She/Her 20 yrs. DESTIEL IS REAL(unlike the finale)!!!!!! not spoiler free https://witchchesters.tumblr.com/post/635615532879691776/spnfamily-fundraisers
that whole week was wild bc, like, the USA was in the middle of one of the most contentious and highly Covered elections in US history and out of nowhere One of the biggest queer bait ships on the internet becomes canon after 12 years and then suddenly Putin is stopping down?!?!?! Wild.
with the way castiel is canonically a little vain i think we should’ve seen him ask sam and dean “how do i look?” more often cause dean would always be like “fine, you look fine” until one morning when they’re in a hurry and cas asks and dean is like “damn it cas you always look good now move” and sam just looks at dean and dean is like “what. what. he does, i don’t know why he’s always fishing for compliments” and sam is like “dean his shirt is literally inside outside”
Sam like 'they keep telling me its their anniversary but when i ask 'of what' they change the subject
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(ID in alt and under cut)
ID: 1. Full body of Charlie, hair in a short curly bob, wearing a tee shirt and jeans, lounging in the drivers seat of a car at night. The seat is tilted back and there is a crumpled flannel shirt on her lap as if she had been using it as a blanket. She has one foot propped up on the dash and one arm behind her head, the other hand holding up her phone. She smiles incredulously at the screen. Text overlay shows her conversation with 'Tall Sam'. Sam: Hey what's it called when a guy is mostly into girls but also sometimes guys? Charlie: Omg Sam r u coming out to me [star eye emoji]? Sam: No it's for someone else. Charlie: Bisexual btw. Other options but lets start there. Sam: Thanks. Charlie: U rly couldnt google this? Had to text your one gay friend for backup lol. Sam: There were a lot of results I didn't want to get it wrong sorry. Charlie: Never wrong when ur labeling urself sammo! And dw ive always wanted to be someones gay Yoda. [gif of Yoda nodding and saying 'learning you are']
2. Full body of Sam wearing a flannel and jeans, sitting on a stool against the kitchen island in the bunker, his laptop open in front of him, both thumbs tapping on his phone with a worried frown. Behind him, Dean and Cas stand close together in front of the stove, Dean - who is wearing an apron - holding out a wooden spoon for Cas to taste from. Cas is obediently leaning forward to take a bite. Text overlay shows Sam's conversation with 'Charlie B' continue from his perspective. Sam: AGAIN NOT FOR ME. I am...gay-Yodaing by proxy. Because I know this person would never ask. Charlie: Omg is Dean finally hopping on the rainbow road with me?? Ive been saving his seat. Sam: Just a friend of mine!! Anyway I'm pretty sure you're not supposed to out someone without permission Charlie! Charlie: Dam u got me. #1 rule in the Gay Code of Conduct. Sam: And I'm insulted you were more excited about Dean being hypothetically bisexual than me. Charlie: I'm sorry. I would welcome you with open arms [sparkle heart emoji] [rainbow emoji]. Sam: Thank you. Charlie: And I know several dudes who would welcome u with open legs. Sam: ENDING THIS CONVERSATION. Charlie: [gif of Yoda saying 'i sense much fear in you'] /end ID
Pairings: Castiel/Dean Winchester, past Cas/others, brief mentions of Dean/others
Length: 51046
Warnings: No Archive Warnings Apply
Canon-typical violence and mentions of torture, Potential Dub-con, Mentions of suicide
Tags: Top Cas/bottom Dean Winchester, Alternate Universe, incubus!Cas, hunter!Dean Winchester, magical hunter organisation, porn with plot, marking, enemies to lovers, Cas drives people crazy, possessive behaviour
Posting Date: October 24, 2025
Summary: In a world where the supernatural walks in plain sight, Dean Winchester hunts what haunts the dark.
He’s assigned to a case that should’ve been routine - just another incubus with a taste for lust and leftovers - but when the bodies start piling up and the suspect starts slipping into Dean’s dreams, things get personal fast.
Whatever this thing is, it’s not following the rules.
And now Dean’s caught in a hunt that’s turning into obsession. One where every answer pulls him deeper, and the real danger might not be the monster he’s chasing.. but what it awakens inside him.
Excerpt: The camera zoomed slightly as Duma arched against the restraints, mouth open in a wordless wail. “He wants me to!” she screamed, thrashing. “He needs it. He needs the pain and the pleasure. He needs it from me!” She arched against the restraints before slamming back down. “Please! Please, I can do better. I'll give him more!” She tried to slam her head back against the table, again and again, until blood bloomed behind her scalp. The orderly cursed and hit the call button and the feed cut to static.
Dean stared at the screen, the blood in his veins running a little colder. He clicked back through the folders to double check nothing had been missed, and noticed one last file tucked at the bottom of the list. It wasn’t labelled like the others. There was no date or header.
\>.returning.vid
Size: 0.66 MB
Modified: 03:33 AM
Dean frowned. The timestamp didn’t match anything. He hesitated, then clicked it. The screen went black at first, and again there was no sound, then there was a figure. A silhouette. It was still, upright, facing the camera. There were no eyes or features visible, but the shape was familiar. Slowly - very slowly - it tilted its head, like it knew he was watching. Like it recognised him. Then a whisper that was barely audible. Not from the laptop speakers, from somewhere else.
“Dean.”
The entire screen cut to black then the laptop booted up again. Dean stared at the screen, heart thudding in that old hunter rhythm he hadn’t felt since the first time he faced down something ancient and deadly.
When the desktop came up again the screen returned to the USB’s directory. It was empty. Dean scanned the list, slowly and carefully. No file called .returning.vid. No recent modifications. Nothing.. He refreshed the folder twice, still nothing.
Dean sat back in his chair, one hand gripping the edge of the desk like he wasn’t sure if the room had started feeling off or just his heartbeat. Maybe it was a glitch, or a corrupted clip. Maybe he’d imagined it. Except.. he hadn’t. He could still feel it, that voice. His name.
Dean shut the laptop, got up, poured another whisky and drank it. He stood there, eyes flicking once more toward the file spread across the table, and even as he turned away, he felt it - that impossible, itching certainty deep in his bones.
He wasn’t the one watching anymore.
Thinking about Faye as a subversion of the ‘fridging’ trope.
Usually, in a story like this (masculine man loses his wife, motivating him to go on an adventure), the story is usually invariably sexist. The wife’s death is violent, but once the man has started going on an adventure, proving his heroism, she’s basically never mentioned again. She’s a brief plot device, forgotten after the start except for a few dull flashbacks. We never learn more about her as a person. She existed to date a man and then die. That’s it.
And Faye isn’t that at all.
Her death was not violent, and does not happen onscreen. It was a quiet death, presumably from illness, and what’s more: she saw it coming. She was at peace with it.
Anger over her death isn’t the reason for the adventure. Kratos doesn’t start wandering the Nine Realms because he’s angry about his dead wife. He travels the Realms because he wants to honour his wife’s wishes. The journey only happens because of the immense respect he felt for her.
Her death isn’t the sole reason why the adventure starts. Yes, she’s the reason why her husband and son go travelling, but Baldur’s appearance is what introduces violence into the story.
Faye had a life before she met Kratos. She’s not a paper-cutout mother-and-wife. She had friends. She kept secrets. She was a warrior who led a rebellion. Her association with Brok and Sindri is the reason why they agree to help Kratos and Atreus. Kratos acknowledges her talent, and the fact that she was better than him at some things. Her life before Kratos directly affects the story after her death.
Faye is not forgotten by the narrative. The whole story is haunted by her. She knew what would happen. Kratos and Atreus talk about her with each other and with others. It’s clear how much she meant to them and how significant she is to the plot.
Meaningful flashbacks. Usually when a woman is fridged, the flashbacks are just an overly bright snippet of the woman looking pretty and saying some variation of ‘I love you, babe’. But the flashbacks in God of War: Ragnarok are plot-relevant. Kratos and Faye don’t just discuss their relationship. They talk about grief, morality, mortality, Kratos’s past, and the way to raise their son.
Genuine grief. This isn’t a man seeing his wife dead, crying a single tear, killing a bunch of people, and never reflecting on his widower status again. Kratos, Atreus, and other characters all mourn Faye’s passing. Years after her death, Kratos is still deeply moved by his memories of her. She is not forgotten by anyone.
Faye wasn’t some disposable woman. She’s the cornerstone upon which the entire plot rests.
i really hate people who play the new god of war games and their only take away is “atreus sucks”. it’s not as bad for ragnarok but when the first game came out especially this shit was UNBEARABLE. people just don’t seem to understand kids act up. TEENAGERS ACT UP. THEY’RE KNOWN FOR THAT. and especially a kid like atreus, who lost his mother and is left with a father who has such a hard time connecting with him. do people just expect him to be a perfect, sweet kid?? yeah he fucks up a lot and he can be really unreasonable at times but he is A KID. he thinks he knows better. he needs to learn and grow. that’s how kids work. atreus just happens to be a kid in a really difficult position who’s fuck ups have some really, really big consequences. but he’s a KIDDD leave him ALONEEEE
Something Dude bros forget when claiming Kratos is "soft now"
The last game showed Kratos' brutality, roughness and aggression as very much a bad thing. It was a part of himself he needed to get under control so that he could be a better father to Atreus. And is also hugely is shaped from his own traumas.
The traits dude bros praise Kratos for have always been complicated. And Kratos has to take them and learn to use them in ways that is not only beneficial to Atreus and everyone around him, but is also healthier for himself. Coming to peace with them so he doesn't hurt his own son or pass them onto him.
By the new game he has friends. He is openly compassionate and more understanding. He is open about his love for arts and is more affectionate with Atreus in his own ways. And that's a good thing. He recognizes closing himself away isn't something he needs to do. He still has issues he's dealing with but he works on it.
Aggression for the sake of manly aggression is not what Kratos is and minimizing him to that is blatantly wrong and a demerit to his character
Favourite part of God of War: Ragnarok is when a character is having a dramatic moment of great personal growth and significance and Kratos is just standing there in the background dutifully holding up a severed head so it can get a good view.
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