[pitagoranote]

US Mail Box in an apartment building!

[pitagoranote]

Visit Original Link

(reverend codger)

dreaming a cold April rain, light rain drops hide your sad tears …. 

[museum-of-artistry]

A Calm Sea (1642) by Simon de Vlieger

[paintings-from-the-past]

Two Wine Glasses (1874) by John Singer Sargent

[landscape-art-history]

The Garden of Eden by Nicolas Poussin

[symbolism-art-history]

The Swamp (1900) by Gustav Klimt

[389]

Richter - Atlas 2

[alboardman]

190225. Exceptionalism.

[classicdavinci]

Thomas Lawrence (1769-1830, British) ~ Margaret, Countess of Blessington, 1822

[granstromjulius]

Édouard Manet

[infected]

Tobias and the Angel (detail), Filippino Lippi, c. 1472 - 1482

[pitagoranote]

#arte@art#renaissance#Angelart#

[pitagoranote]

Tobia !!!!! In the new Bible the story about the Tobia has been omitted.

[thunderstruck9]

Damien Hirst (British, 1965), Veil of Mother’s Tenderness, 2017. Oil on canvas, 108 x 72 in.

[de-salva]

... untitled (Rue de la Sablière, Paris, France, 1949)

© Robert Frank

[389]

Charles A. Csuri A Frozen Moment (2000)

[arinewman7]

The Archangel Leaving the Family of Tobias

Rembrandt van Rijn

oil on wood, 1637

[bricksapparel]

Francesco Del Cossa

In Ali Smith’s How to be Both, she posits that Italian Renaissance painter Francesco Del Cossa was actually a woman living as a man in order to pursue a career as an artist.  Smith interprets this particular section of their fresco as being a hidden self portrait.  The figure’s androgynous features are mirrored by their props; they hold both the hoop and the arrow, balancing phallic and yonic symbols.  These two objects are the only break from perfect symmetry in their styling (both garb and hair), and as they glance towards the hoop, their body is adjusted into light contrapposto.  

[pitagoranote]