Knock knock. Anyone there?

ellievsbear
Phantogram Three
2025 on Tumblr: Trends That Defined the Year
let's talk about Bridgerton tea, my ask is open
Sade Olutola
The Bowery Presents
Fai_Ryy

izzy's playlists!
One Nice Bug Per Day
Cosmic Funnies
$LAYYYTER
macklin celebrini has autism
Interview Vampire Daily
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ojovivo

@theartofmadeline
🪼
Cosimo Galluzzi

Jar Jar Binks Fan Club

#extradirty
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@pirozhok-blog
Knock knock. Anyone there?
There was a girl, Lukasz Wierzbowski
What about me? Natalie Michelle
Mustela Lutreola (@belanorqua)
The Caretaker’s Son, 1918, Amedeo Modigliani
Size: 92x60 cm Medium: oil on canvas
London calling, Kowalski
From @yves_the_cat: “I’m not fat, I’m fluffy! 😸” #twitterweek #catsofinstagram [source: http://ift.tt/2BhAsZE ]
Venere vittoriosa, Cabanel. Museum Fabre in Montpellier, France
Reflection photography project by Maria Mussova
“A national costume is often the only way to express own national identity. In terms of average standards and linguistic assimilation, fasche (Circassian clothes) becomes the most vivid marker of ethnic identity. It also continues to exist as a demonstration of preservation of memory of the past,” said Marina Bitokova, one of the participants of the photo project.”
“An individual in a national costume in our time of average standards always stands out from the crowd and inevitably draws attention to his or her person. Wearing a costume you have to stick to a certain image and behavioral style. But is it possible to discern human personality behind it? How could one’s self-perception change when he or she puts on a national costume? How does a person feel about that at this moment? And how does a spectators attitude change towards the displayed character when he takes off his casual clothes and puts on a costume which was the part of people’s everyday life nearly hundred years ago? What will a national costume be like in the twenty first century? In order to answer these questions, I found people who keep, due to various reasons, in their wardrobes circassian traditional costumes -“fasche”. The photo project “Reflection” consists of 22 diptychs which their direct speeches are the answers to a simple question about how they feel when they put on the fasche.” - Maria Mussova
From @DapperHistorian at Twitter: “ When building the London Gherkin tower, a Roman girl was found. Her grave was later remade at the same site for her to rest in peace forever “
Sit tibi terra levis
The New Yorker
people on tumblr who are big Stalin fans and deny genocide and war crimes should have the decency and bravery to put that in their blog descriptions
also anyone who says holodomor wasn’t genocide should be forced to repeat that out loud in a bar full for tipsy Ukrainians on a monday
Tree toppers
Look through any window, Laurent Kronental
Jak Daleko Stąd, Jak Blisko 1971