minsan nagsusulat

maging imortal at mabuhay sa tula

[hellish-cruelty]

Playful signage and other colourful paraphernalia - Liberty, Kansas Evening Sun.

The French Dispatch(2021) dir. Wes Anderson

All my Love to Wes Anderson’s graphic designer Erica Dorn and illustrator Javi Aznarez.

[robotpattinson]

His writers line the spines of every good American library.

THE FRENCH DISPATCH (2021) Dir. Wes Anderson

[wesandresons]

[aboutaesthetic]

It doesn't matter at all. I love to talk about it. Because yes. I love it. I love with real love.

My. Absolutely. Favourite. Film. Ever.

amazing Kinks plays on a background :)))

[harddaysnite]

Color Theory and Wes Anderson’s Style: Sad Characters in a Colorful World

With such bright and saturated fairy tale color palettes, Wes Anderson movies can touch on deep, existential issues without bumming people out. And if it weren’t for the dramatic content, the exaggerated colors would be unbearably optimistic and cheerful. In standard film theory, color in film is usually seen to “support” the tone of the subject matter, but Wes Anderson movies complicate those expectations. ∗

[annoyingthemesong]

SUBLIME CINEMA #418 - THE ROYAL TENENBAUMS

Wes Anderson can drive me crazy; his style is now completely a part of us, comforting in its familiarity and tweeness, and he never ventures far outside of what he does. But there’s something to cherish about knowing what to expect. He has gradually spent his energy and resources refining his own vision with larger budgets the occasional journey out into stop motion, but he’s always, and will always be himself. Which I love. This one’s still my favorite. I feel old calling this a classic movie, but by now what else is it?

[cinephile-trashbin]

wes anderson's filmography in title cards

[lady-me-meow]

“I love you too, but I’m gonna mace you in the face” - Jack Whitman, the Darjeeling Limited

[knowwhatimeme]

[pulangmarlboro]

05

Catching feelings.

Ang sarap sa pakiramdam ng may nararamdaman.

Masakit na nakararamdam ng sakit, masaya na nakararamdam ng saya.

Pero minsan, gusto ko na lang na walang maramdaman, pero kung iisipin, ang kawalan ng nararamdaman ay isang pakiramdam. Minsan namamanhid ang buo kong pagktao sa dami ng aking nararamdaman. Para bang bugbog na bugbog ako dahil sa labis na lakas ng pag-agos sa akin ng mga pakiramdam. Minsan ayaw ko na makaramdam. Pero 'di ba parte ng pagiging tao ang makaramdam?

[pulangmarlboro]

04

Ito na naman ako, nagbabalik para magsulat ng mga hinanaing ko sa buhay.

Gusto ko lang ilabas ang lahat ng aking galit, saya, lungkot, at kabiguan sa buhay.

Siguro masasabi ko ngayon na, 'di katulad ng dati, ako'y masaya. Siguro dala ng mga pangyayari ng mga nakakaraang linggo. Siguro lilipas din 'to.

Tanga.

Okay lang sa 'king maging tanga at maging ignorante sa ngalan ng pagiging masaya.

Aking binalikan ang aking mga naisulat noong nakaraan. Natatawa 'ko kung gaano ako kaarte. Pero alam ko na may babalik na damdamin na katulad ng aking naramdaman noong eksaktong sandaling iyon. Maituturing ko itong pagbabadya sa paparating na bagyo ng iba't ibang tagapagdulot ng kalungkutan.

Ang kalungkutan, para sa 'kin, ay baha. May punto na sa sobrang taas nito'y tila ba ika'y malulunod at magpapakain na lang. Ngunit iyong mararamdaman na ito'y unti-unting humuhupa hanggang ito'y mawala na lamang.

Kaya kapit lang, lagi't lagi ay mayroong kalma pagkatapos ng bagyo.

[yanqings]

YOUR NAME ENGRAVED HEREIN | 刻在你心底的名字

I’ve decided to love only one for the rest of my life. 

I hope time would stop, so I could have more time to miss you.

If I have another chance, I will surely love again.

[hunterschafer]

Hugh Grant as Clive Durham in Maurice (1987)

[eyres]

It’s a chance in a thousand we met. You know it.

Maurice (1987) dir. James Ivory

[updownfragile]

“As soon as my body developed, the obscene imaginings began. I thought that some individual curse had descended on me.”

Maurice (1987) dir. James Ivory

[timotaychalamet]

“What sort of a life would I have without you?”

Maurice (1987) dir. James Ivory

[aridante]

I would have gone through life half-awake, if only you’d had the decency to leave me alone.

— Maurice (1987) dir. James Ivory