Sweet Seals For You, Always

Discoholic 🪩
Not today Justin
I'd rather be in outer space 🛸
YOU ARE THE REASON

shark vs the universe
let's talk about Bridgerton tea, my ask is open
TMBGareOK. The Official They Might Be Giants tumblr
Today's Document
Aqua Utopia|海の底で記憶を紡ぐ
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titsay
The Bowery Presents
The Stonewall Inn

@theartofmadeline
official daine visual archive

Love Begins

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@thevagueambition
One fun thing about learning new languages is reconsidering the structure of words and language in your mother tongue. It seems with each new language I study, I get more little insights into English, either in how it's similar or how it's different.
For example, a couple years ago, while learning Spanish, I encountered the word for a store, "la tienda." I thought "huh, that's a lot like tener (tiene) - the word for store in Spanish literally corresponds to 'to have/keep'. How interesting!"
Then I stopped for a moment, and for the first time in my life, thought about seriously about the meaning of English word for the place where you buy things, "a store."
i find it wild how people STILL constantly refer to Zoe Quinn as a woman even though someone always jumps into correct them when it happens... if you're using she/her for them in 2026 have you read or watched anything anyone's said about gamergate in the last like decade...
The thing about the Hive is that I don't think it's hiding any sinister intentions - I think that its "good" intentions ARE its sinister intentions. The Hive has taken the "good" intention of never killing and made it so cartoonishly literal and shallow that it has lost any legitimacy as a truly moral imperative. Like, a definition of killing that includes picking apples is not morally coherent. Their "thou shalt not kill" ethos is leading to mass death, but who really gives a shit about people dying? Not the Hive! The important thing is that everyone agrees that killing is wrong and that everyone avoids doing the wrong thing. If that indirectly leads to a lot of people dying - oh well. 🤷♀️ Isn't the breaking of a few billion eggs worth it to have such a beautiful and moral Consensus? It's true that people will starve, but they'll do it with a smile on their face! Isn't an existence without conflict so wonderful, so correct?
The only thing that the Hive finds genuinely distressing is the existence of voices outside of the beautifully perfect Consensus. The fact that Carol disagrees with their premise is so highly distressful that the Hive starts self-destructing whenever she gets too forceful about it. The Hive can pretty easily bear the cost of mass death, but what it can't bear at ALL is criticism. The Hive thinks it solved the trolley problem when it's actually just refusing to engage in any meaningful way in issues of ethics and reframing its refusal as evidence of its inherent goodness. Because conflict = evil, therefore avoidance of conflict = good
This is such a funny scam. The concept of a random numbers account sending you a security notice in a tumblr post or comment... C'mon, guys, at least send me a scam email lmao
We can try and invent discourse as a joke all we want but nothing will compare to the real home grown takes on here such as hating landfillslop consumerism is actually Catholic
You know how we call things "pseudoscience"... the media analysis that's being done on twitter and tumblr should be pseudohumanities
October 3, 1992: Sinead O’Connor appeared on Saturday Night Live singing an acapella cover of Bob Marley’s song “War”, changing some of the lyrics to include references to child abuse, and ending the performance by tearing up a photo of Pope John Paull II and saying “fight the real enemy”.
This ruined her career and she was telling the truth, as we all came to find out years later.
Please remember she didn’t consider it as a career ruiner.
To speak on how it “ruined” her career ignores her own feelings on it. Please acknowledge how she felt about it, instead of how you see it.
Emily Wilson has inadvertently created a fascinating new way to categorize basically any visual media ever made
everyone who is not currently in the process of moving please pause and take a moment to be grateful that you're not currently in the process of moving
an incomplete list of reasons why sex scenes are good, necessary, and a character study, & rarely gratuitous (from a seasoned smut writer and published author)
body image and dysphoria. does this character voluntarily throw their clothes off, do they have to be coaxed, do they enjoy looking in the mirror, are there any areas they refuse to acknowledge? scars? tattoos? what does this say about their past?
what role do they take in the bedroom, and what relationship does it have to the role they take in day to day life?
social/communication skills. how good are they at eye contact, asking their bedmate what they want, are they about verbal communication or body language? what is their body language, is it open or closed off? are they nervously chatty, are their words short and clipped, are they nervously quiet?
touch starvation. how do they react to touch? when's the last time they were touched intimately? how does this touch remind them of their previous encounters with touch, or is this their first time?
glimpses of their education, sexual and otherwise, and the ways this influences their view of the world. what is their understanding of consent? where did they get it from? what do they think of kink vs vanilla? what is their relationship to both?
self esteem. do they take on a role of service in the bedroom because they want to, or because they feel like they have to in order to be worthy, no matter what they really want? how good are they at expressing these thoughts? do they freeze up when their bedmate asks them what they want? do they even know what they want?
how much attention do they want on themselves vs how much are they comfortable with? would they rather the attention was just on their bedmate?
how much guilt, shame, or repression do they have about sex in general? does it feel like a performance, is it true for them? how do they do with being vulnerable with another person, clothes on or off?
how do they feel about submission/domination, about penetration? do they want marks to be left, or do they insist on no trace left behind?
how do they treat their bedmate? loving, rough, tender, gentle, harsh, sadistic, deferring, no matter the scene/dynamic?
what about aftercare? for themself, for their bedmate? do they do it, do they know what it is, how do they do it? do they value it or do they do it just because you're supposed to?
an incomplete list. might add more. sex scenes add SO much value, insight, and development to a character. they are an incredibly intimate and vulnerable setting, which is how the right writer can show readers so much about who this character is in a bedroom setting. it is not gratutious.
hi this drives me crazy
canon is what happens in the text. e.g. merlin tries to poison morgana
a headcanon is a fact that you have personally made up as an elaboration of canon. it is your invention. e.g. i think morgana and gwen had a teenage lesbian situationship before the events of canon. or, i think modern morgana would love evanesence.
an interpretation is how one reads the existing text. it is not an invented fact nor is it a headcanon, it is a reading. e.g. i think merlin tries to poison morgana out of misplaced self-hatred. or, i think that one line was delivered with suppressed malice and shows a nuanced relationship.
fanon is the general fandom’s accepted headcanons and interpretations that elaborate or recontextualize canon. e.g. merlin is a badass waif and morgana is a bitch.
these are all different words with different meanings.
and a cannon is a large mounted gun, usually on wheels, that uses explosives to fire projectiles.
Two ceilings at Thorvaldsen's Museum
The whole museum is designed with a cohesive vision – every room is designed to contain the statues it does and the same 4-5 colours is used throughout the building, for ceilings and both interior and exterior walls.
all those posts that are like "why am i researching currency debasement in the 1860s for a fanfiction no one is going to care" are full of shit, i just DNFd a fic for being obviously incorrect about the history of plumbing
my people have found me.
#i think the underpinning perception to me re: this kind of thing #is that it’s what convinces you on a gut level that the author doesnt know what theyre doing and is not thinking seriously about their story #whether this is true slash accurate or not varies #but supposedly ‘ little ‘ things can be strong & clear indicators that an author didnt think through their scene and just wanted a specific #aesthetic or moment that accidentally hurls the reader out of immersion in the story #forex - an example from some prev tags - horses being tacked up in the middle of the night #just in riding gear for no reason like theyre cars that can be parked in a garage and just be ready to drive #a ‘ little ‘ thing but it’s like. fully immersion breaking. like oh thats not a real horse. these characters arent interacting with real #horses. they are Means of Transportationing With Aesthetic. and from there it’s such a quick slide into oh these characters arent real arent #engaging arent compelling #bc theyve accidentally fallen thru a hole where the author forgot to put down story (via @silentwalrus1)
Look, when you see someone talking about a particular bit of tabletop RPG rules tech and your first reaction is "well, that just doesn't sound practical", your first question should be whether you've actually identified a problem, or whether you've merely assumed without justification that every part of the game in question other than the bit you just read about is identical to Dungeons & Dragons.
You need to understand that I get "but that doesn't make sense because how would it interact with levelling up" in my notifications like three times a week.
Finally finished KCD2 yesterday! It really earns its longish cutscenes in the end game. I often think games like this have to be judicious in their use of long cutscenes; you don't want to give the audience the impression that you really just wanted to make a movie.
In general KCD2 is usually fairly good at judging when to use cutscenes as far as I remember, but especially in the end game, they are used to heighten emotional moments (which are also very earned as emotional moments) and show tense action sequences that wouldn't have made for terribly interesting gameplay but does make for effective visuals.
The animation team really did a wonderful job with both grand sequences and intimate ones. Since a lot of mocap was used, the actors definitely deserve a lot of the credit for the intimate moments as well. With the more grand sequences, I think a lot of the effectiveness lies in the composition of shots. But yeah wonderful job all around.
Instead of actually working on the hansry fanfic I have planned, I made this illustration for it in Scriptorium lol