"You thought this was a date?" DUH OFC HE DID
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@polishyaoimaster
"You thought this was a date?" DUH OFC HE DID
"I don't write my draft before I start writing, I simply write, and then if I don't like it, I edit it, and when I say I'm done, I UPLOAD IT. I AM NOT WRITING THAT SHIT AGAIN."
Spoilers for new chapter:
Aki mortifying confession - aka him finally admitting he was only trying to help. I guess better late then never but my man! Why did u hold out until after the punishment! You should have led with this!
if I say “I’m gonna update my fic and post the new chapter soon,” please know that “soon” could either mean today or 2035
Hanakimi vs homophobia
In case it's not blindingly obvious, all pics here are from HanaKimi by Hisaya Nakajo and not by me. In my dreams.
The 2000s were a different time (kind of). On Friends, queerness was played for laughs, and homophobia always seemed to win out.
Hanakimi was different. In Hanakimi, homophobia was played for laughs, and queer dignity always seemed to win out.
I watched Umeda roll his eyes at all the homophobes, completely nonplussed. I saw him drily nudge them into line after homophobic outbursts. I saw him razz them with their own homophobia to make a gentle point, or perhaps just for his own mild amusement.
He was a three-dimensional character. I saw him... have an actual personality of his own. His dry sense of humour, his mildly jaded manner, his love-avoidant dating style, his big brother/mentor role with the students, flashbacks to his high school days, his family relationships.
I saw camp cliches of westernised gay men on 2000s Queer Eye or Will & Grace: frivolous, unthreatening, comical, ditzy. "It's okay if we're gay," they seemed to say, "because we're only here to make your girlfriend look fabulous. And gay sex is funny." Perhaps I am wrong, totally wrong, but they sometimes came across to me as... self-deprecating.
I mean, hey, nothing wrong with gay guys having a few laughs. Nothing wrong with being camp or lighthearted. I'm just saying, I needed some broader representation beyond that.
Umeda was dignified and droll. He took himself seriously. He took space - then let go of it, cos he was more interested in getting on with other things.
Hell, he even seemed to satirise the campness that might have been expected of him. (I mean, I don't know. What would I know about stereotypes of gay men in 2000s Japan?)
There were a couple of other extracts I wanted to put in here, but I don't have them on me.
Also, I very much want to respect copyright. I figure this is well within fair use rules, but even so, if the publisher/copyright holder wants me to take this down, please just say the word! Just forgive me if I'm not on here very often.
I do also want to talk about Hanakimi, binders and Ashiya's cross-dressing being the best and closest thing I had to transmasc representation in the 2000s. I realise that Ashiya's character was very much a cis-het girl, and not at all a trans man. Transmasc representation was sparse in the 2000s, okay? Another time.
For me, censorship laws are a lot like the death penalty. There are people I wish would die, but I don't want the government to have any say over who lives or dies (because then they can stretch laws out to justify killing someone they dont like). There are stories that I think are reprehensible and should have never been written, but I don't want the government to have any say over which stories are reprehensible (because then they can stretch out what they deem wrong out to fit anything they don't like)
More spoiler panels from the new episode
I have no choice but to sensor and sometimes it feels not worth to post something that will be 80% censored but I do love there expression in this one, and Asami’s hair
A little backstory about Koisuru Boukun's origin manga, Challengers.
Koisuru Boukun is a spin off of Takanaga's debut work, Challengers. The first volume was originally called Goukaku Kigan (Prayers for a passing grade) and started being published in a magazine called Hanamaru manga in 1995. Subsequent volumes were published under the title Challengers and that has become what the series is known by. The main character was Souichi's little brother, Tomoe, and it was about his romance with an older salaryman named Kurokawa that he met in Tokyo when he went to college.
But in 1999, Hakusensha (the publishing company) kept the magazine title but changed it to a shoujo magazine and canceled everything that had been published in that magazine previously. The Challengers series was dead in the water for 5 years until Kaiousha (a different publishing company) ended up saving Souichi and Morinaga's story from publishing hell. Takanaga Hinako really wanted to continue Souichi and Morinaga's story and was even planning on just continuing it as a doujin if it couldn't get picked up by another publisher because of the copyright issues. She ended up pivoting away from the rest of the original Challenger's characters even though she had still had plans for the original characters at the time it was canceled. I'm a little sad about that because we'll probably never see Reiko again and the plot with her and Souichi was funny lol....
Even 20 years later, with Koisuru Boukun being the better known series, they still publish it as part of the "Challenger's series". (Highlighted in pink here)
So, Morinaga and Souichi's story really started in Challengers and if you haven't read it before you really should go back and read it for the backstory. There's more comedy, less porn, and it's very 90s.
The Challenger's story abruptly cut off after Tomoe and Kurokawa moved to America. Volume 4 of the manga never even got published. It was lost media until Kaiousha finally saved it in 2004 and they reprinted all of the Challenger's volumes under their imprint and they added an exclusive extra story to the 4th volume showing Souichi finding out that Kurokawa had moved to America with Tomoe and Tomoe had lied to him about it.
Happy 30th anniversary Takanaga Hinako!
Thank you for Koisuru Boukun <3
i think i have a problem
LGQ representation in paradise<3
where are all the bl asmr 男性向け at
okay so
i finally decided to play blvns i bought back in February and oh boy
firstly i played slow damage. its honestly such a well made game that i still cant believe i really experienced something so divine. i genuinely teared up at fujieda's good ending. i cant help but have this bittersweet feeling hurling inside of me every time i retract my thoughts to the story. its not a bad thing. to put it better, the feeling of emptiness after finishing a long game is amazing. like, yeah, this character that has been stuck with me for 70+ hours is now smiling and wants to actually live a life instead of surviving.
The second blvn i played was paradise. i had so much fun and laughed many times. i also loved the voice acting especially when they went AAAGHHHGHHH!!!! AAAAGHGHHHH!!!! i want matsuda's voice INJECTED in my veins, as well as azuma's.
the amount of bad endings was honestly satisfying for my whump loving brain, though i feel like there's something wrong with takara's route. it's kinda disney villain ahh shit but that doesn't mean it was bad and stuff. i enjoyed it nonetheless
okay so
i finally decided to play blvns i bought back in February and oh boy
firstly i played slow damage. its honestly such a well made game that i still cant believe i really experienced something so divine. i genuinely teared up at fujieda's good ending. i cant help but have this bittersweet feeling hurling inside of me every time i retract my thoughts to the story. its not a bad thing. to put it better, the feeling of emptiness after finishing a long game is amazing. like, yeah, this character that has been stuck with me for 70+ hours is now smiling and wants to actually live a life instead of surviving.
ngl i cried
chip and i finished our first route of this game but i strongly believe this trait will stay intact in all of them