Mother Brand TM @princessemilyalice - Tumblr Blog

The text of behind-the-scenes writing has confirmed what I was suspecting was going to happen since watching season 1: the writers absolutely did not understand the Machine Herald.

Let’s skip the terrible implication of their words that disabled people who are missing parts of their body or use prosthetics somehow „lack humanity“; the writers show they were only viewing Viktor through the concept of transformation, no matter what that meant. They were convinced that all Viktor needed to do to become the „Herald“ he’s famous for, was to go through some as gruesome or eerie transformation as possible, stripping himself of emotions in the process.

Let me be clear that this is completely wrong.

Obsessively removing parts of one’s own body in order to upgrade more and more with tech is not a motivation on its own, it is a consequence of some deeper problem. It is a manifestation of something that is hidden in the mental level.

And while at first S1 might have gone the way of a disabled character getting „addicted“ to becoming more and more able-bodied and even transcending abilities of an average human body (which is still kind of an iffy take when framed as strictly negative), the subsequent degradation and complete digression of Viktor’s character arc with the transformation instead being forced on him in Season 2 by Jayce’s misguided attempt to save him, highlights that the writers did indeed hold the aforementioned idea of „eerie transformation“ as the top/core thing that makes Viktor the „Herald“, instead of his motivations for a transformation.

Even season 1’s possible idea was stopped in its tracks because at the end of s1, Viktor is written making a clear choice: hurting others for one’s own benefit is crossing the line, and he resigned to dying. He completed his arc.

This created a problem for season 2, as Viktor was written by s1 as effectively being too moral of a character to do a transformation. Enter the forced/brainwashing effect of magic on Viktor, a band-aid to force the plotline the writers wanted for him. Altering his mind and convincing him that the way to help others is to strip them of all agency and emotions.

No matter how many times the writers say they wanted Viktor to „make a mistake out of a genuine but misguided desire to help“, viewers continuously voice what they see, what the writing actually portrays – a lack of agency of the character. If text is badly written, it fails at conveying what it intended to.

Going back to the Machine Herald and what I said about self-augmentation (at least in his case as a fictional character) as just a symptom of a different problem, it’s even explicitly confirmed in Viktor’s accompanying release text:

„People deal with grief in many ways, and Viktor did it by replacing his body parts with robotic limbs.“

I’m honestly shocked that I have to copy-paste these things so often and that professional writers yet again missed the point.

The Machine Herald was a very layered character. The self-augmentation is just the top layer which makes him cool. The deeper levels are what makes him compelling.

He went into self-augmentation using his own technology as a way to propel himself again to the top of his profession, both in terms of cutting-edge achievements and in terms of recognition. He had an impression that nothing short of shocking and utterly bizzare would be able to beat his previous stolen achievement and cement him at the very top of Zaun’s scientific community. This is also supported by how theatrical his behaviour is as the Machine Herald, explains why he has vanity items like a cape and why his hair is still out. He felt betrayed by his own mind for cursing him in naivety, jealousy and depression for who knows how long. He also had issues with self-image, smashing his own face on a framed photo that showed him standing proudly next to Blitzcrank. He tried to distance himself from his previous identity of a vulnerable, very human and very empathetic student who wanted to better society by aiding in the waste reclamation process. Blitzcrank was made for cleaning Zaun – and who is idealist enough in such a self-serving city-state to attempt something like that. This he shares with Ekko, and Ekko is very clearly a hero.

Viktor’s moral ambiguity was not supposed to come from the narrative trying to obfuscate if „removing free will“ is a bad thing – because it is, it will always be an evil thing. This free will point didn’t exist in his release lore, it’s entirely the addition of 2016. Universe bio. I also believe the story gets downgraded and loses its potency if it picks a side and makes Viktor „slide into villainy“ by „completely losing his humanity.“ His ambiguity originally came precisely from how his actions towards his own body make the readers feel. It was entirely up to the readers themselves to decide whether they saw self-augmentation as cool and badass, or as unjustified self-mutilation. It’s a type of interplay between the story and its readers. A character within the story itself, Jayce, made up his mind and held the opinion that it was not a good thing.

Viktor is a „mad scientist“ and although this trope can be very reductive, it also carries some truths. Viktor went mad. His self-augmentation was never going to be justified by sensible, lucid motives, but that doesn’t mean he didn’t have reasons. He was in so much pain and felt trapped, and yet despite that he found a way to build himself back up again piece by piece, and undergo such a tremendous transformation entirely relying on personal ingenuity and resilience. The key difference between his inside perspective and our (and other characters’) outer perspective, is that his reasons and pain are of mental nature which makes them way more hidden to us.

His story can develop in the direction „backwards“, him integrating back into society to an extent while maintaining this dislocated perspective of infinite self-upgrades, infinite scientific achievement – because he’s shown it already! He wants and has a need to interact with others! His acolytes, him trying to ally with other researchers, the need for recognition. Another thing awaiting the Machine Herald is reality’s cold shower that one genius still can’t solve systemic problems, and the question what he will do once his technology inevitably gets abused, but this time finally carrying his name.

And I believe all these layers are infinitely more interesting than an unfortunate story of a man who gets turned into a manipulated creature of limitless magical power who doesn’t even have control over his own decisions.

ratatattouille-deactivated20251

Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and manipulates Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. If anything, she’s more concerned that Jayce has a close relationship with him, wondering how much it may affect Jayce, hence her plans. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success, and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to show her peers overseas. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t Ambessa’s fault, but Mel’s and Jayce’s. Again, Mel is the one who started the manipulation and Jayce is the one who betrayed his and Viktor’s vision.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her manipulation, charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly “touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she knowingly used Viktor (and Jayce) as a means and ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was PURELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to manipulate Jayce into creating hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

Mel was the wolf long before she killed her mother because she had always been someone who used her strength in order to pursue her own goals ruthlessly, even at the expense of Zaunites. But S2 insists she became the wolf only when she was willing to kill her mother. That her wolfness had something to do with her magic rather than her judgement.

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Mel being a mage is a cool reveal, but it side-lines and devalues what she was, could do, had done and how she’d developed in S1

-Despite what the show would have you believe, Mel was not the victim. She was very much complicit in ignoring Zaun’s needs in priority of the rich and wealthy in order to make herself look good. She wasn’t as cruel as her mother, but she wasn’t progressive until she saw the damage already done (and Jayce helped her re-connect with her own conscience).

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

needanaccount2readarcaneposts

10/10 analysis of some of the ways in which S2 badly whiffed the themes it was exploring and the questions it was asking in S1.

Only one note to add off the top of my head, and that's the fact that I don't really think Silco sees himself as an exception to his principle that Zaunite lives are worth spending for their ultimate freedom.

Jinx, certainly; and there is absolutely a bunch of ego-centrism in the fact that Silco emerges from the betrayal convinced that he alone has experienced the necessary revelations, he alone has the necessary vision, he alone is prepared to commit himself to the necessary violence for change.

But he's also willing to lay his own bones down on that path to progress if necessary. For one thing, that eye in S1 isn't getting any better any time soon, and in fact gets markedly worse between Acts 1 and 2. That toxic infection is still festering away in his skull, and his Shimmer treatments are taking more and more of a toll on him. Realistically, I don't think that he anticipates that he will get to see much of whatever new world he creates; he is just staying alive out of a combination of sheer spite and a need to see it through and accomplish his One Job of dragging Zaun kicking and screaming over the finish line to independence.

And when Jayce's conditions include a demand that Shimmer production be shut down? The thing that is keeping him alive? Done. He'll run out the clock on whatever he has left, and if that's part of the price of Zaun's freedom, he'll pay it.

Likewise, he is instantly willing to throw himself under the bus, and risk trading away his own freedom when Jayce demands that Jinx be handed over. If the end result is a free Jinx and a free Zaun? He'll take that fall.

Silco is many things, but at the end of the day, he doesn't see his own life as exempt from the necessary price to pay for the Nation of Zaun. The only price he can't abide being paid, the only life he can't abide being sacrificed, is Jinx.

ratatattouille-deactivated20251

You're so right! When I'm editing the entire doc, I'm adjusting because Silco was absolutely willing to die for his own cause, but I don't think he ever though his cause would cost him Jinx. I could have also mentioned the fact that his eye is literally there because of Piltovian oppression of Zaun.

Thank you so much for this review!

Trending Blogs

Recently Viewed Blogs

Mother Brand TM