What is the meaning of international law at this point when some countries are allowed complete impunity to do whatever they want without consequences

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What is the meaning of international law at this point when some countries are allowed complete impunity to do whatever they want without consequences
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Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?
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when i first heard about the male loneliness epidemic i was like oh yeah close camaraderie and bonding between men is often discouraged in favor of competition or, if not discouraged, at least filtered through a lens of individualism that precludes deep connections. and then i learned what people meant by it (men arent getting laid) to which i say skill issue
remember kids, the moral of "Irish and Italians weren't even considered White yet!" isn't "because in those times people were so ignorant they didn't think the Irish were white". the moral is "because white is an unreal category created to justify slavery and ongoing hoarding of power and wealth". It's not that you know better about Italians. It's that the boundaries of the higher caste have changed.
Further, these groups assimilated into whiteness by 1) participating in racism, particularly anti-Black and anti-Indigenous racism and 2) they abandoned a lot of cultural practices and beliefs from their home countries.
Do you want to be politically pure in theory or help your neighbor. Is it fruitless to help your neighbor because there's no Perfect Pure way to do it ?
remmick and the vampires present a false dichotomy
Hogwood (the man who sold the twins the mill) and the KKK are very obviously bad, they are outright malicious bigotry, they use the n-word and plan to lynch the moore's and their community, they are so blatantly racist and hateful it's unavoidably obvious
remmick and the vampires however say that they believe in equality, say that they want to create a community, and yet remmick's goal throught the movie is to both metaphorically and literally steal sammie's ability for his own goal of reconnecting with his irish ancestors, a white man wants to harm a young and upcoming black man and use talents for his own goals without giving any regard to said black man's autonomy or agency
when sammie sings 'I lied to you' in the juke joint and calls forth the spirits from the past and future, it's a blend of cultures; west african, east asian, native american, and african american song and dance blend together across time and space to tell the stories of blues; where it takes its inspiration from, the music genres it then inspired, the complex history of black american culture and its intersections with other peoples of colour in the USA
when remmick and the vampires kill and turn the people in the juke joint, and then perform rocky road to dublin, only remmick's irish culture is on display, there is no influence from the black and asian people he has forcibly assimilated into his song, it's juxtaposition with the earlier scene is blatant, remmick is more than happy to assimilate people of colour into his 'community' of 'equals', and yet its only whiteness that is celebrated, that is normative
remmick claims that he's doing people a favour by turning them immortal, conviently ignoring that he literally has to suck the life out of them to do so, trapping their spirits on earth, he claims that he's the good guy, that the KKK were gonna come and lynch everyone at the joint in the morning anyways, conviently ignoring that he's doing the exact same thing; a white man leading a mob to kill a bunch of black people
in the final confrontation with sammie remmick repeatedly dunks him into the river, a forceful baptism. both the celtic irish and enslaved west africans had their religions suppressed and destroyed by colonialsm, had christianity forced upon them by the british empire, and in that scene we see remmick repeating that cycle, using christianity to inflict harm, and sammie reclaiming christianity, despite all the complex emotions he has arround it, as many colonised peoples have and still do, when he recites the lord's prayer
remmick and the vampires are no less racist than hogwood and the KKK, are no less predatory or evil, they're just less blantant about their bigotry, they represent the system, the normalised white supremacy that is seeped into the very foundation of culture in america, the point isnt that remmick would call any of the black characters in the movie the n-word, i dont think he would, the point is that his exploitation and desacration and inserting-himself-into-when-he-wasn't-invited of the juke joint is a microcosm of what white people have done to black american arts and culture since ever since there have been black and white people in america, and even before that
theres a reason vultures are shown early on in this movie
I do still blame the fans who thought s2 was pointless or tanked the rating of the show just because of the focus on the boys as a big reason why the wilds was cancelled. as if showing the boys in comparison with the girls and ultimately having them come together wasn't like. vital to the messages and themes of the show. and proving the main antagonist fundamentally wrong. as if there wasn't a point to introducing the boys. as if there wasn't still interesting dynamics, characters, and explorations of the expectations of high school and gender with the boys.
+ bonus:
TV SHOWS/MOVIES AS ANOTHER GENRE
the wilds + superhero film [part two]
235 FAVORITE SHIPS OF ALL TIME (ranked by my followers) 69. leah rilke and fatin jadmani - the wilds