Heroes Walk in Dirt
By Jess Awh
At last call at the bar I am eight shots in, swing dancing with a broom while Sasha wipes the wood down. His face says he’s wondering how a mess like me can be trusted to clean shit up.
I tell him when I’m home I like to vacuum drunk. Drunk vacuuming is kinda like being on a swing: you blithely toss your body around the room in a tango with the vacuum, singing to yourself, forgetting certain corners. I sing the live recorded version of a John Prine song, “That’s the Way that the World Goes Round.” Sasha asks why live. The song’s got this line: “it’s a half an inch of water and you think you’re gonna drown,” I say, but on the live tape John Prine tells the crowd how a woman came up to him in San Fransisco once and asked him to play his song about the happy enchilada. She thought it went, “it’s a happy enchilada and you think you’re gonna drown.”
In my bedroom I take eight shots of Jim Beam and grab the expensive vacuum I bought at Costco with the different detachable heads which I call “my vacuum ingredients,” and I swing and sing to myself about the happy enchilada.
Sasha shrugs and scrubs the gun line. He says that that John Prine song has a verse where John Prine pretty much says it’s ok to beat your wife. It isn’t okay to beat your wife, I don’t sing that verse. I know it isn’t okay to beat your wife. My wood floors shine. I hate when dirt from the floor sticks to my feet as though it were all the world’s injustice.
I smoke in the tub and I swim in the Hudson, so in a way no bath I take is ever clean as a true baptism. I dislike the laundromat, so I wash clothes at home and hang them on the fire escape. In a nutshell, all I can do is try, I say, in a nutshell. Trying is what we do when succeeding eludes our sight. Sasha once came over after work and laid on my bed eating pistachios, setting the empty shells down on his chest. He’s been upset because his ex is about to marry a man she loves less just to get him a green card and have some kids. I’d never ask anyone or anything to change. I would’ve vacuumed his shirt, though.
I walk to the train to work like always and Lee is waiting outside the liquor store. For whatever reason, the liquor store people hired him seemingly just to stand outside and ask people how they’re doing as they go by. He’s hardly ever inside, and when he is he doesn’t seem to be doing anything. He doesn’t have any flyers to hand out. “What’s new, Lee?” “Oh, you know, new gangsters, new crackheads.” “Oh yeah? You look spiffy. I like the blazer.” “Ah, thanks, it’s gettin’ cold.” “Yep, yep.” “My birthday’s coming up.” I like that one because he always tells me what’s new with the block when I’m really asking what’s new with him. “Shit, when is it?” “The 26th.” “No way, I’m having a party that night. I’ll bring you a piece of cake or something.” We laugh. Lee is always in a clean black button down and black pants that are never wrinkly. He’s like a blackboard that got wiped down with a wet towel. I’m gonna bring him cake because he doesn’t expect me to. We live in this charmed narrative where we move one plant into the sun, or put a sardine out for one stray cat, or organize one shelf, and then the sky opens up so sunbeams land on our shoulders like we somehow answered a prayer God didn’t even say out loud. I read this story in American Girl Magazine when I was nine where they’re walking on the beach and they find hundreds of washed up starfish dying in the sun. The one girl says “we can’t save them all, it’s pointless” and the other starts throwing them in the water one by one. She goes “but we can at least save a few, and that still matters.”
I get to the bar and this guy I know is there drinking, Grant Barber. I tell Sasha I’m going to go hide in the basement and he knows what I mean. A couple summers ago when I was bartending in Chinatown I became friends with Grant Barber because he was living in the radio station. He’d listen to my show on the mail room speakers on Sundays and say things like “I’m glad you played Patsy Cline” or “I can tell you like the music, that’s why you’re such a good host.” Grant Barber has blue eyes like Santa’s eyes, and that’s why I started buying him lunch and letting him shower at my apartment. I’m a good person but I get starfished sometimes. So I served court papers to the squatter who’d forced him out of his place in BedStuy, I went with him to the notary and everything, but when the legal shit started to drag along and he was sending me messages like “I’m gonna kill myself today” and “why won’t you answer me, I’m going to die” I stopped replying. I couldn’t fix it any more for him, and what was I gonna do, sit there listening to a dude I barely knew threaten suicide because I ignored his Facebook DMs? He said he never asked me to “fix it,” just to be there, and then he said he was in love with me. I said this is too many starfish. Actually, I said nothing.
Grant Barber talked to Blaze Foley in Austin back in 1985. I believe that story because he never lied to me about anything else besides the killing himself. “Fuck, I love Blaze Foley, seriously?” Yeah, at this concert at The Outhouse where he was double billed with Townes Van Zandt. Townes played for an hour straight, and I was there with my girlfriend, they were waiting for Blaze to come onstage but no one could find him I guess. He came on and played one song, then left again. That night is the only time I talked to him ever even though I saw him twice or three times. I’ll never forget what he said…I went to the men’s room and he was there barreling through a fifth of whiskey…slouched over a urinal. It was just us two and for some reason I started rambling about how much I looked up to him, how his music moved me, and then he stared at me and said one sentence. He said, and he was slurring—it took him a whole long minute to say this—he said “my problem is that I can’t stop being funny.”
I was funny once, at a nude figure drawing session held by a local art club. They had offered me thirty bucks to play the guitar and sing my songs while the models posed and the artists sketched them. The room echoed like the inside of a drum and the floors were shiny. I sang things I had written and they mingled with the dust lit up by the window and hovering in the air. Afterwards a girl came up to me and said “I loved your lyrics, they were so funny!” And maybe they were funny, but I recoiled because I felt stung, because I had been admitting that I was weak, which is braver than most things I do. Blaze Foley got shot in the chest by his friend Concho January’s son. That’s how he died. He confronted Carey, the son, about stealing Concho January’s veteran pension and welfare checks, and a few days later Carey shot him. Blaze’s friends covered his coffin in duct tape because he never got starfished, he knew his strength even though he looked to be made of flesh. Sasha was uninvited to his ex’s wedding because Gavin (the new fiancé) hates him, and when he found out he said fine, I’m happy for you guys, then cried on my shoulder in the bar basement later.
I love Blaze Foley but I doubt I would’ve ever dated him because I bet his hair was dirty all the time. He has this song called “Sittin’ by the Side of the Road” that’s about being homeless and being fine with it, because what do you even need besides a guitar and a meal to eat? I need a sanctuary that I can control and retreat to. The best gift I’ve ever given a friend is an invitation to stay with me, to hide in my house with the vacuumed floors, out of New York, and feel clean. This is why I wouldn’t date Sasha: his apartment is an unheeded hodgepodge of once-important or still-important things not set in order, not categorized, not scrubbed with Clorox wipes. I wonder what service he’s out there doing that makes him forget about cleaning. He texts me that Grant Barber left the bar and I come upstairs, eyeing the balled-up napkins and brown leaves sprinkled on the ground as I walk to the front door. I will clean this up before anyone else has a chance to disregard it.










