Just figuring this out at the moment. Mostly I'm probably going to repost stuff that I like. (So I will probably focus on the X Files, random Daily Show/Colbert, and a whole bunch of randomness.) I've been following the X Files fandom in the shadows and decided to finally start participating, especially with the possible return of our beloved agents. I hope to hear from you guys soon!
I was rewatching the hallway scene, right, and someone’s probably said this but do you guys ever just think that if Scully had never said “you don’t need me, Mulder, you never have. I’ve just held you back.” He would’ve never gave her that speech?
When she says that his eyes widen and he’s stunned, and in that moment he’s maybe thinking *oh my god, she doesn’t know.*
And maybe then he thinks that he has to tell her, and he does. He tells her that she makes him a whole person, that she’s kept him honest. That’s almost the same as him telling her that he loves her.
He’s astounded that she appeared to genuinely not know how he felt, and in that moment the only thing that was important to him was that she *knew* because he needed her to stay, he needed her with him.
Ignore me, I’m just constantly crying over them 😭🙏
Say what you will about the English language but you gotta admit they were onto something when they named "jobs" after the biblical character who was forced to endure a thousand horrors
i watched this one last night and i felt like i had nothing to say. generally speaking, i think a few others have talked about it better than i can lol and they've kind of covered why i love it! and for me, i really have to step back from the general fandom view of it. this is one i have to look at the broader context of season six. if you just watch arcadia, i don't think it hits right at all. (also i think i need to dig into other episodes it reminds me of, but that might be a later separate post. we'll see. usually the connections i find make me love an episode more.)
season six is at one time one of the most msr seasons but also so tense. in the end, diana fowley shows up and it twists scully inside. this woman she knew nothing about, who was there when mulder found the x files & worked on them with him, who's been with him in the way she never has, and she shares mulder's beliefs. right into fight the future, where she may be absent but shes heavily impacting scully. to the point she's ready to walk away, believing mulder doesn't need her & she's only held him back. he gives her this whole speech, telling her how important she is to him, she saved him, made him a whole person. they almost kiss, before everything shatters & she nearly dies. but she's drawn back in. in the beginning, mulder's mad that that she couldn't hand over proof to the fbi, that she won't believe and she clings to what he told her in his hallway.
season six is very tropey, but most of it is also erased, they don't remember the events of dreamland or monday, triangle is a dream/the past. arcadia specifically, is taking a trope fandom usually makes fun or to bring two characters together, and uses it more like mulder & scully are working out some issues.
as kae says, mulder is peak annoying. almost insufferable. but it's these moments that tell us a lot. mulder says at the beginning that 'this isn't an x file.' he's not thrilled with the assignment, he's excited to get back to their work. scully disagrees, tells him 'it's unexplained,' and teases him. but it's tense. i think at other times it would have just been. funny. but he's making marriage jokes, 'not taking the case seriously,' and taking jabs at scully about 'fitting in here' — which is actually misunderstanding what it is that she really wants.
scully was also excited to get back to their work. she was just as bored without the x files, especially with the work they were forced to do. and maybe she did want to 'play house' but i think mulder ruined any fun she was having and her walls went up. so she started being annoying too lol
i love that this episode is tense, a little angsty. but their work partnership is still intact, even if a little strained. they go about their investigation in a fairly typical way, although mulder just tries to piss off the neighbors thinking this is simply human for most of it. i honestly love the way he tries to shake up the neighborhood. it's similar to mr. kline and is ultimately what got him & his wife killed. so he's on the right track (what a surprise). (and even when scully's right that it's an x file, i don't think she's right about anything else lol so classic.)
i always really liked @randomfoggytiger 's mulder analysis & this post lol, and i love the way kae connected the theme of this episode to a common theme running through the show.
i think fandom tends to view this through an msr lens, and not that isn't but it isn't the very in love & together phase of season seven episodes. it's them figuring out how to get there. not understanding what the other thinks or wants, what a relationship between them would like, or what it would mean for their work.
now for some scene specifics that i LOVE.
i love the way mulder reflects the man murdered in the beginning. mr. klein? is so fed up with the ccnrs & the uniformity. he's annoyed by win painting his mailbox. he's excited to get that weird lawn ornament. his wife is very accepting of his bothers, though she doesn't seem to care personally. it's just. it's very reflective of m+s through this episode.
and THIS moment. the way scully puts her hands up to be like 'okay enough, back off.' it's so funny. like. mulder & scully are affectionate. but it's mostly gazing, lower back / arm touches, hand holding...hugging is rare, it's reserved for deeply emotional & vulnerable moments. not just because. but here they have to. and i think that's uncomfortable for them even as they're soaking it up.
then after they're all moved in, as soon as they're alone:
this part says to me they were excited (personally) for this case, at the very beginning they're having a great time. i think scully is even amused by his "honeymoon" tape joke & his (bad) sandwich joke, i love when she throws the gloves at him lol
it's also just funny to me to see how they play these roles. like they just aren't good at it, they're not very subtle. but these people don't know them so it works. the neighbors are overly friendly and overly concerned, and mulder & scully are trying to find out why but they're not the easiest group to crack. despite the intense fear & worry cami clearly feels.
i also think this episode sets mulder up as a house husband, which is soooo fitting. i actually think this is closer to what he talks about in home than he's willing to think about. it's got a small town feel, close knit community, safety. it's just ... extremely suburban with too many rules. and he likes breaking rules atp more than following them. and this time, it actually is his job to break them. this was a perfect case for mulder, with or without the monster angle.
i think i've said this before in other season six talk, but from the moment i saw someone talk about how m+s don't have a blueprint for their relationship, it's the lens i see season six through completely. they start trying to communicate more clearly, not well but they're getting closer. here they're in a very particular limbo (especially after two fathers/one son), where neither of them can deny their feelings (but scully's are "the problem"), and their trust & partnership has been tested. agua mala was about reaffirming their trust & partnership and some off the clock bonding. arcadia is their first on the clock test, which undercover as a married couple is probably also kind of a nightmare for them given their circumstances lol
BUT GENUINELY they were both enjoying it at the beginning, and they have different moments throughout where one is and the other isn't.
one particular thing i love is the way scully puts up boundaries. because i think after a few jokes, and mulder telling her she fits in perfectly...she feels she has to. mulder isn't ready and he doesn't understand, it makes her retreat.
like after mulder sees the monster...scully asks him if he cares to hear what she thinks. he pauses, looking at her, before he tells her "always." they really getting back into step with each other but after hurt & confusion, all the tension...it takes time. they need to hit certain beats to get there and i think this episode does that very well. the moment when mulder thinks scully's been attacked by the creature, that he's about to find her eviscerated. it before that when he's searching the hole they dug, and she comes out speaking quietly & gently, telling him to come in and "call it a night." this is so domestic and partnerly it kinda kills me. he really does always listen. scully is the only person who can pull him back, keep him grounded. and she always give him the space to explore his theories and she investigates them seriously.
the way mulder is terrified when he sees the door and walks into the house. it's every time he's almost lost her flashing before his eyes again, not that long after tithonus. after he could have died in agua mala, before they even patched things up. to me, agua mala, arcadia & alpha build up to milagro, open the door for the unnatural & field trip. it's the perfect set up for biogenesis, the sixth extinction and amor fati. the final hurdle mulder needed. all of these things slowly build scully's confidence back up so that she's ready too. even though she still won't make the first move.
also not completely relevant but something else i love: the end when scully's leaving the house looking like herself again. in all black. which i also noticed in alpha. wondering if that was common throughout season six? did anyone notice that?
her voiceover is also just. funny to me. they all blame gogolak and arcadia is still rated best place to live and they have no real answers because the monster completely dissolves lolll just so classic. AND scully never really sees it.
something something it's about what they don't say something something the miscommunication & refusal to say the thing like in never again something something inching toward talking around it like in dreamland with "get out of the car"
(That little pause and double check after she realizes his intentions is so reminiscent of her confusion in Small Potatoes... Girl just wanted her slow and steady touchstone to make a move.)
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