Why do people even bother buying things for their cats?
no but look at these results and tell me: why would you NOT buy things for your cat
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roma★
PUT YOUR BEARD IN MY MOUTH

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❣ Chile in a Photography ❣
Misplaced Lens Cap
Cookie Run:Kingdom Official!

Game Changer & Make Some Noise
Keni
The Stonewall Inn

izzy's playlists!
"I'm Dorothy Gale from Kansas"
Interview Vampire Daily
Sweet Seals For You, Always

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bliss lane
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seen from France

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seen from Singapore

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@pleiadeshenderson
Why do people even bother buying things for their cats?
no but look at these results and tell me: why would you NOT buy things for your cat
so i just googled the phrase “toeing out of his shoes” to make sure it was an actual thing
and the results were:
it’s all fanfiction
which reminds me that i’ve only ever seen the phrase “carding fingers through his hair” and people describing things like “he’s tall, all lean muscle and long fingers,” like that formula of “they’re ____, all ___ and ____” or whatever in fic
idk i just find it interesting that there are certain phrases that just sort of evolve in fandom and become prevalent in fic bc everyone reads each other’s works and then writes their own and certain phrases stick
i wish i knew more about linguistics so i could actually talk about it in an intelligent manner, but yeah i thought that was kinda cool
Ha! Love it!
One of my fave authors from ages ago used the phrase “a little helplessly” (like “he reached his arms out, a little helplessly”) in EVERY fic she wrote. She never pointed it out—there just came a point where I noticed it like an Easter egg. So I literally *just* wrote it into my in-progress fic this weekend as an homage only I would notice. <3
To me it’s still the quintessential “two dudes doing each other” phrase.
I think different fic communities develop different phrases too! You can (usually) date a mid 00s lj fic (or someone who came of age in that style) by the way questions are posed and answered in the narration, e.g. “And Patrick? Is not okay with this.” and by the way sex scenes are peppered with “and, yeah.” I remember one Frerard fic that did this so much that it became grating, but overall I loved the lj style because it sounded so much like how real people talk. Another classic phrase: wondering how far down the _ goes. I’ve seen it mostly with freckles, but also with scars, tattoos, and on one memorable occasion, body glitter at a club. Often paired with the realization during sexy times that “yeah, the __ went all they way down.” I’ve seen this SO much in fic and never anywhere else
whoa, i remember reading lj fics with all of those phrases! i also remember a similar thing in teen wolf fics in particular - they often say “and derek was covered in dirt, which. fantastic.” like using “which” as a sentence-ender or at least like sprinkling it throughout the story in ways published books just don’t.
LINGUISTICS!!!! COMMUNITIES CREATING PHRASES AND SLANG AND SHAPING LANGUAGE IN NEW WAYS!!!!!!!
I love this. Though I don’t think of myself as fantastic writer, by any means, I know the way I write was shaped more by fanfiction and than actual novels.
I think so much of it has to do with how fanfiction is written in a way that feels real. conversations carry in a way that doesn’t feel forced and is like actual interactions. Thoughts stop in the middle of sentences.
The coherency isn’t lost, it just marries itself to the reader in a different way. A way that shapes that reader/writer and I find that so beautiful.
FASCINATING
and it poses an intellectual question of whether the value we assign to fanfic conversational prose would translate at all to someone who reads predominantly contemporary literature. as writers who grew up on the internet find their way into publishing houses, what does this mean for the future of contemporary literature? how much bleed over will there be?
we’ve already seen this phenomenon begin with hot garbage like 50 shades, and the mainstream public took to its shitty overuse of conversational prose like it was a refreshing drink of water. what will this mean for more wide-reaching fiction?
QUESTIONS!
@wasureneba @allthingslinguistic
I’m sure someone could start researching this even now, with writers like Rainbow Rowell and Naomi Novik who have roots in fandom. (If anyone does this project please tell me!) It would be interesting to compare, say, a corpus of a writer’s fanfic with their published fiction (and maybe with a body of their nonfiction, such as their tweets or emails), using the types of author-identification techniques that were used to determine that J.K. Rowling was Robert Galbraith.
One thing that we do know is that written English has gotten less formal over the past few centuries, and in particular that the word “the” has gotten much less frequent over time.
In an earlier discussion, Is French fanfic more like written or spoken French?, people mentioned that French fanfic is a bit more literary than one might expect (it generally uses the written-only tense called the passé simple, rather than the spoken-only tense called the passé composé). So it’s not clear to what extent the same would hold for English fic as well – is it just a couple phrases, like “toeing out of his shoes”? Are the google results influenced by the fact that most published books aren’t available in full text online? Or is there broader stuff going on? Sounds like a good thesis project for someone!
See also: the gay fanfiction pronoun problem, ship names, and the rest of my fanguistics tag.
Interesting stuff about fanfiction language patterns!
How can we try to capture the commonalities and differences between linguistic sound systems? What makes one language sound different from another? In this week’s episode, we take a look at Optimality Theory: how we can use constraints to describe how phonology behaves, how we rank which rules we care most about breaking, and how changing our priorities leads to totally different sound outcomes.
Looking forward to hearing what people have to say! ^_^
Reblog for the day crew!
New episode!
OPTIMALITY THEORY.
Yeah.
It is a thing.
How to research your racially/ethnically diverse characters
chiminey-cricket asked:
Do any of you have any tips for doing independent research for PoC characters?
This question is super broad, but I’m going to see if I can give it a crack!
First of all, consume media by the group in question. If you want to write a story with a Chinese-American protagonist, read some blogs by Chinese-Americans, read books by Chinese-Americans – both fiction and nonfiction – lurk on places like thisisnotchina so you can get a feel for what pisses Chinese and Chinese diaspora people off about their portrayal in the media, google for stereotypes about Chinese people and try to make sure you’re not doing those (even positive ones), go more general (East-Asian all-of-the-above in general since in many cases the harmful tropes overlap), go more specific (if your protagonist is female, look specifically for blog posts featuring the opiniosn of Chinese-American and other Asian/Asian diapora women; same if your protagonist is attracted to the same sex, is transgender, or deals with any other form of oppression besides anti-Chinese racism.) All of the above applies to Latinxs, Native Americans/Canadian First Nations, African/African diaspora people, Jews, Muslims, etc. Find out what we’re saying about ourselves.
Lots of things are available just from Google. “I have a Black character and I want to know what kind of hairstyles are available for her!” We have a Black hair tag, but apart from that, googling “Black hairstyles” will probably bring up some articles that can at least give you a good starting point to learn some vocabulary to add to your next Google search, like “natural” and “twists” and “dreadlocks.”
Next, you can talk to people in the group, but before you do this, be sure to have some specific questions in mind. “How do I write a Jewish character?” is not a specific question. “Do I have to make my Jewish character follow kosher laws if I’ve made her religious in other ways, or can she go to shul but not keep kosher?” or “What’s a term of endearment a parent might use for a child in Yiddish?” is much more specific. Remember, if you’re talking to someone they’re answering you back with their free time, so expecting them to do most of the work of figuring out what’s most important for you to know is a little entitled.
Besides, a more specific question will give you a more helpful answer. If someone asks me “how do I write a Jewish character” one of the first things out of my mouth will be a list of personality stereotypes to avoid, which isn’t going to be very helpful if what you really need for your fic was whether or not you have to write your character as following strict kosher laws.
If you’re sending a question in to a writing blog or one of those race blogs like thisisnot[whoever], please read through their tags and FAQ to see if they’ve already answered it. Longtime followers of a blog would get very bored if all the blog’s content was nothing but “We answered that here last week at this helpful link!” Those who participate in answering these blogs are usually unpaid volunteers who provide a resource that’s already there to help people; help repay them for what they do by looking through the material on your own first.
How to tell if a source from outside the group is biased and bigoted: obviously, you’re not going to want to listen to Stormfront about Jews, or the KKK about, well, anything. If you’re not on a source created by the group in question, look for dry and academic language as opposed to emotional, informal, or inflammatory words – although dispassionate and technical language is no guarantee it won’t be racist, colonialist, or inaccurate. If you read enough books and blogs from the inside, though, you’ll probably see some of the myths from those other sources debunked before you even encounter them.
Lastly, don’t assume that all people who are Asian, African-American Christians, religious Jews, or Muslims are from cultures more oppressive, more conservative, more patriarchal, more homophobic, more sexist, or more controlling than the one in which you were raised. If your plot calls for homophobic parents or a repressive culture, that shouldn’t be the reason you make your character one of the groups listed. There is plenty of oppressive, anti-woman, and anti-queer thought in white American Christian/Christian-cultured society and personally, I believe such criticisms of the marginalized diaspora peoples I listed above belong in the voices of the cultures themselves.
–mod Shira
I’d not leave looking for dry and clinical information as the ONLY means to distinguish that a work is biased.
While yes it is pragmatic to say “look for academically toned wording,” … in addition to that, these folks really need to look into who the author is. Definitely look into the author. And the year the thing was published (because man if it’s from like the 60s or earlier, 9 times out of 10, throw that shit out).
Because people can disguise hatred and racism in careful diction so that it looks reasonable and polite. A shining example is physiognomy studies from Nazis and anti-Semite eugenecists. And the sad thing is, you really can’t trust people to read it and make the judgement call that this hate-in-disguise they’re reading is hate.
Somehow, when someone says, “The people of the Levant express features such as […] which, at the risk of sounding untoward, suggest a very rodent-like persuasion,” people are like, “Oh, well, that was worded fancily and there was no angry or profane language, I suppose they’re right,” not stopping to think even for a moment that they just accepted that this book just said to them that Jews look like rats. I saw it happen in my Nazi Germany class when we were given reading material. It was fucking nuts.
So definitely, definitely look every outsider author in the mouth and cross-check any and everything that person says.
–mod Elaney
Shira again: Elaney is right that you will want to be critical of outside sources, especially older ones. Also, be suspicious of blanket statements about a group such as “X group are” instead of discussing forces in X culture. For example. Because there’s going to be diversity within any group and it’s likely what’s being said isn’t inherently biologically linked to being in X group.
–mod Shira
How Louise Solved Heptapod B
In the past few years, a number of films have made a point of Getting the Science Right. Interstellar (2014) famously consulted with astrophysicist Kip Thorne, in order to achieve a realistic on-screen depiction of black holes (amongst other things). Just last year, The Martian was praised for basing much of its appeal around its scientific realism.
Now, in 2016, the sci-fi film Arrival is attracting similar accolades for it’s portrayal of linguistics, and of how scientists approach solving a problem. One standout piece hails from Science vs. Cinema – a YouTube channel devoted to examining how Hollywood fares on various science-related matters:
Since the movie only had so much time to cover exactly how Amy Adams’ character Dr. Louise Banks unraveled the aliens’ writing system, let’s do a deep dive and actually answer the question:
How do linguists do what they do?
Keep reading
An interesting discussion from one of @thelingspace‘s writers of how linguists go about analyzing unfamiliar languages and breakdown of how this can be applied to Heptapod B in Arrival.
Having said that, I’d also point out that this gets to one of my quibbles about the nonlinear orthography in the movie: true, Heptapod B is written as a circle, but the circle appears to be easily divided into parts. So I’m not sure it’s evidence of nonlinear *thinking* any more than if I was to write English (or Elvish) in a circle.
Great piece by Ling Space staff writer Stephan about the linguistics of Arrival!
I have never before seen such a brown kitty.
IT LOOKS LIKE A S'MORES POPTART
IT’S SO CUTE
This week’s Wednesday video shout-out is to DS Bigham and his series on popular linguistics! Specifically, about queer linguistics for this video. We’ve talked about how even in our neurolinguistic processing, we tend to assign stereotypical gender roles. This video looks more at the sociolinguistics side of things, and it’s super interesting!
We’ll be back Friday with a video for Project for Awesome, too! Looking forward to sharing that, too.
Hi Emily, my question to you is looking into the future, how do you think a Trump Administration will handle environmental issues, such as climate change and the rapid loss of biodiversity? I am a huge fan of your program, keep up the amazing work. We need people like you more then ever right now. -Olivia
Hi Olivia, thank you for your question.
Today, I have no solid answers - I have a lot of feelings, only some of which I can process right now. My initial thoughts are that it’s likely federal science programs and institutions will see a decrease in funding and support as that money will be reallocated/redistributed. If that happens, then universities that depend on federal grant support could suffer… smaller, more competitive grants, fewer positions supported, fewer students incentivized to pursue these programs… But I don’t know. I’m conjecturing.
When I made our ‘Go Vote For Science!’ video, I meant every word. I mean it when I want our viewers to understand that politics isn’t just about people arguing in D.C., it’s about policies made in D.C. that are carried out and enforced throughout the country and our world. But we elect the policymakers. We elect who we think will best represent our interests.
I fear that supporting science in a meaningful way is not a true interest for the majority of people, and in a way, that fear was realized last night.
Science needs champions to speak up for its processes, which aren’t perfect, but the field is held up to its own accountability. It’s a field that is meant to be deeply examined and its work replicated, even encourages replication, testing, and a perpetuation of question-asking and answer-seeking. But often, that process comes off as unduly rigorous, pedantic, in some ways ‘old-fashioned,’ and the questions being asked are often seen as trivial, or inconsequential by those unfamiliar with science research practices. I fear the perception that science has outside of its own community is that it only serves itself, which is not true. And I spend every fiber of my being attempting to open up those misconceptions and share how brilliant, guided, resourceful and imaginative scientific inquiry truly is, and how - thanks to the field and its scientists - we have a more coherent, better illuminated understanding for how our planet works, what it needs, and what brings it harm.
I do not know how Trump and his administration will handle environmental issues. I do know he does not have a strong history of even believing that such current issues and events - climate change being a major one - are… real. Or that they are really caused by human actions, which are really having truly negative impacts on our planet and its inhabitants. Frankly, I don’t even know if he cares.
But here is what I do know: I will not give up my goal of helping people better understand and appreciate our terrifically wonderful planet. I will not begin to entertain the idea that the work of scientists and those communicators dedicated to sharing their research is somehow unimportant or lacking in meaning. I will be vocal about issues which will negatively impact the support and funding for science, especially when it comes to topics dealing with biodiversity. I will continue to create well-researched content about these topics in a way that is easy to understand and share. I will continue striving to keep you involved, in whatever way I can.
Knowledge empowers people, and it can mobilize them in a way to take action for those causes they believe in. It’s my hope that we don’t forget the power that such knowledge and information contain, and that we don’t allow for that to be taken from us because suddenly we have a person in one of the most powerful leaderships positions on the planet who perhaps will not use that same knowledge or information to make changes for the better. We have to keep working. We have to keep seeking that knowledge, even when it’s hard, and even when it’s getting harder.
In whatever small way I can help, I will. For whatever small, positive impact I can make, I’ll make it. These are the core values I hold now, and will always hold. That is the most I can do, and even so, it’s a lot. I hope you will do the same. And we’ll take this a day at a time.
To all of my friends out there and ESPECIALLY my trans friends, if you hadn’t done so now, PLEASE GET A PASSPORT. President Obama made it VERY easy to get your gender marker changed on your passport. All you need is:
- An ID that resembles your current appearance (just get a new photo taken on a driver’s license or ANY government issued ID) - Passport photo that resembles your current appearance (From any drug store)
- Proof of legal name change (if applicable)
- A physician statement that indicates you have either completed or are in process of treatment for gender transition (the hardest part) No surgeries, no red tape, no bullshit. And when people try to harass you or puush you around because “Hahaha your ID says your x” Whip out your passport and shut them DOWN. I carry mine wherever I go and I know a lot of my friends who live in the south do so as well. This law could VERY easily change under a Trump presidency and I haven’t been as serious about anything as I am about this. PLEASE GET A PASSPORT. Even the passport card (which is half as expensive as the book is!!!) will do. Just please if you can, get ONE ID that matches who you really are.
And I know to be able to get all of this together is a sign of privilege in the first place, and from one black, trans, queer women to all of my vulnerable siblings I will rot in a jail cell before I let this country harm any of us and I this I swear. I will NOT take this lying down. PLEASE Signal Boost!
I am here to stay. I am here to fight. And not just until America has a better President. Complacency is what got us here. So I am here to fight for the rest of my life.
Language Map of NYC
New York City has a huge amount of linguistic diversity. It’s easy to know that abstractly, but to drive it home, it can help to visualize it, too. And that’s where designer Jill Hubley’s interactive language map of NYC comes in. It’s colourful, fun to play with, and informative. Here’s a look at one fairly broad setup:
The map allows you to have all languages shown, or to exclude English or Spanish, which lets you look at the pockets of diversity below. All the data was taken from the United States Census Bureau’s American Community Survey, and while that’s not perfect in terms of its characterizations (so many “other” categories!), it’s still a great base to look from.
This kind of diversity is why New York is a great place to do linguistics fieldwork, like that done by the Endangered Language Alliance. If you want to hear more about them, check their site, or our Project for Awesome video from last year!
As I Lay Awake
As I lay awake in the earliest moments of the morning I thought how believable everything actually was.
*
Today is trash day, so the first thing I did when I could see well enough in the dawn light was to clean the cat litter. We went through the motions, gathering bathroom trash cans, dumping it all into the bag that goes out to the curb, and recycling, too. Silent, listening only to the coffee maker and the cat complaining. I know, cat, me too.
We’d already decided to throw out the last of our wedding flowers today. They’re old, dried out, and the bases starting to rot. I picked up the glass vases and carried them to the garbage, thinking it was a bad moment to throw away my wedding flowers. I paused, defiant, thinking I should keep the rotting, ruined flowers just because.
I threw them away.
*
As I lay awake in the middle of the night I thought about how in the morning I’d see my mostly white neighbors and know plenty of them voted against my life and safety, and the lives and safety of my friends and millions of strangers. Then I thought about how many of my neighbors, especially the Black ones and Hispanic ones and Muslim ones will look at me thinking, she did that. And rightly so.
Because even though I didn’t do it with my actions, even though I fight and talk against bigotry every damn day, I still benefit from the system that made this happen.
*
As I lay awake in the middle of the night, I saw texts come in from terrified friends, horrified family, and those who just had to reach out with nothing but a desperate word or hand.
*
I looked at the internet around 2am, and I saw several people tweeting about how now we know America is more sexist than it is racist. NO. That isn’t how what happened happened, or how power and privilege work. It’s a false dichotomy. This election was not defined by men or women, it was defined by white men and especially, it seems, white women. America did not vote against a woman, they voted for a violent, abusive, racist, xenophobic narrative.
You know what the name of that narrative is? Whiteness. White Supremacy. White Imperialism.
*
I lay awake and thought about the time I couldn’t sleep all night in 2008 because I’d just caucused for Barack Obama, he was going to be the nominee for president, and I was terrified somebody was going to kill him. That night I gave myself a mantra of hope. That we were better than what I feared we were, that the world was moving forward, and everything would be ok.
Last night I tried to sing a song to myself over and over again in order to fall asleep. The chorus is Let your heart be bright, and it’s a pretty, mushy, kind of empowering song I found when I needed to get into my current main character’s heart.
It did not work for me last night.
*
I wondered if maybe I won’t see a woman POTUS in my lifetime after all.
*
The worst moment of my sleepless night was that moment I thought about a building in Topeka where my name is written down next to my wife’s, officially certifying that we are not the kind of people They want.
*
I lay awake thinking about passing behavior, and how in the last couple of years mine has relaxed even in the middle of Kansas. I was getting used to holding my partner’s hand when I felt like it, and to being obvious when a server asks us if we want one check or two. I wondered how unsafe I’d made myself and especially her by behaving openly like a queer.
I thought about holding her hand when we descended in the elevator last year into the basement of city hall to apply for our marriage license and how we didn’t know what we’d face when we walked up to the counter. We were lucky: we got a smile followed by the benign neglect common to local bureaucracy.
I lay awake thinking about my friends who are not protected by whiteness. Knowing how many of them, of you, were not sleeping either. Were crying, afraid, furious, resigned, bitter, but all of us sleepless. A community of sudden insomniacs, and I wondered what we could possibly do.
*
I lay awake and thought: maybe it won’t be so bad. We know he’s a liar.
*
I thought about how much time I spend talking about dismantling the structural white privilege in publishing, in writing, how much time I think about decolonizing my own imagination and trying to find ways to help others learn to do the same. Unpacking and dismantling the supremacy that has tainted every aspect of our culture and minds and hearts.
I thought about how much worse it’s going to get, but how much harder I’m willing to fight and how much better equipped I am now than I was. I had despaired that there is nothing we can possibly do, but then I decided to marvel at everything we will get done next.
*
I thought about the day after the 2004 presidential election. For months I’ve been telling a joke at my author events about how I know it’s hard to imagine, but 2004 was the worst election cycle I lived through. I was furious, living on scraps of paychecks, my dad was at war and nobody else seemed to care how many people were dying in Iraq. My graduate program and I didn’t get along, I was spiraling with anxiety that I couldn’t help people, couldn’t make a difference, that America was too divided, too ruined to ever be better. The morning after the election, I felt betrayed, I felt devastated, I felt like all my choices had been pointless.
I felt that way last night, too, as I lay awake.
*
I thought about Syria for a really long time.
*
I wondered, around 3am, why I am able to see my whiteness, unlike so many. Why do I choose every day to fight back against the knots of privilege, to try and pull apart the layers of history and terrorism that made White America what it is today? I wonder this a lot, so I have answers, as best one can: My upbringing, my contrariness, my books. I was raised to use my mind and I was raised to care for other people, whether I know them or not. Especially if I do not. I lived in Japan for three years while my frontal lobe was still developing. And if you tell me I am something, every atom of my soul cries out that I am not, regardless of truth or reality.
This is how the world works, Gratton.
Fuck no it doesn’t have to be.
In 2004, I made a new choice. I chose to write, because more than any single thing, it was books that made me understand that the tiny world I see, the little perspective I have, is skewed, and is only that: mine. Books helped me understand people, see people, know people, and they gave me a longing to be the person who stands up. To be part of a quest to save the world. To fall in love. To make lifelong comrades. I chose to write stories about my world, about bravery and love and sacrifice and everything hard and everything good. I chose to write hard books that ask questions and don’t shy away from the answers.
I honestly don’t know who I would be today if it wasn’t for that devastated desperation I felt the morning after George W. Bush was re-elected, knowing only some of us would survive.
*
In the darkest parts of the morning, I lay there thinking there’s no point to any of this. To trying so hard, to writing books that nobody reads, to arguing and embracing and listening and fighting. But there is a point: human beings. I don’t have children of my own, but I will fight to the death for yours.
Today will define who we become tomorrow. More than most days. I’m not saying be glad. I’m not saying nothing bad will happen. I’m not saying don’t be afraid or angry. I’m saying: it happened. I’m saying: we choose who we are today.
I’m saying: I don’t feel safe but inasmuch as I am safer than you, you can always run to me. I will not put down my weapons.
*
Listen: We know. We know what the sickness is, the structural disease is that poisoned the bones of our country. We aren’t guessing, we aren’t just pointing fingers. We know. It is whiteness. It is this is owed to me, I was born deserving this, I am better, my needs matter more, my personhood is inherently more important than theirs.
If you don’t see it, I ask that you use your mind and try to care about strangers. If you don’t see how this is what whiteness is, what it has wrought, try again. Don’t stop trying if you want this to get better.
White Americans, we must stop saying I can’t help breathing the air. This air is killing us. It’s killing everyone.
*
Take care of yourselves. Do what you need to do in order to stay safe. Ask me for help if I can help you. Mourn, rage, hide.
Then get ready.
*
After I took out the trash, after I walked my dog, staring at every neighbor I passed with suspicion and hurt, wondering which thought the same of me, I came home, poured coffee, put on my Hamilton shirt and my wedding ring, and got to work.
European Sword
Dated: probably 3rd quarter of 16th century
Maker: Ulrich Diefstetter (active between 1555 - 1589)
Geography: Munich, Germany
Medium: iron or steel, wood and fish-skin, blackened
Measurements: overall length 107 cm; width 3.3 cm; weight 1.59 kg
Inscriptions: the maker’s mark, including the crossed flails of Diefstetter and the shield of Bavaria
The sword has a blackened hilt made up of a cone-shaped pommel of octagonal section. The shouldered grip is made of wood and bound with fish-skin. The long straight, spatulated guard is engraved with feathering at the ends on the left side, while the knuckle-guard, side-ring, pas d'âne, and counter-guards are all riband-like and of triangular section. The single-edge blade (except towards the point) is doubly grooved and stamped with the maker’s work.
This sword probably comes from Schloss Ambras in Tyrol where a considerable number of comparable swords survive. Other examples bearing like marks are to be found in the Armeria Reale, Turin (G 16), at the Hermitage, St. Petersburg (B 402), and at Vienna (Boeheim, Album I, Taf. XI 2). In addition to this swords marked with the crossed flails of Diefstetter and the shield of Bavaria are a hand-and-a half sword in the Pauilhac Collection; one sold at Sotheby’s, 15 August, 1941, lot 19; and another in the Lockett Collection, sold Christie’s, 1942, lot 307.
Sidenotes:
The swordsmith Melchior Diefstetter worked at Au near Munich.
He was the son of Caspar I and is recorded as not being of full age in 1497.
About 1523 he was recorded with two sons, Georg and Ulrich. He died in or before 1556 and was survived by a widow, Barbara, and eight children still minors.
One of his other sons, Caspar II, was a swordsmith in Munich by 1537 and died in 1552. His son Ulrich was Bavarian court swordsmith “in der Au”, and is recorded by frequent payments in the Ducal accounts between 1555 and 1589.
A sword blade inscribed ARIAS PANTMER IN VRI / VLRICH DIEFSTETER IN MANAGI, with the arms of Bavaria and the monk’s head of Munich stamped on it, is in the Schweizerisches Landesmuseum, Zurich (Inv. No. LM27328; Schneider, 1980, No. 183).
A fourth generation of the family is represented by Arsatius Diefstetter, active 1588-1616, and a fifth by his sons Hans, who died in 1613, and Albrecht, active 1616 to 1630, latterly in Passau. (H. Stocklein, Z.H. W.K., VIII, 1918-20, pp. 371 and 375-82).
If the blades of this group of swords are contemporary with the hilts, they are probably by Ulrich Diefstetter rather than by Melchior, to whom they are usually attributed as Ulrich Diefstetter also used the mark of crossed flails, often in conjunction with the head of a bull transfixed with an arrow.
Source: Copyright © 2016 The Wallace Collection
Owl & Jack-O-Lantern
so what you’re saying is, Halloween used to be a lot scarier
1897: Educated African Jewish Man Is Conceptually Confusing to Americans
“A young African negro has been in this city for the last few days who claims to be a Hebrew. He is deaf and dumb and as black as the ace of spades. He carries a pad of paper with him and answers all questions by writing them in Hebrew and Loschen Khodish. What excites the most wonder is that he writes Loschen Khodish very rapidly. It is the language of the books of Moses, and is made a special study of, spoken and written with ease only by the rabbis and highly educated Hebrews.
“The negro was sent to one of the rabbis of Hartford, who is perfectly satisfied that he is a Hebrew. He says that he came from a large town in Africa, where there is a tribe of about 20,000 black Hebrews who speak Loschen Khodish and are quite prosperous. He also says that his father is a rabbi in that town, and that is why his father took the trouble to teach him to write these languages, which needed an extra amount of labor on account of his being deaf and dumb.
"He says his people not only write Loschen Khodish, but it is their speaking language as well. He left home a few years ago and has seen a good deal of the world. In each town he hunts up the Jewish section, and there they give him clothes, food and money.
"What surprises him, he writes, is that no Hebrew knows of his countrymen in Africa.”
The Houston Daily Post, September 20, 1897
I’d love to read a book about his experiences traveling the world. Would be nice if they at least mentioned his name and where in Africa he hails from.
I had reason recently to reference this post again, and I’ll reiterate that it’s definitely in my top five all time favorites (that I didn’t even post myself :P).
Also, when is this book/movie going to be made?
I would love this as a book/movie!!!
Informative Ancient Egypt Comics: BROS
Our 1st place contest winner requested a Niankhkhnum and Khnumhotep comic as their prize.
I took a class about Ancient Egypt last semester and we had a whole lecture dedicated to talking about how gay Niankhkhnum and Khnumhotep were. Their tomb walls were decorated with scenes of them ignoring their wives in favor of embracing each other. In one scene, the couple is seated at a banquet table that is usually reserved for a husband and wife. There’s an entire motif of Khnumhotep holding lotus flowers which in ancient Egyptian tradition symbolizes femininity. Khnumhotep offers the lotus flower to Niankhkhnum, something that only wives were ever depicted as doing for their husbands. In fact, Khnumhotep is repeatedly depicted as uniquely feminine, being shown smaller and shorter than his partner Niankhkhnum and being placed in the role of a woman. Size is a big deal in Egyptian art, husbands are almost always shown as being larger and taller than their wives. So for two men of equal status to be shown in once again, a marital fashion, is pretty telling. Not to mention they were literally buried together which is the strongest bond two people could share in ancient Egypt, as it would mean sharing the journey to the afterlife together. And yet 90% of the academic text about these two talks about these clues in vague terms and analyze the great “brotherhood” they shared, and the enigma of Khnumhotep being depicted as feminine. Apparently it’s too hard for archaeologists to accept homosexuality in the ancient world, as well as the possibility of trans individuals.
On the last note, I was walking around the Field Museum of Natural History in Chicago and there is a mummy on exhibit. It caught my attention because the panel that was describing it was talking about how it was a woman’s body in a male coffin and wow, the Egyptian working that day really screwed that up. My summary, not actual words, sorry I can’t remember verbatim but it basically said that someone screwed up.
They claimed that the Egyptians screwed up a burial.
The Egyptians. Screwed up. A burial.
Now I’m not an expert in Ancient Egypt but from what I know, and what the exhibit was telling me, burials and the afterlife and all that jazz DEFINED the Egyptian religion and culture. They don’t just ‘screw up’. So instead of thinking outside the box for two seconds and wonder why else a genetically female body was in a male coffin, the ‘researchers’ blatantly disregard the rest of their research and decided to call it a screw up. Instead of, you know, admitting that maybe this mummy presented as male during his life and was therefore honorably buried as he was identified. But it would be too much of a stretch to admit that a transgender person could have existed back then.
(Sorry I can’t find any sources online and it’s been like 2 years but it stuck in my mind)
There’s a lot of bigoted historian dragging on my dash these days and it makes me happy.
Once again, more proof that we queers have ALWAYS been here, and it’s a CHOSEN narrative to erase them.
@temple-of-rah
I am reblogging this for the lols as well as a very accessible and engaging reminder that every historical narrative is created by human beings interpreting existing evidence and will necessarily reflect their biases, experiences, cultural norms and taboos.
Human objectivity is a myth, and until we have diversity present and speaking out in and across all disciplines, the truth will remain obscured.
Emergency Commissions!
Hi, all!
So my financial situation has just moved from “awkward laughing into the abyss” to “the abyss laughs back.” In short, I am:
The long and short of it is that we moved cross-country so my wife could work at a job that would catapult us out of poverty–only to find out that when they SAID “You’ll start work in September,” they MEANT “Or June the year after, probably. We don’t know anymore.”
So things are…. not good. We are of course both looking for new jobs here, but in the meantime, there’s that whole -gestures vaguely- food thing, and -gestures vaguely-er- rent thing, and -gestures at sick cat, who is sneezing adorably- vet bills thing.
I’m not expecting commissions to cover all that–even just a few bucks for groceries would be enough to get the financial abyss to stop cackling with glee. But here’s the run-down of emergency commission prices!
$10 - a bust, in color! Like this!
Ain’t that a deal? Yeah. I mean. I’m sure it is. Or, there’s:
$20 - Full body, full color picture. Look at that!
$25 - A 7in. by 6in. comic! Like this, but
fancy!
Ain’t that fancy? You bet it is.
If you are interested in a commission, send me an email at [email protected]. I humbly ask that commissions stay PG-13 or lower, though!
Reblog for the weekend crowd!
Do you love the awesome comics done for our episodes? Now, you can commission your very own! We highly vouch for the quality and fun of working with @oh-fee-oh-my
She just did one about Richard & Alec at the theater in Swordspoint for someone on commission!
Reblog this 10 times and I will post it for you.
Food rent and vet bills! Important stuff!