TVSTRANGERTHINGS
will byers stan first human second
almost home

Discoholic šŖ©
ojovivo
Noah Kahan
The Bowery Presents
Cosmic Funnies
No title available
trying on a metaphor
Monterey Bay Aquarium
noise dept.
RMH
Lint Roller? I Barely Know Her

romaā

Kiana Khansmith
No title available

Origami Around
Today's Document
Xuebing Du
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seen from Malaysia

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@pushingstarsposts
thinking about the audience capacity of the theater TGWDLM was originally preformed at compared to how massive the apollo theater in london is is so crazy. some clips i see of the curtain call you can barely hear emma screaming because of how LOUD that audience is. but dude i am thinking. the bigger the audience is at a show of TGWDLM the more terrifying its ending really gets.
of course you as the audience can't help emma even as she begs for you to, it's just a show, and it was fucking phenomenal so you are cheering. BUT so are the actors, who in the context of the story are the infected. and in the context of the story YOU are there too, cheering along with them. YOU are infected.
i think this is why inevitable and the ending as a whole make me sick to my stomach in a way my words will never adequately describe. we watch as the apotheosis strips paul and the others of their individuality, turning the world into one big musical number, and we are comfortable viewing it all from an audience perspective. but when emma cries to YOU, something shifts. the wall is broken. everything about the show is perfectly set up so that by the end you will be whooping and applauding at a character that so desperately needs your help.
it's set up so that you can initially feel you are in line with the heroes of the story, only for it to put you in the same position as the villain. because maybe in reality that isn't as uncommon of a circumstance as you might think. how often do we dismiss ourselves all the while viewing tragedy from a comfortable audience seat, treating it as a spectacle? i think this is the question the show wants you to walk away with.
from emma's perspective in the original TGWDLM production its a moderately sized crowd of us against her (still terrifying), but in the west end theater it's this gigantic surging ocean of people all laughing at her desperation.
anyway all this to say what an insane way to incorporate the audience into the message of your story. riveting shit. live theater is so beautiful
The Pitt is a comedy
trinity santos the kind, trinity santos the gentle, trinity santos the good
mentos nation yoooooooo :D
I'm sad that the second season ended like that⦠ended in principle, well. well⦠I'm glad that these two let off some
Renfaire Mel in season 3 PLEASE
lesbians that ship k*ngdon baffle me. why would you do that when there are so many beautiful womenā¦.
My favorite ladies ever
very worried about my close and personal friend doctor trinity santos - yes it is that serious
The Pitt fandom: Santos can't use "mental health" as an excuse. I don't care that she's a survivor of sexual violence. If you're an asshole, no one is obligated to like you. She's unprofessional, rude, and a bully. She deserves to be a pariah.
Also the Ptt fandom: Langdon's mental health is the reason you can't hold him accountable for anything. Since he has an addiction, stealing meds from the hospital is okay. It's also okay for him to scream at Santos and try to ruin her career because she found out. Anyone who says he still has to atone and face consequences for these actions hates addicts and is an ableist.
santos angst mentos if you squint i love tldp
Trinity listen to me she could and she would treat you right please Trinity listen to-
mel king getting hyperfixated on that pussy- *i get shot*
she mel on my king til i love boba
outing myself as a theatre kid here but dead mom from beetlejuiceā¦. mel songā¦.
likeā¦
i think she would weep to no one is alone from into the woods
YOUR MIND⦠okay letās keep going how about this one
loser mel well of courseā¦
mel haunted by the memory of who she used to beā¦
also bonus ghost quartet but this is mel next episode when she yells at becca š¤
yessss omgā¦.
what about this one š