Peter Solarz
No title available
RMH
hello vonnie
Cosmic Funnies
❣ Chile in a Photography ❣
shark vs the universe
DEAR READER
祝日 / Permanent Vacation
Claire Keane
JVL
★
NASA
Alisa U Zemlji Chuda
TVSTRANGERTHINGS
dirt enthusiast
styofa doing anything
KIROKAZE
todays bird
#extradirty
seen from United States
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@phanatic-01
I guess I’m back?? I’m not sure why I suddenly decided to be active again, but the writing bug has finally got to me and, well, I’ve missed being part of the Phandom. I have no idea how much it’s changed in the last 3 and a half years or even how many people are still around, but it’ll be nice to take in all the new content!
La Belle Dame Sans Merci - Sir Frank Dicksee (1901)
It is you who’d be doing… me the service.
NORTH AND SOUTH (2004)
The One And Only Signora (Artemisia Gentileschi)
“Artemisia Gentileschi, (born July 8, 1593, Rome, Papal States Italy—died 1652/53, Naples, Kingdom of Naples), Italian painter, daughter of Orazio Gentileschi, who was a major follower of the revolutionary Baroque painter Caravaggio. She was an important second-generation proponent of Caravaggio’s dramatic realism.A pupil of her father and of his friend the landscape painter Agostino Tassi, she painted at first in a style indistinguishable from her father’s somewhat lyrical interpretation of Caravaggio’s example. Her first known work is Susanna and the Elders (1610), an accomplished work long attributed to her father. She also painted two versions of a scene already essayed by Caravaggio (but never attempted by her father), Judith Beheading Holofernes (c. 1612–13; c. 1620). She was raped by Tassi, and, when he did not fulfill his promise to marry her, Orazio Gentileschi in 1612 brought him to trial. During that event she herself was forced to give evidence under torture.Shortly after the trial she married a Florentine, and in 1616 she joined Florence’s Academy of Design, the first woman to do so. While in Florence she began to develop her own distinct style. Unlike many other women artists of the 17th century, she specialized in history painting rather than still life and portraiture. In Florence she was associated with the Medici court and painted an Allegory of Inclination (c. 1616) for the series of frescoes honouring the life of Michelangelo in the Casa Buonarotti. Her colours are more brilliant than her father’s, and she continued to employ the tenebrism made popular by Caravaggio long after her father had abandoned that style.Artemisia Gentileschi was in Rome for a time and also in Venice. About 1630 she moved to Naples, and in 1638 she arrived in London, where she worked alongside her father for King Charles I. They collaborated on the ceiling paintings of the Great Hall in the Queen’s House in Greenwich After Orazio’s death in 1639, she stayed on in London for at least several more years. According to her biographer Baldinucci (who appended her life to that of her father), she painted many portraits and quickly surpassed her father’s fame. Later, probably in 1640 or 1641, she settled in Naples, where she painted several versions of the story of David and Bathsheba, but little is known of the final years of her life.
Selected Works:
1. Mary Magdalene as Melancholy
2. Judith and the servant Holofernes
3. Bathsheba At Her Bath
4-5 Saint Cecilia, Lady With A Fan
6. Saint Catherine Alexandria
7. Allegory of Fame
8. Susana and the Elders
9. Cleopatra
Anonymous requested –> Favorite ‘Final Lair’ Kisses
(Okay this is more like “favorite stuff that happens between or after the kisses”.)
Colm Wilkinson and Patti Cohenour (chest leaning!)
Ian Jon Bourg and Colby Thomas (fierce kisses!)
Sandor Sasvari and Andrea Maho (tenderness to passion!)
Earl Carpenter and Rachel Barrell (hair touching!)
John Cudia and Jennifer Hope Wills (E/C extreme makeout version!)
Ramin Karimloo and Leila Benn Harris (handholding!)
David Shannon and Gina Beck (lip touching!)
Hugh Panaro and Trista Moldovan (head cradling!)
Ivan Ozhogin and Tamara Kotova (desperate shirt clutching!)
Mathias Edenborn and Daniela Braun (”I’m dragging him down with me”)
caption this
*When the theater kid becomes a vampire*
Audra McDonald, Anne Hathaway and Raúl Esparza in Twelfth Night by Brigitte Lacombe, 2009.
An Archive of Our Own, a project of the Organization for Transformative Works
https://archiveofourown.org/works/38519938
I’ve finally gotten around to sharing another work on Ao3 that I originally had on FFN.
To anyone who loves angst and sexy piano times, this is for you
Alphonse Mucha
“Her arms were around my neck, her caressing hands an insistent pressure against my skull, drawing me forward with unbelievable strength into her embrace…. Deeper and deeper she swam down into that embrace, dragging me relentlessly back up with her into the searing light of day.” - Phantom, Susan Kay
Josh Piterman and Kelly Mathieson | London | 2019
TheArtOfTheMask
#2, #3, #4, #5
Hajandradeye’s Post
Info
You gotta walk in rooms like God sent you
Phantom of the Opera illustration by Kuri Huang
Wake up babe, new wishing dress photo just dropped
Jane Austen really said ‘I respect the “I can fix him” movement but that’s just not me. He’ll fix himself if knows what’s good for him’ and that’s why her works are still calling the shots today.
Meanwhile Emily Brönte just said “We can make each other worse.”
Mary Shelley said, "I can make him
Michelangelo’s David / Mads Mikkelsen
