Last week was the official announcement of The Art of Magic: The Gathering – Amonkhet, Viz Media’s fourth installment into their series of Multiversal art books. If you’re a Vorthos that’s interested in Magic art, lore, and world building, these books are must-have items for your collection. The incredible full-page art is supplemented by Creative team member James Wyatt’s stunningly detailed descriptions of the planes and their inhabitants.
Viz Media was even nice enough to give us a free wallpaper of the book’s cover, illustrated by Titus Lunter (@tituslunter):
Wowza! There is a lot to see here, so today’s article is going to unpack everything in this image, from big-picture concepts to gritty details.
Let’s start with the obvious: Amonkhet is ruled by Nicol Bolas. The same one who killed Ajani’s brother; enslaved Sarkhan Vol and Tezzeret; manipulated Liliana, Jace, and Chandra; orchestrated the release of the Eldrazi; (almost) killed Ugin; and loved every moment of every dark dead.
Bolas rules Amonkhet as God-Pharaoh, though apparently he hasn’t been around lately. The people of the plane participate in trials to five gods, preparing for their leader’s return. When will the Elder Dragon grace them with his presence again? The announcement holds a clue:
“[T]he Second Sun creeps across the sky, growing ever closer to the horns of the God-Pharaoh.”
Not a second sun. The “Second Sun,” which is clearly important. Confused? Me too. But check out the cover art again:
There are most certainly two suns in the sky. One is, in fact, very close to the big Bolas horns. This makes sense, as it’s a clear reference to the Gem of Becoming that normally floats there:
Gem of Becoming by Jack Wang
What will happen when the Second Sun aligns with that monument? I have no clue. Is it simply the signal of Bolas’s return, or is it the event that leads into the ominous second set of the block, Hour of Devastation?
Regardless of the outcome of the story, Bolas’s presence is clearly felt. He reigns as the God-Pharaoh of Amonkhet, and the people here clearly love him for it. Check out this fancy boat carved in his image:
First, this boat is hugeee. Like, big enough for a Dragon huge. Check out the tiny scale boats to the left of it. Then notice that there’s a whole building in the middle. This is likely a reference to the mythical solar barge the Egyptians believed the god Ra sailed on through the sky.
The Bolas horns also form a visual motif all through this art. Below, we can see them built into the sides of buildings, shaped on the headpiece of a staff, lined up in a decorative row on another building, and imbued into a patio wall:
In case you didn’t think that was enough, there’s another stealthy hint at Bolas’s supreme power. You know how the gem between his horns just hovers there? Look at the tops of the pyramids and buildings:
Notice anything weird? They’re defying gravity too. It’s a subtle nod to Bolas, but a nod nonetheless. Visually, it’s also a neat way of making Amonkhet feel magical and unique, not just a transplanted Ancient Egypt.
In his typical fashion, Bolas has completely infiltrated the culture of Amonkhet. He reigns as God-Pharaoh over the people, who toil away waiting for his return. But who are these people? What are they like? We get some clues about that too.
Other than humans, this piece of art shows four-to-five different humanoid species from Amonkhet. While anthropomorphizing animals isn’t new or unique in Magic, these beings have some traits that differ from previous humanoid races. Here’s what I noticed first:
This ibis-like aven has non-avian arms. They have no feathers. They have no talons. Those are otherwise normal human arms. It’s a clear shout-out to Ancient Egyptians gods, who were often depicted as normal humans with the head of an animal (In this case, wings too.) If you want to make an Ancient Egypt plane, it’s smart to pull from the thing people probably know most about the culture. In Ancient Egyptian culture, ibises were associated with the god of knowledge, Thoth. This being likely represents our Blue race.
But here’s the thing. Not all the humanoids in this piece are seemingly part human like this. Check out Mr. Anubis here:
We have the standard god theme of animal head on a human body. But notice how dark the arms are. Those are black arms, like the jackal head, not like a human skin tone. Why does the aven have regular human arms, but the ainok has arms more like its animal head? It might just be an aesthetic choice; it might have some diegetic meaning.
Also somewhat confusing is the relationship to Anubis, a god associated with death. When we saw the ainok on Tarkir, there were in Red, Green, and White. While it’s not impossible for them to be the Black race on Amonkhet, it feels a little bit weird. If true, I’ll be interested to see how they’re different than the previous incarnation of the race.
Not everyone in this image is a returning race, however. It looks like we have a newbie here:
WAKE UP, SHEEPLE. It’s a ram-headed person. And ram-armed. I don’t know why these arms are all different, but that’s obviously not as important as a new humanoid race. We’ve had an antelope-esque Minotaur before, but this is the first time we’ve ever seen sheepfolk in Magic.
It might seem weird to debut sheepfolk in Amonkhet, but the ram was the symbol of Amun, king of the gods. Amun is one of the most-worshipped Ancient Egyptian deities, making his governance over the divine a good fit for White. Sheep are also herd animals, already appearing in White in Magic. I think we’re looking at a new White-aligned race in sheepfolk.
OK, fine, I’ll talk about this person:
The crocodile head is clearly a reference to Sobek, god of the Nile, but size is the real detail here. This person is huge! And they have a fancy neck thing. And they have a fancy staff with the sun and Bolas horns. Is this one of the Gods of Amonkhet? Is this merely Amonkhet’s version of a Giant? And why are the arms and body just regular human again!?
I do like the styling on the crocodile head. It’s smooth and has flat colors, much like a hieroglyphic or papyrus painting. It’s a neat aesthetic effect that reflects an aspect of the source culture.
If you look closely, there’s one more mysterious figure in this painting:
From left to right we have a human, a jackal person, and something else. Is this another sheepfolk? The horns seem too wide for that though. Maybe just a person in a fancy hat? Maybe something else entirely? So many questions raised, but so few answers!
Our first real look at the Ancient Egyptian inspired world of Amonkhet is layered with beauty and intrigue. The fertile river delta will house a great city-state of Nicol Bolas, but what his plans are for the plane are unknown. We’ve seen some of the inhabitants, but what do they represent? How do they relate to the five Gods? Questions, questions, questions.
Until next time, planeswalkers, may the mysteries of Amonkhet fuel your speculation in the coming weeks.