view from empire state building
Keni

roma★

JBB: An Artblog!
Three Goblin Art
Sade Olutola
taylor price
RMH
Sweet Seals For You, Always
occasionally subtle

pixel skylines

Kaledo Art
Cosmic Funnies
Peter Solarz
"I'm Dorothy Gale from Kansas"
DEAR READER
$LAYYYTER
let's talk about Bridgerton tea, my ask is open

shark vs the universe
No title available
he wasn't even looking at me and he found me

seen from United States

seen from Netherlands
seen from United States
seen from Brazil

seen from United States

seen from Australia
seen from United States

seen from Japan

seen from Türkiye
seen from Romania

seen from Estonia
seen from United States
seen from Taiwan
seen from United States

seen from Malaysia

seen from Chile
seen from United States
seen from United States
seen from Japan

seen from Germany
@pessimisticppisces
view from empire state building
japan, december 2017
newspaper boy
new york
top of the rock, new york
egyptian art pt 2
cuteass <3
statue of liberty
commonly asked question :
1. Why is it green?
- it is because of the air. slowly over the years, the air has oxidised with the copper, (which is the metal that the statue of liberty is made of) therefore creating a green hue.
the great artist is the simplifier
- Vincent Van Gogh
to be soft,
is to be powerful.
two damaged people trying to heal each other, is love
- R.H.
head of christ
an intense interest in physical expression is a hallmark of later medieval art. here, the sculptor has blended carefully observed details like the furrowed brows punctured by thorns, with formed elements like the rhythmic lines about the eyes and the subtle undulation of the surfaces of the cheeks.
virgin and child
the virgin's mantle, rendered as a single piece of heavy cloth hung around her shoulders, traces a long sinuous line down her right arm, gathering in undulating folds. on the other side, Jesus, perched high on the virgin's left hand, looks down toward the viewer.
the vine
shown stretching upward and outward in imitation of a living vine, this lyrical nude balances on tiptoe in the ecstasy of performance, with a grapevine suspended in her hands. Frishmuth often turned to dancers for her sculptural themes and had them pose for her with musical accompaniment. the fluid arc of Desha Delteil's body projects a self-assured euphoria associated with the United States after the First World War, in the years familiarly known as the Roaring Twenties.