki's involved really. Bear keeps on asking her "Why can't you be normal? Why do you do this" when he is the one who willed her into existence.
When he called the One-Wish-Willow hotline and only wanted to alter the result of his wish rather than terminate it.
He looks really guilty when at the party Ian throws Nikki reads her chilling soliloquy because A: He is told by Real Nikki explicitly that she knows about the wish, and B: He's made aware of the fact that their relationship and anything sexual they did was not fucking consensual by any means.
He doesn't dress Nikki's wounds after the party, she just asks wish Nikki why can't she be normal.
When Nikki asked to die, and he boyishly ignores it saying "Well, what's so wrong about me?"
Above all, Bear makes a wish that changes and fucks up someone totally, and he just rolls with it. Some part of him doesn't want to change it despite the pain he brings Nikki, himself, and those around him. Bear is deeply selfish this way.
I read the last half of the movie is Bear facing the consequences for his actions. He basically created wish Nikki, regretted it, and wanted to move on with no regard for real or wish Nikki and he and others around him suffer for it.
There's a lingering motif of neglect that comes to his treatment of wish Nikki, like a pet a kid said they wanted but didn't want to care for. This kind of personality and treatment is foreshadowed by the cat's death. We see a torn bag of food, and I think the implication is that the cat tore up Bear's apartment because it didn't have any food.
Because Bear just left his pet alone, in an effort to find comfort (food), the cat ends up destroying everything around it and itself. This is a dynamic we see play out with Bear and Wish-Nikki. Like Ian said, they're in a fucked up co-dependent relationship. Bear wants the affection from "Nikki" and Wish-Nikki wants to fulfill the purpose she was created for. Only for Wish-Nikki to be tossed aside for not aligning with her creator's vision.
(Reminder: Bear is neglecting Wish-Nikki while also violating the Real-Nikki's body and autonomy at the same time.)
Another aspect of Bear's character is that of a bad partner. There's the previously mentioned motif of neglect with Wish-Nikki, but there's also his behavior in response to her unusual behavior. Bear jumps to comforting male platitudes "What's wrong babe? Are you ok?" with out actually addressing the route of the issue or behavior. Bear is very much afraid of confrontation and is unable to offer support or advice beyond what he thinks boyfriends are supposed to say.
Bear is not the caregiver or partner Wish-Nikki needs. In Bear and Sarah's final conversation, she basically says as much. From her point of view, Nikki is in clear need of help, but not help from Bear. Sarah advises Bear to go get her therapy. The silent message is that someone, anyone else would be better for Wish-Nikki.
She gets this person briefly when Wish-Nikki makes a wish herself. Bear didn't love her nor was he willing to give as much as Wish-Nikki did. She finds temporary reprieve in Wish-Bear, someone who was at least able to match her better than Bear.
Bear was never in love with the real Nikki, he was in love with a projected image of her and even when he made the projected image real it still wasn't enough. Everything about Bear is selfish on so many different levels it's insane.
This selfishness leads to him ruining the lives of everyone around him, as well as his own. The wish that he made was even evil and selfish in and of itself.
We see Ian's wish for "One billion dollars," go by without a monkey's paw twist or kink, and why? Ian's wish didn't come at the cost of anyone. It didn't manipulate anyone or put anyone into some weird sunken place. The money literally falls out from the sky, it's not taken from anyone. The evil of Bear's wish comes squarely from within himself.
The last aspect of Bear's character I'll mention here is the banality of evil that he enacts. While wish was evil within itself, Bear after having made it continually fails to amend the situation. He continually crosses moral rubicon after moral rubicon even from within the first twenty minutes of the film.
He should've never tried sleeping with Nikki, nor should he have pursued a relationship with her. He shouldn't have neglected Wish-Nikki or even let her exist in the first place. Bear only searches for solutions to undo her after he is forced over the rubicon for one last time when Sarah is killed.
Yet up until this point, Bear lets Wish-Nikki exist in abject suffering, like an animal that needs to be put down. All the while, being cognizant that the Real Nikki is in great agony over the whole situation. He uses the Real Nikki's body like a sex and praise doll for his own pleasure.
Bear ignores any obvious warning signs or cries for help or advice he is given, because ultimately he is selfish. By doing nothing and continuing the relationship, he gets what he wants. That is, until Wish-Nikki stops acting like the toy he wanted.
This selfish, banal evil ultimately leads to the total destruction of everyone involved.
I really enjoyed this movie and I hope I was able to articulate a decent reading of Bear's character. The film really is brilliant.
IN CONCLUSION:
So from what I understand this is basically the Iron Lung, Project Hail Mary, Obsession, and Backrooms movies
Ooh, additions~
Iron lung/obsession/phm: Being denied your own humanity for the benefit of others; being used. Or, a central Character just wants to live, be free, and be human, and is denied this.
Also I’d shift Iron Lung/Obsession to: A central character forced into a shell of themselves so they can be what someone else wants.
(Simon Iron Lung is repeatedly shown to be a good person in a bad situation, he actively has compassion, seeks to fix his mistakes, and wants to be better. (He apologizes to a console for hitting it in frustration, constantly asks after the health of people he accidentally irradiated. Apologizes to them even more. Actively did not want to kill people.) The situation is the horror here.
(Bear Obsession is repeatedly shown to have no interest in compassion or improving himself, and is completely fine with utterly dehumanizing and using Nikki so long as he gets what he wants. (Access to her body/attention) Even when shes begging him to kill her or to just let her go, because she has no control over her own body anymore and just wants to be free, he doesn’t care.) Bear is the horror here.
Also I think the specter that possessed Nikki miiight count as an otherworldly entity. Its less Literal, though. ‘Spose clarifying that its a literal otherworldly thing might help too LOL
Backrooms/phm/obsession: The damage that other people did to central characters is for them to deal with for the rest of their lives, and they had no say in it. There’s no undoing what was done.
Lmao I just went to the TV Tropes page for Obsession and I love this bit of trivia
“Hey man, your main character isn’t sympathetic enough, could you fix that?”
“Okay sure, I’ll make him MORE unsympathetic since you idiots missed the point”
do y’all understand just how insane this is???? 🤯
via filmdreams
if i think too hard about nikki’s experience in Obsession i feel physically ill. imagine one second you’re just walking up to your house after a night out, and then the next, you’re looking out of your own body, but you’re not longer in control. you’re a prisoner to a terrible, unnatural version of yourself that only exists because of a choice someone else made. when you scream, nobody listens. when you claw your way out for long enough to explain that this isn’t you, nobody listens. when you beg the man who trapped you in this situation to put and end to it, to set your free, he just. doesn’t. listen. and then when you do finally regain control, all your friends are dead, and you are covered in their blood. because of a choice someone else made
Im so glad they changed it so she survived because it made everything click in the movie for me. It was the last thing Bear Ruined for her.
"Preparing [for the role of Nikki] was really fun. We got to watch a lot of fun movies, and kind of pick and choose, like a puzzle, what we wanted in the film. Moments that we took inspiration from, and made them our own." — Inde Navarrette for Fandango "We watched Get Out, and focused on a lot of the moments where characters are showing an emotion underneath but saying something completely different [on the surface], and how horrific that is. There's a scene where [Nikki] is saying, "no", and there is a [similar] scene in Get Out [which we took inspiration from]." — Inde Navarrette for A Shot Magazine Obsession (2026) Dir. Curry Barker Get Out (2017) Dir. Jordan Peele
YESSS HOLY SHIT I CLOCKED THIS WHEN I JUST WATCHED IT AND I AM SO HAPPY THAT IT WAS A REFERENCE
you have to understand that this is like my horror jimmy timmy power hour as someone whose only other horror movie I watched was all of peele's works
i'm very happy 🥹
oh and another thing that devastates me about Obsession is how much nikki is judged and blamed by those around her. sarah and ian repeatedly telling bear that he shouldn’t have to deal with her, that she’s not his responsibility, that they’re worried she’s taking advantage of him. as if they aren’t also her friends, as if they shouldn’t know her well enough to notice something is off. there’s no concern for why nikki is behaving the way she is, there’s just distain towards it. she starts acting out of character and so it must all be intentional. but bear doesn’t get questioned. bear isn’t gossiped about. nikki loses all her agency and autonomy, and all she gets for it is judgment
I think there's implications that Nikky is not always the best person to her friends and that her love life is a little complicated before hand, but nevertheless. His male friend has the opposite perspective of Sarah where he thinks Bear is actually taking advantage of Nikky fragile state. And I have anoth reasing of his defense.
But i think those scenes also work for me because of how I'm passionately Bear is defending this fucked up situation from both points of view. He takes it personally and deflects from the things fake Nikky is doing all the time in a way that seem remisent of how people defend toxic relationships while they are on them. In this case theres the added complexity that Bear is the original Aggressor and none of the friends know. But the entity is making him live a fucking nightmare and he is staying and not asking for help because is cowardly hoping that it all works out.
Moments where the real Nikki breaks through the wish OBSESSION (2026) Dir. Curry Barker
One thing about Obsession (2026) that I enjoyed was that it almost asks you to feel empathy for the entity possessing Nikki as well as the real one. Like, obviously the things she's doing are horrific and fucked up, but I think the scene where Bear is asking her to "just be Nikki!" and she eventually just desperatly screams "I can't be Nikki!" does a really good job of showcasing the entity's inner feelings. She's been created with the sole purpose of loving this guy more than anyone else but no matter how perfect it is or how much he claims to love her, its not her that he loves, its Nikki. And any time she stops pretending to be Nikki, he reacts (albeit rightfully) with disgust and horror. She can't be Nikki because Nikki would never love Bear, and so Bear will never love her.
Look bear with me for the Rick and Morty reference but Nikky and her entity is like a Mr Meeseeks situation.
She has one purpose and will literally experience psychological torture every time she is not near Bear or he shows that he is not in love with her. The perspective of losing him is literally mind obliterating and she is just reacting to that level of duress. He wish her to love him more than anything in the world, more than her family her dreams and herself and she can't do anything else except that.
The monologue of what she feels when he is gone was gut Wrenching, and she has felt that way since day one. And after all that suffering she just, evaporates after Bear dies. Sweet release.
nikki begging bear to kill her and all he does is ask whats so bad about being with him. one of the most nauseating scenes ive ever witnessed
best movie of da year lowk
on my second viewing of obsession, i had the realization that nikki’s story at the party wasn’t the movie using incest as an easy shorthand for making the audience uncomfortable or creating a general “things are off” vibe but was another way the real nikki was crying out—a metaphor for the fact that nikki, like gretel, is being made to fuck her “little brother” (bear) under duress, at the behest of an external magic (the witch’s spell in her story; obviously, bear’s wish)
I genuinely appreciate how obsession doesn't try to frame bear as morally grey but just fully leans into how deplorable he is. a lesser movie would have tried to give him redeeming moments along the way but no, at every single crossroads bear makes the wrong choice. when the customer service rep asks him if he wants to cancel his wish, he says no, and asks to alter it. when nikki, the real one, begs him to kill her, he asks her "if it would be so bad to love him", and right at the end, backs out of killing himself and tries to throw the pills up. he is the villain, not another victim, not a confused, cowardly boy, the villain.