itâs been a productive 73,000 years
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@poetblu
itâs been a productive 73,000 years
Out of My Nakedness
"My thoughts are crowded with death
and it draws so oddly on the sexual that
I am confused confused to be attracted by,
in effect, my own annihilation."
âThom Gunn, "In Time of Plague"
Out of my nakedness come these words.
They hum my recollections, my eulogy,
my own elegy before deathâ I must say them for myself. If these words could they wouldcry outâ
But they are powerless. And the sun slowly rises unto the windowidth
with the blinds measuring light inch by inch. Outside, birds quilt sounds in the skyâ
their needlebeaks patchinâ
clouds onto the blue cloth.
If I could I would open the window
snatch the quilt from the air
and once again feel the gentle breeze
cottonbrush against my cheeks
and smell the sweet soapof magnolia. But outside the air is as dangerous to me
as the wind is to a candle blown into
its last emberbreath.
This morning I think of lifeâof deathâ
of those dead before meâof you, who only
left a quiet whispergasp exhaling
out and out and out, at last ending
as to yell, like as a bird's
weight would be in my arms. Sometimes illusion brings you back to meâ
a press of a curled form next to mine.
So I grope to hold this form, once so familiar,
yet my arias wrap around a shape
I do not know joyâa shadow, an airless
incognito I cannot cares could cry
but my tears are for what's empty.
Everyday I lie in this bed and watch the worldgo by;
a child on the sidewalk cries; his little
rec balloon floats higher into the air.
What lies through its rouge window?
What happiness could be missed? But three four five?â
one two, pick up sticks?
What joy resides there? I can never know;
Iâve spend my lifetime adjusting to the light.
âPhillip Calvert Scearce, 1994
Hereâs a revision of a poem I posted some years ago. It is taken from a series Iâve been working on for some time now: Hereâs Me Looking at You
i. Playguy, August 1986
Hereâs looking at you
Does it not hurt? This lusting;
my lurk on your flesh;
strippinâ layer afterâŚâtil
sunbathingly your stretch
bare. Though youâre seems splay
a centerfold-styleâ
youâre clicking,crunching and the
staples grease many
palms. Another snap
brings itself, and more
bare you are distilled for â¨pages; dick throttled full-
fisted. Grasping for air after
a turn and your cum
sprouts ogling lust-crazied
pupils finger flips back,
flips there over, over as this
into in your issue. For our
-up hung-up, bulging
turn the pages, flapping
through organs.
Oh we imaginariesâwe bang
fistfuls whose horned
a aorn-all world.
Attractionâan always
whenevers want nots
to be alone withâ¨one hand
âSeptember 5, 2021; p.c. scearce
Here is a love love los poem I am working on:
Love Poem for the Unexplainable You
The stars experience something different tonight. â¨I despair without you near hereâthe exposureâ¨into our panoramic photograph, each at opposite â¨ends coming as Adam is to touching the hand of God. â¨I want to fall unto this heaven of you in between â¨now for the rest the rest nights, â¨for that rest of life.
Why are you waiting? Where are you hidingâ¨from me, Lover? You with your midnightâ¨tussles of hair, & fascinating chestnut eyes â¨concealed behind glasses along framedâ¨regarding me. If I were more visible â¨Iâd paint you inside my heart all swirling â¨about & Iâm on your horizon baby, in long â¨flight waiting. I need you in this worst wayââ¨right back till itâs midnight.
Where are you now my dark shadow partner?â¨Youâre so much like a supernovaâit lights-upâ¨the universe as I see youâre there in that â¨sexual way...but like the Star goes out.
Hey boy there, you teasing me again?â¨With that lower-lip bite & your tongue all â¨ready to speak the first syllable of my name.â¨Itâs as a groove like my jam. So let the music play; â¨Iâm the DJ spinning to your groove goingâ¨along for our supernatural love.
Though Iâve explained your temptations,â¨none of them explains youâwho are to be?â¨There are infinite conclusions I could makeâ¨as is my base for you, lover. Thisâ¨unexpectedly possibilities of my likes â¨to have is basic thought, is all heldâ¨in a basket weaved with my wordsââ¨does love as yet have its hold of to you.â¨
May 2 - August 14, 2021; p.c. scearce
Throbbing in his heartâ¨smoke-fills his allusionsâ¨his choice as caste asâ¨warmth caught byâ¨a lip of liquor likeâ¨smiles, he tips toâ¨strangers, strugglesâ¨a mirror, manages hisâ¨attractions, his reflexâ¨as penetration as isâ¨to blindfolded, hisâ¨sips deliberateâ¨lashes like eyes spunâ¨spun spinning around asâ¨he stars to fantasyâ¨as illuminate, as mosaicâ¨a study as ever thisâ¨that moment when hisâ¨first kiss, his freshenâ¨flesh subjective andâ¨inhabited, his skin subtleâ¨too awakened for roughâ¨hands, he chokes once atâ¨his lasting seconds--hisâ¨breath for once inhalesâ¨exhales, submergesâ¨gleaming angelic towardâ¨this rented identity
âDecember 12, 2012: p.c. scearce
Thought Iâd resurrect this poem as I shared somewhat a simular Poe today.
This poem has been haunting since October 2020, so looking at it recently it morphed in into this form it originally began like theâ
As if these boysâthey,
passing by one night
This poem below was first published i by Regie Cabico in Stoked Words and was suequently nominated for a Pushcart Prize in 2019.
Sue Zhao // Dialogues on Love #4 // âMaybe I already doâ
âT. S. Eliot, â The Love Song of J. Alfred Prufrockâ
This has got.me to thinking...
I love pastoral, love its imagery. I wroteďżź this over twoďżź years where and if this goes beyond this is a question mark.
Exiled Nocturnal in Pastoral Form
When in the shades darkens more livelyâ¨the chord of b-flat takes its due as honey-â¨suckles or as Queen of the Night spreadsâ¨its pedals all spider-likeâall opened in â¨night-shade; theyâve come completed â¨for madnessâ tastes, the Maenads to swipe â¨its scene with wines & deadly frantic frolics⨠into the song all swung complete disaster â¨but O such is sweeter the tune, addictive â¨to Everyman sworn censored to be â¨played unless its needed purge to cleanse â¨the bodiesâout of mindâfrom nighttimeâ¨until when it is morning where its dark â¨melodies must turn over to call the Mornin⨠Glories wake to hornâitâs time, itâs time, â¨itâs time to freshen up to dine a dawned setâ¨table. But oh! such as this nocturnal fadesâ¨the memory of such frolic & so the god,â¨Dionysus bans its play, for as anyâ¨composition meant for night must twirlâ¨the dance of reveries & not smooth itselfâ¨off of an original intent as to open uponâ¨a direction of such opposite flora to confuseâ¨itâs time, itâs time. It is time tâ
âJanuary 27, 2019; p.c. scearce
This was ment for god in flight but Iâm glad I didnât as it was picked up for an anthology, Lovejet; 200 years of Walt Whitman. Itâs from a trilogy of poems call Prelegy f; it was written in repose on the impending death of Paul Monnet. I chose to add it to my latest book of poetry Among the Confessional Relics.
iii. Headlong into pastoral
choosing vocabulary tradition minute images
crawl about me yet are they troublesome how
can they carve you without history to compare
are you impossible to capture in this
thicket of summer briars hatred raised with
funeral picket picket signs screaming deserving
hell no way I'm going to allow any circling
though a hawk already glides this sky trees
with sun orange wings descending during
that time skeletal frames remain lord over
brown earth but now no green has changed
this a procession of mourners
yellow set sun orange mud red
falling upon some animals making way for
bed I deny this event because all absence
of autumn allows an abstinence of death
patience of a pigeon for a crumb if I choose
to tithe the beggar or not I'm done excusing
the presence of dying to that lie I'm aware
death's still not excused while I am undone
learning you my expectation is only your going
leaving into the following herd of death you've
lost two loves already in this storm
regardless if you're the pirate captain or
ship boy we're all in this together so tie
ropes tight wax up ears do not ear slant
hatred song on the sea that you've taught me
with your DA prosecutor libre voice I'm so
grateful for at sixteen raised braised my
consciousness to the distinction I must make
myself let go run into maturity or sure be
done for no matter the insults sporting my
queerness its okay I've become anyway
stretched myself treebare of essentials except
my voice climaxing on the mountain
with yours
Here is another from god in flight:
sunday blues, pt 1
just in awhile a breath among others souls are
inexplicable &
the moment he felt for something
where it goes elsewhere he doesn't follow his instincts
except acceptance can come his motives scribed
who he sees among
in the distant trace of
accent crowded voices allow sentience
syntax troubles verbiage & order that precise
alphabet dictator your choice given unto you
alone like a heartbeat drives you mad to sleep
perchance tomorrow arrives hollow or
too soon
someplace gathers along ourselves too many times
extracted the autopsy being asked always
which settles are we for as our heels hit the floor-boards
our bed-rest ending
is pride lefting behind
desire in stroke of foot fall
tired all this stance exalts sin again from
waking alone through wanting but finding
you're parts way here
Here is the first poem from my first book, god in flight:
From This Geography
What must I begin to be living?
What country happens upon me?
Do I dare spread through a window & offer myself
for another's observation?
If this glass were thick enough, could I
preserve
my body? Here, myself.
This is my skin. This blood beneath moves my heart
& my eyes walk this field of voices.
It was there he crept into many hours. The slither
of a cottonmouth along creek pebbles.
Must I slide back into it, be caught
wide open for his whisper where
I'll sleep in my waking to his sound.
The night tilts toward sunlight
always reaching into
him,
seeking some bottom to this horizonâa body,
a form I cry out from.
âcopyright 2003, p.c. scearce
god in flight is available in Kindle and in print.
Scenes from the Porch of an Amagansett Motel (February 2020) (II)
Absolutely brilliant
I really enjoy Jaredâs work. This is an excellent example of what is his style is like.