Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)
trying on a metaphor

❣ Chile in a Photography ❣
One Nice Bug Per Day

JBB: An Artblog!
Sweet Seals For You, Always

★
wallacepolsom

@theartofmadeline
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Origami Around
Cosmic Funnies
styofa doing anything

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TVSTRANGERTHINGS
AnasAbdin
todays bird

Kiana Khansmith

if i look back, i am lost

祝日 / Permanent Vacation
seen from United States
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seen from Germany
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seen from Australia
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@phaslo
Heeyoung Noh (Korean, 1995) - Be Quiet! I Won't! (2025)
Guillermo Kuitca (Argentinian, 1961), Untitled, 1986. Oil on canvas, 79 x 55 in.
R O S E + adjectives
Please Don't Leave Me Alone Up Here
I'm so cold
Being played by Andy Serkis gives Snoke opportunities otherwise tarnished by his ugliness. Stick that fucker in a modern AU with cigarette breath and a beard and you’ve got the abusive mlm age gap ship of delightful nightmares.
Han POV
People didnt hate Kylo Ren because of what he did they hated him because the narrative privilege afforded to an evil white guy put the misogynistic tropes which were always at the core of this series, embodied more directly by his father, into sharper contrast and reminded the modern audience that this multi billion dollar franchise owned by a megacorporation and acted by rabid zionists was never going to embody their morals the way they wanted it to. Star Wars doesn’t love you, you shouldn’t meet your heroes, there isn’t one character you can get rid of to make that go away and if you get invested in Marvel or Disney or another story told by shareholders this will happen again.
by Mel Bochner, 2017
Fritz Schleifer
merry christmas
Asian forest scorpion kylo ren is now a mom 😭
Something something Osha and Ben killing their father figures, something something, about knights of Ren, having to kill someone important to you to fully complete the trials. Something something idk I'm just insane
Dramatic exit
Pastel drawing, which I drew on A3 black paper. Kylo Ren from the Last Jedi. 2016
Han Solo.
"Rothko created a modulated ensemble of majestic paintings. The dark purplish tones have a soothing effect, yet they retain enough brilliance to stimulate the mind. The black surfaces invite the gaze to go beyond. The chapel is a place conducive to spiritual activity. We are cut off from the world and its suffocating multiplicity, able to wander in the infinite. Lacking the immensity of the desert, it is in the confines of a restricted place that we can embrace "the whole'. Here we are nowhere and everywhere; here we can find a blessed wholeness, a sense of unity."
- Dominique de Menil
𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢, in his studio with triptych from chapel paintings, 1965
📸 Alexander Liberman
Art- © 1998 Kate Rothko Prizel & Christopher Rothko Artists Rights Society (ARS)
While I have presented the black-and-white version of this picture before, I had not seen this color print until recently. As there are very few photos of Rothko with chapel pictures in a finished state, I'm glad to add this alternate scan. In this one you're able to see quite clearly, the studio supports keeping the pictures in place . .
It's said that Liberman, a friend of Rothko's, omitted photos of chapel works that had not been settled on, favoring pictures of this center triptych.
A little bit of a mystery to me here is the fact that this picture is dated 1967, but Rothko appears to be in the same photo session as the other photo of him with the chapel pictures dated 1965. In addition, the black-and-white version of this picture is dated 1965 in one book, leading me to believe that date is accurate. However, Lieberman did take pictures of the studio pulley system and skylight that are dated 1967. I would think the two pictures with Rothko appearing were from the same shoot, but it wouldn't be unthinkable, given Rothko's sartorial style, for him to be wearing the same suit in two pictures two years apart. This is something I'm still researching.
New scan, enlarge to see detail!