[flowerytale]

Wendy Cope, From June to December: Summer Villanelle

[tendernaiad-deactivated20231220]

when charles schulz said "all you need is love. but a little chocolate now and then doesn't hurt" and anthony bourdain said "your body is not a temple, it's an amusement park. enjoy the ride" and mark twain said "part of the secret of success in life is to eat what you like." when erma bombeck said "i am not a glutton- i'm an explorer of food," voltaire said "ice-cream is exquisite. what a pity it isn't illegal" and when kurt vonnegut said "you can't just eat good food. you've got to talk about it too. and you've got to talk about it to somebody who understands that kind of food."

[habaebiti]

i genuinely can't believe this is real

[habaebiti]

[icemaiden-deactivated20220406]

your twenties are about realising you’re not and simply aren’t going to be dazzlingly cool the way you wanted to be and tried to be in your teenage years, that you’ll never be that image you tried to chisel yourself into—but that you have grown quite accidentally and organically cool in an entirely new way and you don’t mind the unexpectedness of it. not at all

[tunisian]

source? i felt it in my heart

[hamliet]

What do you think about the romance in titanic?

It's truly great. Titanic is a good story and a good movie. I would actually recommend Lindsay Ellis' video on it.

But as for my thoughts...

The romance itself is a little alchemical, at least in terms of their names. Rose DeWitt-Bukator: Rose=red, symbol of the stone and red stage; DeWitt="of white," or the white stage. Rose is the philosopher's stone. Jack Dawson: reference to jackdaws, a symbol of the black stage). Which makes sense since James Cameron pitched it as Romeo and Juliet on the Titanic, and Romeo and Juliet is mega alchemical. (Also Cameron captured the spirit of Romeo and Juliet far better than most. It's hopeful!)

Jack and Rose aren't the most complex characters to grace the screen, but they don't have to be to be compelling (and they don't pretend to be more than they are, either). Their struggles are timeless and complementary, which helps them resonate with audiences around the world and across cultures.

Jack wants a better life, but he wants a better life for those around him, too. His joy and way of finding beauty in everything around him is contagious. He might have "nothing in [his] pocket" to offer, but he still finds moments of cheering about being the "king of the world" at the bow with Fabrizio, makes friends with those around him, plays with kids like Cora, and is fundamentally... kind. He saves a distraught woman from ending her life and didn't even defend himself when he was accused of attacking her. He captures his joy of life in his art, drawing what he sees as beautiful.

Rose wants a better life, just like Jack, but instead of being determined to live her best life where she's at, whatever she has or doesn't have, she has no freedom. Instead of being contagious in joy to where she draws others in like Jack, Rose must instead withdraw to survive. She can't trust anyone around her because they're all counting on her to save them (her mother wants Rose to save them from financial ruin, her fiancé wants Rose as arm candy). But Rose is seventeen. Jack's kindness to her inspires her to save him when he's accused of attacking her, and his love for life and for her just--they give Rose hope.

Is there anything more hopeful than seeing someone else truly alive?

Of course, then Jack dies saving Rose. And no, he could not have fit on the wood and also when water's that cold your limbs do not work perfectly so they could only make so many attempts to get on the wood in the first place, and yes if she'd stayed on the lifeboat he may have lived. but--that's not the point of the story. Rose is a seventeen year old girl who is tired of having people value her life as only what she can give them. Even Cal saving her by getting her on a lifeboat has nothing to do with Rose living and everything to do with her surviving to benefit him, not Rose.

Rose jumping off that lifeboat is her choice to live, even if it means she'll die.

It's a powerful choice, and people who nitpick or act like an abused, suicidal 17 year old facing trauma would think rationally are just... idk killjoys. Go watch Batman vs Superman or whatever pseudo-noir pretentious drivel tickles your fancy instead.

Anyways. So this motif of life coming from death is again, alchemy! It's a romantic tragedy, because even though Jack dies... there is life that comes from his sacrifice. Rose does live, physically as well as emotionally and spiritually. Even when she "dies" in the end, it's left ambiguous as a deliberate question--is she dying or dreaming? Does it matter, when the point is the same--that she's alive and Jack is alive and they are all together, whether in the afterlife or her dream?

[klassizismus]

Details: Coup de vent devant Frascati, Le Havre, Eugène Boudin, c. 1896

[die-rosastrasse]

I have romanticized my life to such an extreme point, I feel like I'm living in some sort of unattainable fairytale. It's blissful and full of wonders, but I sometimes experience loneliness, being so away from the world of other people, feeling like they don't want to open up and show any sign of excitement, of love. I live in a perfect bubble that is pink and heart-shaped and I'm fine with it. I'm constantly surprised that people aren't falling to their knees and screaming with joy at every flower, tree, poem, painting, the way the golden sunrays light up the forest, the colors of the clouds, the sounds of summer evening. And honestly, why don't you? What's in your world that's so powerful, it made you indifferent to the beautiful things that surround you all the time? If your reality means any less delight, any less everyday ecstasies, I'm choosing my handmade fairytale and I'm going to die with hymns on my lips.

[catmask]

i keep trying to quit being a bitch but they keep inventing new things for me to be a bitch at

[ripempezardexerox]

[sorry-im-a-terminalidiot]

[albatross-the-pen-chewer]

[high-fructose-porn-syrup]

[soracities]

there is love in this story. even in its most brutal end. there is love in the story. how? where? here: here in me telling it to you, in spite of everything. because of everything.

[soracities]

no salvation and no turning of the tide. that’s not the point anymore. we were here. oh so briefly. but we were here. we tried. do you know what i mean?

[feral-ballad]

I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say.

Daphne Du Maurier, from Rebecca

[themarchingbeetle]

[defectivegembrain]

No you cannot fix your entire life at 2am. Go to bed.

[bloom-a-blog]

[womanthinking]

Scientifically the most pure thing on our wretched mess of a planet.

[surprisebitch]

Bambi and Thumper!!!

[dreamofserenity626]

What’s great about this is that rabbit is totally ‘binkying’, which is that really high jump they make when they are super happy and excited! He loves his deer friend! <3

[irishfolklore-deactivated201912]

Not to be furiously antimodern but everything you make is art and you can minimize it all you want by calling it a hobby or a craft or a hyperfixation but it’s art because you created it and humans just make art because it’s what we do and it can’t be good or bad because it just IS and when you make art you are part of something very beautiful and very human

[danyllura]

Peeta Mellark is the type of person to follow a grieving girl to her broken home and plant a garden. But people forget Katniss is also the type to sing a lullaby to a dying girl and lay her in a bed of flowers. Despite being subjected to the cruellest games, they’re two kids who continue to be kind and choose love. Not everyone could find light and love atop a graveyard in a meadow, and that is why Katniss and Peeta have always deserved each other.