PrettyCrappyAesthetics @prettycrappyaesthetics - Tumblr Blog

Good Times☀️

#good times #1970s #70s #edit

Aziraphale: How do we keep it light and breezy? I know. A comprehensive set of rules.

Crowley: How am I attracted to you? Doesn't matter. I am. Go.

🥊💥

#rocky balboa #rocky #rocky edit #aesthetic edit #edit #rock balboa edit #rocky movies #movies #film #cinema #boxing #sylvester stallone #aesthetic #1970s

Type of energy we need rn

#wolfenstein #wolfenstien 2 #wolfenstien the new colossus #fan edit #edit #wolfenstein edit #aesthetic #ww2 #world war 2 #fucknazis #aesthetic edit #the last of us #tlou #pokémon #sag awards

slitherbop

does reigen say trans rights?

sartorialadventure

Viking dresses by Savelyeva Ekaterina

petermorwood

Another visual demonstration that historical clothing wasn’t dingy and monochrome.

All of these colours can be obtained from vegetable dyes, producing different shades depending on what mordant (colour fixative - alum, different metal filings, different vinegars) was used. See here and here for examples.

willowofthehearth

BRING THIS FASHION BACK.

thevagueambition

Not clothes, but this was a palette developed by the National Museum of Denmark based on paint residue from archaeological finds for the purpose of painting a reconstructed hall.

Apparently, they can tell from the chemical composition that the colours wouldn’t be mixed with black or white to mute them, but be used in their brightest form. Bright yellow and red was achieved with expensive dyes (orpiment and cinnabar) and was thus fashionable. (Source in Danish)

deforest

JAMES CAGNEY and LORETTA YOUNG in TAXI! (1932) dir. Roy Del Ruth

#mattybing1025 #ritahayworrth #usersasha #bergmaningrid #jeffreycombs #usergina #oldhollywoodedit #filmedit #cinemaspam #filmgifs

tepkunset

For every dramatic bitch there is an equal and opposite dramatic bitch

manifestingwyntre

GOOD POST OP

#crowley #aziraphale #ineffable husbands #dramatic af

chittychittyyangyang

RWBY + Fathers Happy Father’s day!

prettycrappyaesthetics

Jacques Schnee does NOT deserve to be in this post

eyestrain-addict

Me, scrolling through Netflix, finding A Monster in Paris: “lol look another low budget shitty animated movie, I’m gonna watch it for shits n giggles.”

Me, hearing Sean lennon sing:

#sean lennon #a monster in paris #its not on netflix anymore but when i first watched it that was me #netflix #lmaooo #memes #lmfao #wow

batbcomic

Vanessa Paradis & -M- interprètent La Seine

#A monster in Paris #un monstre a paris #vanessa paradis #la seine #M

pooka-not-a-roo

Visit Original Link

French: LYRICS: Elle sort de son lit tellement sur d'elle la seine, la seine, la seine tellement jolie elle m'ensorcelle la seine, la seine, la seine extralucide la lune est sur la seine, la seine, la seine tu n'es pas saoul paris est sous la seine, la seine, la seine (refrain) je ne sais, ne sais, ne sais pas pourquoi c'est comme ça, la seine et moi je ne sais, ne sais, ne sais pas pourquoi c'est comme ça la seine et moi extra lucille quand tu es sur la seine, la seine, la seine extravagante quand l'ange est sur la seine, la seine, la seine (refrain) je ne sais, ne sais, ne sais pas pourquoi c'est comme ça, la seine et moi je ne sais, ne sais, ne sais pas pourquoi c'est comme ça la seine et moi sur le pont des arts mon coeur vacille entre deux eaux l'air est si bon cet air si pur je le respire nos reflets perchés sur ce pont c'est comme ça la seine et moi c'est comme ça la seine et moi c'est comme ça la seine et moi c'est comme ça la seine et moi English: [Vanessa Paradis] She’s resplendent, so confident La Seine, La Seine, La Seine I realize I’m hypnotized La Seine, La Seine, La Seine I hear the moon singing a tune La Seine, La Seine, La Seine Is she devine? Is it the wine? La Seine, La Seine, La Seine [Chorus: Vanessa Paradis] I don’t know, don’t know, so don’t ask me why That’s how we are, La Seine and I I don’t know, don’t know, so don’t ask me why That’s how we are, La Seine and I [M] I feel alive when I’m beside La Seine, La Seine, La Seine From this angle like an angel La Seine, La Seine, La Seine [Chorus: Vanessa Paradis & M] I don’t know, don’t know, so don’t ask me why That’s how we are,La Seine and I I don’t know, don’t know, so don’t ask me why That’s how we are, La Seine and I [Vanessa Paradis [M]] Upon the bridge [My heart does beat] Between the waves [We will be saved] The air we breathe [Can you believe?] Learn to forgive upon the bridge That’s how we are, La Seine and I That’s how we are, La Seine and I That’s how we are, La Seine and I That’s how we are, La Seine and I

#Un monstre à Paris #A Monster in Paris #La Seine #French

markwing-davey-deactivated20250

An appreciation post for movies that I believe don’t get the attention they deserve.

Sita Sings the Blues - 2008 (directed/produced/animated by Nina Paley)

The Hindu story of the Ramayana is depicted with four different animation styles and Annette Hanshaw’s musical tracks in Paley’s expression of why the Ramayana is important to her as an individual. The movie is a fresh take by displaying Sita’s perspective on the story, garnering sympathy for her as she sings about her hardships.

Mary and Max - 2009 (directed by Adam Elliot)

Based on a true story. Australian 8-year-old Mary Daisy Dinkle picks a random name from a New York phone book, and sends a letter to that address. It lands in the mailbox of Max Jerry Horowitz, a Jewish-American, middle-aged, obese, autistic man living by himself in his apartment. The movie follows a unique friendship that spans two continents, twenty-two years, and extreme obstacles.

Un Monstre a Paris (A Monster In Paris) - 2011 (directed by Bibo Bergeron)

Set in 1910 Paris shortly after the flooding of the River Seine, two men named Emile and Raoul create a monster after mixing chemicals in an absent professor’s botanical garden. The monster causes chaos in Paris, only to be found by cabaret singer Lucille, who discovers his gifted talent for music and allows him to perform with her.

The Red Turtle - 2016 (directed by Michaël Dudok de Wit)

Using practically no spoken words to convey the entire story, this movie instead uses composition and color to perfectly capture the emotional tone of isolation, and later hope. A nameless man finds himself stranded on a deserted island, but all of his attempts to escape are thwarted by a red sea turtle. When the turtle magically transforms into a beautiful woman, the film becomes a striking representation of what it means to have a family.

Ernest et Celestine (Ernest & Celestine) - 2012 (directed by Stéphane Aubier)

Based on a series of French children’s books, the bear Ernest and his mouse friend Celestine finally come to the big screen to share a story of taboo friendship in a world where bears live on the surface, and mice dwell underneath in the sewers. A struggling Celestine strikes a deal with a starving Ernest to benefit the both of them, starting a friendship that has to dodge the law in order to survive.

#mary and max #sita sings the blues #ernest et celestine #the red turtle #a monster in paris #movies #gifset

mizgnomer

Good Omens - Eden - Behind the Scenes

Excerpt from The Nice and Accurate Good Omens TV Companion:

As assistant director Francesco “Cesco” Reidy points out, such an epic location for the opening scene came at a price. “Filming in those kind of areas is difficult,” he says. “It’s exposed. It’s very hot, there’s no shade and you can burn easily. Bringing equipment is also a challenge,” he adds. “Everything had to come in on a fleet of four-wheel-drive jeeps or tractor-type vehicles, and there was a huge amount to get in.”

Overseeing the operaion was the producer for the South Africa shoot, Paul Frift. “It was challenging filmmaking,” he says. “We put up a Bedouin tent to create shade, but once you stepped out it was like a furnace.”

Special thanks to the Milk Visual Effects showreel on Vimeo

#good omens