льберто

"I felt serene that I had forged a good sword, but at the same time I felt a cold dread in me for starting on a course more dangerous than any other philosopher before me. I attacked giants and dragons, everything existing, holy and honorable in state and science: God, the monster ‘infinity’, the species, the powers of nature, and the modern state; and in my stark naked atheism I validated only the individual and egoism. Nevertheless, above them both lay the splendor of the pre-worldly unity, of God … the holy spirit, the greatest and most significant of the three divine beings. Yes, it lay ‘brooding with wings of the dove’ over the only real things in the world, the individual and its egoism, until it was extinguished in eternal peace, in absolute nothingness." Weltschmerz.

[thecollectibles]

Virgo by Artem Chebokha

[roronyra]

[gourmandise1008-deactivated2017]

[frmarino]

Tina (Tina Modotti) on the Azotea, 1924.

photographer: Edward Weston

[artmialma]

Edward Weston (1886–1958)

1924

Tina Modotti (1896-1942) is an iconic figure in the world of photography, known for her unique blend of artistry and activism. She was Westons lover, muse and one time apprentice 

[jinxproof]

Jaime King | © Tiziano Magni

[my-breath]

[thecollectibles]

Succubi by Aleksandra Wojcik

[metropolitancrocodileliving]

[atena-0]

Lingerie noire_

[thesensualnotebook]

[angel-b-torture]

[jinxproof]

Claudia Huidobro, 1990 | © Paolo Roversi

[aqua-regia009]

Kore metamorfica II, 2025 – oil on board — Agostino Arrivabene (Italian, b.1967)

[nousv2]

[elenleeladamanera]

[makinginfinity]

https://www.instagram.com/p/CqXRHQEoN-g/