Where Should We Sit?

Everything Film

[phantom-threaded]

Breakfast at Tiffany's 1961, dir. Blake Edwards

[lokihiddleston]

PRIDE AND PREJUDICE (2005)

[pacifyara]

Maybe we don’t love life enough….a passage I clipped from The Fall by Albert Camus

[swsource]

THE EMPIRE STRIKES BACK (1980) dir. Irvin Kershnerd

[ashstfu]

“they tried to kill each other” yes and? do you have a problem with true love

[henricavyll]

“Death cannot stop true love. All it can do is delay it for a while.” 

THE PRINCESS BRIDE (1987) dir. Rob Reiner

[livethemovie]

“The unconditional surrender of Germany has just been announced. At midnight tonight, the war is over. Tomorrow you’ll begin the process of looking for survivors of your families. In most cases… you won’t find them. After six long years of murder, victims are being mourned throughout the world. We’ve survived. Many of you have come up to me and thanked me. Thank yourselves. Thank your fearless Stern, and others among you who worried about you and faced death at every moment. I am a member of the Nazi Party. I’m a munitions manufacturer. I’m a profiteer of slave labor. I am… a criminal. At midnight, you’ll be free and I’ll be hunted.”

Schindler’s List (1993) Dir. Steven Spielberg

[jimmyconbae]

Robert De Niro in The Godfather Part II (HD SET)

[movies-in-images]

Le Samouraï (1967) - Jean-Pierre Melville

[americanfilminstitute]

During rehearsals and on the set of The Graduate (1967)

[nitebirds-deactivated20150426]

Chinatown (1974)

Roman Polanski

[qmastered-deactivated20150608]

[fuckyeahdirectors]

Steven Spielberg photographed by Peter Hapak

[celebritiesandmovies]

Put your arms around me, fiddly digits, itchy-britches, I love you all.

[taraantino]

[popcornmemories]

When I give props to these movies, you have to understand - it’s not like they were all good. There’s an expression: You have to drink a lot of milk before you can appreciate cream. Well, with exploitation movies, you have to drink a lot of milk-gone-bad before you can even appreciate milk! That’s what part of the love of these movies is - going through the rummage bin and finding the jewels.

-Quentin Tarantino

[comfort-periodrama-movies]

Paulette Goddard & Charlie Chaplin in Modern Times (1936)

[whatmyheartneeds-deactivated202]

In Hollywood, more often than not, they’re making more kind of traditional films, stories that are understood by people. And the entire story is understood. And they become worried if even for one small moment something happens that is not understood by everyone. But what’s so fantastic is to get down into areas where things are abstract and where things are felt, or understood in an intuitive way that, you can’t, you know, put a microphone to somebody at the theatre and say ‘Did you understand that?’ but they come out with a strange, fantastic feeling and they can carry that, and it opens some little door or something that’s magical and that’s the power that film has.