Keni
Sweet Seals For You, Always
Misplaced Lens Cap
Aqua Utopia｜海の底で記憶を紡ぐ
⁂
noise dept.
art blog(derogatory)
TVSTRANGERTHINGS
ellievsbear
blake kathryn
Janaina Medeiros
Not today Justin
#extradirty
Origami Around
$LAYYYTER
No title available
oozey mess
PR's Tumblrdome
Three Goblin Art
DEAR READER
seen from Malaysia
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@pixelblitzer
my problem is if i enjoy something enough i will be nitpicking. i Will have things to say about where and how it failed. out of nothing but love straight from my heart. unfortunately this often makes me indistinguishable from a hater who has never experienced joy or kindness. such is the amateur critic's burden.
all of my favourite things are like beautiful racehorses that trip over their own feet a hundred times. but they get back up again. and goddamn, you should see them run.
canon event
can she sleep on your dash for a bit?
Clip of Lucy Dacus on the Las Culturistas podcast.
Non cooking spray stick
Non spray stick cooking
Non cooking stick spray
yeah okay ill reblog that
me with the. When she. When her. When the she her me
For those who don't know: Ikumi Nakamura is the woman who was senior artist on Bayonetta, and designed the titular character along with Hideki Kamiya. Their greatest moment of bonding was over their insistence that Bayonetta keep her glasses on at all times. Nakamura cannot go to horny jail. She is the warden.
Happy pride month to her and her exclusively
she made a comic about the experience on twitter
happy pride
An Update from back in October I'm surprised wasn't added to this post. lol
ok sorry to double reblog BUT I just looked him up and he does these fantastic videos where he breaks down HOW he actually mimics the other artists’ styles. Like for ed Sheeran, he explains how he brings his voice forward in the mouth, while Adam Levine sings in the back of the mouth, stuff like that. It’s SO COOL, I don’t think I’ve ever seen anyone actually break down how to do this sort of thing, as a skill, instead of just treating it like a neat trick they just happen to be good at. https://www.tiktok.com/@justinjmooremusic
Check him out he’s so cool
Here is the ideal Gundam watch order: -Witch from Mercury -We Know the Devil -Turn A Gundam -Heaven Will be Mine -Code Geass -Gurren Lagann -The entiretiy of Halimade's twitter account -Evangelion -Final Fantasy XIV Shadowbringers: Sorrows of Werlyt -Mobile Suit Gundam '79
Me: *Removes my cat from my lap to do something else.*
My cat: Father is...evil? Father is unyielding? Father is incapable of love? I am running away. I am packing my little rucksack and going out to explore the world as a lone vagabond. I can no longer thrive in this household.
The spiritual successor to Miette
Might I also add
May i add the piece from artist Verbal Vomit
Glad to see we’re all in agreement that cats talk like disparaged victorian children
I am so incredibly glad we finally moved on from "i can has". Cats are clearly smart enough for advanced sentence structure and dumb enough to draw entirely incorrect conclusions about what they're talking about.
My cat, banging the cabnet door over and over and over: bang bang bang
Me: you will not earn what you desire by banging the cabinet door.
My cat: This is a test of wills, is it not? We shall see if your ability to put up with my incessant banging outlasts my eternal lust for snackie treats. Years of conditioning have hardened me for this purpose. bang bang bang
Me: ksst!
My cat, throwing herself to the ground like she's been shot: Oh! Oh I have been assailed in my own home! Have mercy, have pity! Surely in the cruel darkness of your heart there is some mote of goodness that might stay your hand! Do not strike me, I pray you!
Me: ok
My cat, after waiting about 3 minutes: bang bang bang
Can haz snackytreat
(source)
Source
#the ancient texts
... My reblog was only six years ago!
That’s going to be expensive!
Me: oh damn that's a lot of roof, you're right that'll be really expensive
Me at the end of the video: *jaw drops* OHHHHHH NOOOOO NOW I GET IT
A couple scenes from a little gay vampire story I was kicking around a couple years ago! I sometimes do little pencils-only scenes for things and never post them. But I was looking back at these and was like why not? They're cute!
I have a whole story for these two, but just for funsies, something to do every now and then when I need to let loose.
(she will eat them though)
i'm still losing my mind over this, that is EXACTLY what the weed store in Splatoon would sound like.
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
The most valuable advice that Author Ex gave me through the years that we wrote together was this: the problem with all these filter words is that they create distance in the POV.
That means that when you read a line like
John saw that the curtains were open.
It immediately takes you OUT of the character's perspective and instead tells you what they experience as a secondhand observation.
You don't have to get fancy or purple with how you rephrase things like this. Not everything needs a ton of breathing room.
You wanna know what's perfectly impactful while keeping a tight POV?
The curtains were open.
Simple as that.
