Tove Ditlevsen, from a poem featured in There Lives a Young Girl in Me Who Will Not Die: Selected Poems
almost home
occasionally subtle
"I'm Dorothy Gale from Kansas"

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Monterey Bay Aquarium
let's talk about Bridgerton tea, my ask is open

ellievsbear
YOU ARE THE REASON

Product Placement
Peter Solarz

if i look back, i am lost
NASA

#extradirty
I'd rather be in outer space 🛸

Janaina Medeiros
DEAR READER
Keni

pixel skylines
trying on a metaphor
i don't do bad sauce passes
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@philosphicalwhimsy
Tove Ditlevsen, from a poem featured in There Lives a Young Girl in Me Who Will Not Die: Selected Poems
A Peruvian elongated skull with metal surgically implanted after suffering injury, The broken bone surrounding the repair is tightly fused together indicating it was a successful surgery. (Paracas - peru)
In melancholia, the body loses the lightness, fluidity, and mobility of a medium and turns into a heavy, solid body that puts up resistance to the subject's intentions and impulses. Its materiality, density, and weight, otherwise suspended and unnoticed in everyday performance, now come to the fore and are felt painfully. Thus, melancholia may be described as a reification or corporealization of the lived body. The melancholic patient experiences a local or general oppression, anxiety, and rigidity (e.g., a feeling of an armor vest or tire around the chest, lump in the throat, or pressure in the head). Sense perception and movement are weakened and finally walled in by this rigidity, which is visible in the patient's gaze, face, or gestures. To act, patients have to overcome their psychomotor inhibition and push themselves to even minor tasks, compensating by an effort of will what the body does not have by itself any more. With growing inhibition, their sensorimotor space is restricted to the nearest environment, culminating in depressive stupor.
Thomas Fuchs, "Corporealized and Disembodied Minds: A Phenomenological View of the Body in Melancholia and Schizophrenia"
Source details and larger version.
Some are dancing, some are giant, some sing, and others rain down: vintage frogs and toads.
G. W. Edwards- Illustration for 'A Book of Old English Ballads.'
Lilacs and an old house
“Look like the innocent flower, But be the serpent under it.”
— William Shakespeare,  Macbeth. (via a-drasteia)
View from Neuschwanstein Castle
Anor Londo Knightess undertaker!
Our Lady of the Blind Faith — Emil Melmoth, 2022
Ellen Rogers
Dreams, Frederic Burton
Martin Voigt (German, b. 1990, Leipzig, Germany) - Flucht (Escape) V, 2020-2021, Paintings: Mixed Media, Acrylic on Linen
—Sarah Jean Alexander