the mortifying ordeal of committing to the bit

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The Stonewall Inn
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@perfectmaybe
the mortifying ordeal of committing to the bit
summer sketches 🌾
Pei-Cheng Hsu - River No. 1, 2020
Leonardo Devito (Italian, 1997) - Per un Amico (For a Friend) (2025)
Suzanne Valadon, "Plat d'étain" (Tin Plate), 1920. Oil on cardboard. Ville de Grenoble / Musée de Grenoble-J.L. Lacroix Domaine public.
Suzanne Valadon, born Marie-Clémentine Valadon ( 1865 - 1938), French painter and model.
MRS GROSSMAN’S 2013 SPARKLE LIGHTHOUSE STICKERS
Rubén Ortiz Torres (Mexican), Corona de espinas (Crown of thorns), 1991. Photolithograph and woodcut. Hammer Museum, UCLA.
Bjørg-Elise Trudvang-Amundsen Tuppen
Flow of Forever, 2021
Acrylic on canvas.
Loss - Shan Goshorn
2016 11.5” X 4.25” X 4.24”
Arches watercolor paper splints printed with archival inks, acrylic paint, artificial sinew
"The blue, vertical splints on this Cherokee style basket reproduce names from the Carlisle Indian Boarding School official student roster. This institution was the brainchild of Captain Richard H. Pratt and was an attempt to assimilate Indian children into white society by removing them from their homes and teaching government approved lessons. Pratt’s coined phrase “Kill the Indian, save the man” became the unofficial mission statement for this school and others that soon followed. Students were completely denied their traditional culture, including the use of their native tongue. Infractions were frequent and often severe for disobedience such as “acting Indian.”
Also combined in this piece are portions from eight different treaties between the U.S. Government and a vast sampling of Native Nations. They are identified in woven order from top to bottom (two are duplicated): Horse Creek, Canandaigua, Medicine Lodge, California, Navajo, Muscogee, New Echota, Medicine Lodge, Canandaigua, and Ft. Wayne. Generally speaking, these treaties resulted in major land loss and relocation for Indian people.
The pattern is a variation of a traditional Cherokee one called “Unbroken Friendship,” but I am using it to illustrate how closely these government sanctioned policies were used to eliminate the first people of this country."
Silk Starburst quilt. 1860. Jane Jeanette Allen Hamersley. American. Connecticut. Wadsworth Atheneum Art Gallery.
Quick monsoon piece... looks moody but everyone's definitely glad for the rain.
Gustaf Fjaestad (Swedish, 1868-1948), Tillfrusen skogstjärn omgiven av rimfrostig vegetation i skymning [Frozen forest pond surrounded by frosted vegetation at twilight]. Oil on canvas, 110 x 132 cm.
Four Untitled Works from Burial Grounds
fairy nap by caroline absher, 2022, oil on canvas, 29.9 × 24 inches
✹ SUNCHILD ✹
North on Kenmore Ave from 6th St. Photo by Ansel Adams, 1940.
Forgotten Los Angeles, Facebook