victor at the hard rock cafe
I'd rather be in outer space šø

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victor at the hard rock cafe
I dont know about yall, but as someone who watches a lot of steve1989, I don't trust any of the pre-war food to actually be *edible.*
Just a little paint-over of that one Dean Domino portrait.
i know most people are just editing pulp art to look like their ocs for this but i could not for the life of me find anything that looked like salem so i just. painted it my damn self shrug emoji
Many forget that Nipton was never about Vulpes acting for his own sake. At the Fort, when you ask Caesar what the Frumentarii do, he tells you: "Infiltration, assassination, dramatic atrocities to break the spirit of the enemy..." Thats exactly what Nipton was: a dramatic atrocity, a letter that reads: "We are here. We have arrived."
It was never meant to be a lesson. The NCR does not care about morality, neither does the Legion. Nipton was a town that was destined to be destroyed not because it was a wicked place (Vulpes was lying through his teeth about the whole thing -the dead legionnaires are evidence- like thats what he does, that is literally his job!) but because it was small enough to burn without consequence, close enough for the message to be heard. Nipton wasn't a lesson. It was a spectacle, meant to be seen by the eyes of the Republic. Thats why the Courier is tasked to spread the news, they're a mailman delivering a letter.
And Vulpes? Can't say he's explicitly sadistic. A bad person? Absolutely. But not playful with his cruelty. He is just as cruel as every other legionary. The only difference is he is smarter about it, more intense.
Nipton isnāt a part of him. Nothing is. Nothing but the Legion. He does not carry the weight of that town. He does not look back to the ruins he has left behind. Nipton is no pang of remorse, no pleasure, no sin. It is merely a step forward. Proof that the Legion has entered the Bear's den, proof that its will is being done.
And we never see Vupes as he truly is. He is not a person, at least not anymore.
He wears a mask, a new face with every new encounter. In Nipton he is wearing the mask of a vexillarius, in the strip the mask of a gambler. And at the fort, he is just another legionary: red-clad and quiet, a little fox curled at the foot of his emperor's throne. He has 0 indicators of individuality, he is not a person. He's only a name, a shadow streching across the Mojave.
I do believe the only time we get a glimpse of who Vulpes truly is, is when Caesar tells his backstory. His cunning, his witābut also his insubordination, a hint of rebellious youth. That is who I think he really is: a rebel boy, not in opposition to the Legion, but in relentless devotion to it. Someone who is willing to tear down every pillar, disobey every order just to see the flag rise higher.
Vulpes will slaughter, torture, and betray and engage in "profligate scum" activities for the benefit of his side. He is ready to serve even if it angers the Son of Mars. He doesn't ask for permission. Doesn't beg for forgiveness. He does what he must, then kneels before the blade waiting for the punishment that has never managed to come since his first trial as a decanus. And there is passion in that, a desire. To paint the desert with his nation's red, to whisper his lord's name to every ear, to tame the untamable: the idea, the dream.
At the Fort, we see him as nothing more than a docile soldier but we know that he is different, remarkable; Caesar had said it himself. Rebel boy: always ready to mangle and burn the world and himself along with it just to serve what he believes is providence.
He is "a rather intense young man," whose entire existence is a disguise. A spy so devoted to his duty that he has stripped himself of everything else. A spy, in the fine suit of a gentleman or under the hide of a coyote, tearing down his own tower of humanity as the gods he belives in look down and smile.
He is not a person. He hasn't been a person for a long time.
He is a name, a shadow, a hollowed out man. He is an animal kept at arms length, dog on a leash who does not want to be set free, a weapon, a tool. Pale hand of the Legion reaching west.
With every step through the desert, Vulpes Inculta has left a piece of himself behind, until he is left with nothing but blind faith and bloodied palms. And when you lose everything you ever had in a big bad wasteland you tend to cling onto the first bright colour you see:
Crimsonāso inviting, so cruel. Like home.
Much like the guns, a lot of Bethesdaās fallout architecture and vehicles are designed nonsensical and impossible. Which isnāt bad, I donāt think videogames need to do that. The art direction is really iconic and more important.
But
The iconic diners have no back of house/kitchen and no bathrooms, and that has always really confused me. I have been obsessed with them since fo4 and since fo76 lets you build in one (and has a prefab you can buy) Iāve been meticulously designing my camp around it. But the thought of a diner with no kitchen is kinda insane. Iām assuming they were actually soda shops and not dinersā¦
Just watched a video about fo76ās map and he pointed out how there was only one single road leaving the map, and itās to Ohio
I'm an expert, I'm the one
The one who was right all along
Better to be laughed at than wrong
I'm an expert in my field
Ufology Beastology, yes, it's all real
there are many mistakes but i enjoyed it!
also this is a second attempt⦠i thought it would look cool, but idkš
fallout 4 is kinda like a marvel movie isn't it
i think my rewrite for 3 could also provide an in-character justification for the poisoning of the water at the end, because instead of being just straight-up poison it'd be a blend of fev that would induce "superior" mutations among the people of the wastelands (a slightly different brand of eugenics than what the enclave is doing in canon) and it would also tie a neat little thematic bow on the legacy of your parents thing, because this was Catherine's work before she turned away from the enclave, you're finishing your mother and your father's work in a final sacrifice for better or worse. compels me.
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She just killed the whole Legion Camp to save his ass and he doesnāt know if he should be scared or in love
Benny x Alice (Courier)
super mutant behemoths are one of many things in the Bethesda Fallouts that could be interesting if they were anything other than bullet sponge boss battles
I guess you can say my Fallout 3 playthrough is going well
Mans is tweaking
The death of the High Confessor
Iām gonna be so upset if the show makes it so that house is fully purposefully responsible for the world ending, because it doesnāt make sense and clashes with his character.
Part of the thing about House is, heās sentimental to a fault about the old world and Vegas. Heās somewhat tragic, because despite the reality in front of him, he keeps trying to build back āold vegasā and unable to accept the new. He makes the workers speak in old world lingo. He lets the other casinos operate of their own accord, because he misses how old Vegas was *also* corrupt. He preserves the face and voice of his dead lover, in hopes itāll keep him company like she once did. He makes mister new vegas play old songs of the prewar world. Heās isolated himself to his very own little snowglobe of what vegas used to be, and heās the only one in that little bubble. He is trying to rebuild this dream of nostalgia and yearning for what came before, and it never works.
Itās like a terminal homesickness, almost. He can never ever return to that timeā he can never *ever* go back home. Why would someone so banal about recreating what was, have any interest in purposefully destroying the entire world? Even without his other motivations, money and power (which also wouldnāt be benefitted at all if he ended the world on purpose) I think his sentimentality is enough for him to not want to burn the entire planet. Heās the fakest IDGAFer of all time when it comes to the old world. The writers just want an easy antagonist, on the level of comically evil like the enclave, and if they go this direction, itās gonna come at the price of making house inherently out of character
I keep revisiting this post as I find it possibly the best and a succinct description of who Mr. House is as a character. I mean, this analysis can't be possibly clearer with the snowglobe motif.
"I enjoy them. There's something about a little diorama set inside a glass dome that I find pleasing."
Mr. House has a collection of little models of the Old World inside domes and kept clean, proper, and preserved. New Vegas is a snowglobe, sealed from the contamination of the New World with Pre-War nostalgia. A diorama of the world he left behind and the life he can never return to.
Anyways, perfect analysis, kudos and good job!
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