Sade Olutola
Keni
One Nice Bug Per Day
hello vonnie
Show & Tell
Monterey Bay Aquarium
he wasn't even looking at me and he found me
we're not kids anymore.
Lint Roller? I Barely Know Her

Andulka
DEAR READER
Three Goblin Art
No title available
I'd rather be in outer space 🛸
tumblr dot com
PUT YOUR BEARD IN MY MOUTH
styofa doing anything

#extradirty

Janaina Medeiros
cherry valley forever
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@piratanegroxx
We can't live like this
Detesto la idea de siempre estar pensando en el fin del mundo, en montañas de cadáveres y por alguna razón incomprensible parece que la gente no entiende lo malo que sería todo eso...lo terrible de caminar si llueven partes de cuerpos...porque no lo entiende?
eueghehhggghghhh
Creo que no sería un lloriqueo, porque realmente nunca llegamos a nada. Es sólo que acercarse a ella resultaba imposible, tenia una piel de lija al momento de chatear y la verdad es que no entiendo como platicar con la gente que usa esta red social, es imposible o algo así.
きょう7月16日は「なないろ」で虹の日とのことで、虹の写真をおすそわけです。
Recuerdo que le daba por bloguear en está página asquerosita, fotos sobre miembros, algo de porno, siempre blogs sobre lo caliente y sólo que se sentía, siempre chats abierto y siempre lamentos sobre el hecho de que le quisieran mandar mensaje, era realmente absurdo.
VERMIS RECOVERED SPRITES
So my dad gave me a cd rom of vermis, but it was too scratched up to use, but i could recover exactly one sprite sheet (ish). its color is broken ig? idk how tho, and i had to had draw some missing areas based of the guide book.
The Bizarre World of Fake Video Games
Vermis I (2023) is a narrative art book by @Plastiboo. It’s a gorgeous and darkly layered homage to a variety of influences, new and old — Souls games, old videogames like Shadowgate, more recent ones like Shadow of the Colossus, perhaps Fighting Fantasy gamebooks, perhaps Warhammer. There are many possibilities. And yet it also stands as very much its own thing, a world unto itself. The book’s central question “Which flesh is your flesh?” goes a long way in establishing the sorts of horrors we’ll find on our journey.
There are two things that really make Vermis come to a diseased sort of life. The first is the decision to arrange the book as if it were a strategy guide for a videogame that doesn’t exist. This allows for the introduction of little icons and hints at mechanical systems without committing to building them, which is an enticement to brains like mine to figure out how they MIGHT work. And by providing level maps and strats for boss fights and profiles of magic items, I wind up playing the game on a meta level, reflexively, through the act of reading. This sensation is strange and unique and made for one of the most memorable book-experiences I’ve had in a long time.
The other thing is the texture of the art, the way everything is buried under pixelation, cathode grain, moire ripples and other distortions. It unifies all the book’s visuals in a sort of murkiness that add an almost painful sense of mystery and danger and inscrutability to the narrative.
Vermis is a dark masterpiece of creeping dread, and anyone who tells you it isn’t a game to be played isn’t to be trusted.
Have you played VERMIS ?
By Plastiboo
"A corpse kneels beside a well. Mesmerised by the reflection of its living flesh: it wonders what could have been done and could have been. And for as long as the moon shines, the feeble illusion will prevail."
"A light sparks in the dark. Which flesh is your flesh?"
'Vermis I' is the first of an artbook series by the artist Plastiboo. A pure act of world-building inspired by old dungeon crawler games. It could be considered an official guide of a game that doesn't exist, since it's not a game at all!
Does it count as a TTRPG? Is the act of reading play? What is a game guide if there is no game? Vermis is a project in conversation with these questions, and its answers are delightfully obtuse and characterful.
"A feeble illusion shatters in silence. The void swaddles you gently, welcoming you back; a life has been lived and the Dream is no longer."
"The old bones now slumber, waiting for the moon to shine again."
Have you played ?
Yes I have played it
No but I've read it
No but I've heard of it
Never heard of it
all i want is for my conciousness to be transferred to a computer when i die.
Titania & Oberon
Puppet Master: La SAGA COMPLETA (16 Películas) || Origen de la Franquici...
Mozu: 名古屋展 (2021)
He's an ass
pomni 64
Un año más sus pasos apresura;
un año más nos une y nos separa;
un año más su término declara
y un año más sus límites augura.
Un año más diluye su amargura;
un año más sus dones nos depara;
un año más, que con justicia avara
meció una cuna, abrió una sepultura.
Un año más el vínculo asegura
de su noble amistad, alta y preclara.
¡Dios se lo otorgue lleno de ventura!
(Salvador Novo)
Mea culpa
Desde su gestación en la grávida tierra yo pude contemplar, maravillado, iniciar, reanudarse una vida a la mía confiada: el milagroso germinar de la semilla, la nueva luz, en ojos que en mí se abrieron a absorber el mundo oscurecido mil veces antes sobre los que cerró una muerte siempre vencida.
Pude después paliar el primer llanto, acariciar el fruto, adivinar el sueño plácido de la cuna mecida por los siglos del mar que la sustenta: que le infunde y tributa coral inmóvil y ágiles peces de plata; bautismo de la sal en su sonrisa, caracolas de nácar a su oído.
Pude en él renacer –alba y rocío; contemplarme a mí mismo -Narciso y Dios frente a su propio barro ennoblecido- asomar a la vida curiosidad, asombro y esperanza, mi timidez trocada en su audacia sin anclas: mis manos en las suyas cortar la flor del mundo y apurar su perfume: envejecer a tiempo de ser de nuevo joven, ser a la vez capullo y mariposa.
Yo recibí legado, eslabón y simiente a eternizar la vida destinado: pasos que proseguir sin detenerse por los montes del Tiempo delegado: tesoros qué entregar, antorcha con qué alumbrar la tierra, el mar, el aire: llama para incendiar crepúsculos y auroras.
Pero heme aquí, ya al borde, a la orilla del Tiempo y la ceniza, eco sin voz, con ella desgarrada; depósito de siglos en derrota, muerte triunfal en árido balance, consumada traición, desistimiento del Divino Mandato que urdió en amor el río de mis venas secas hoy –por mi culpa- para siempre.
(Salvador Novo. 1904 - 1974)