Uzas always with the skulls. Love that for him.
Was looking for something else in my kindle version of the book and found this part and I feel like it just proves my point.
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@queenofmalice201
Uzas always with the skulls. Love that for him.
Was looking for something else in my kindle version of the book and found this part and I feel like it just proves my point.
Sorry if this has already been said but I wholeheartedly feel like a ton of Warhammer 40K lore and stories are just a published version of the âcrack treated seriouslyâ AO3 tag.
Therapy: Hundreds of dollars. Frustrating. Time consuming. Not fun.
Saying "I'M A NIGHT LORD": Free. Takes under five seconds. Motivating. Fun.
Men will do anything instead of going to therapy.
Uzas always with the skulls. Love that for him.
Tech priests in OwlCat games are just *chef's kiss*. I'm not going to be okay about Hypatia when Dark Heresy comes out. <3
he's heterophobic đ
I lost it when I read this for the first time. Just the âStop that,â like theyâre his pets doing something mildly irritating.
What are the funniest Warhammer books and why are they the fucking Soul Hunter Trilogy?
Legit though.
What's stopping the Screaming Gallery from, like, just talking. I imagine the initial mind-numbing horror of being stitched to dozens of bodies to make up a living, writhing carpet of faces wanes a bit after a few centuries. Like you're not having a good time by any means, but you'd probably normalize it a little after awhile and I can't imagine you'd be shrieking non-stop at that point.
So what's stopping one of the guys from being like "I actually think Malcharion is raising a salient point" or going "ha ha good one Sevatar" while the Kyroptera is meeting?
Probably somebody in power armor stomping on your face until you shut up. I think I answered my own question.
Actually this now raises the possibility that some of the people in the Screaming Gallery have acclimated enough after a few decades to not feel compelled to constantly scream, but like...are now just obligated to scream anyway because Curze will throw a tantrum or some shit if they stop.
Which is a hell in and of itself, having to expend 10000x the emotional labor of a customer service job in perpetuity just to regulate the emotions of an unhinged demi-god.
Cmsn comic for the release of The Infinite Museion DLC
(note that it was created before the DLC and the events are the customer's predictions)
cmsned and dubbed by @beastalchemistva
âYou never reply to messagesâ I am just one person okay I am understaffed
Iâm in this one and I donât like it.
âyour characters need to be likeableâ allow me to introduce you to the very worst guy who ever lived
This is like, at least half of my favorite OCs.
How I learned to write smarter, not harder
(aka, how to write when you're hella ADHD lol)
A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.
The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.
As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!
Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!
2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)
Unpopular writing opinion time: You don't need to make a detailed outline.
Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.
I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.
Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!
This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.
As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.
When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD
People always say if you're stuck, you need to outline.
What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!
What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.
You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.
And then quickly note down your inspirations so you don't forget, haha.
And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.
If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?
And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD
In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.
Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.
Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)
And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)
This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
Giving it a try...
as a subtitler im incredibly biased as i say this but. shoutout to forms of fan labor other than fanart and fanfiction. fanart and fanfiction are awesome, don't take this as a dig at those, but i have a big appreciation for fans who provide closed captioning/subtitles/translations of works out of love n passion; fans who recap and explain aspects of the original work; fucking SPEEDRUNNERS, holy shit, shoutout to speedrunners and challenge runners in video game communities. lots of things that fall outside the scope of what comes to mind when people think of fanart/fan labor are integral parts of a healthy fan ecosystem
i guess basically i just feel a whole lot of love for people who work to find out and share everything they can about the thing they love and make the thing they love more accessible. people who take the time to add captions/descriptive audio to an auditory/visual work, record an audio version of a written work, adapt a work into a different language, explain the historical cultural context in which a work exists, rip and publish the files of a work, and uncover and share details that are easy to miss. everyone who, in their way, is saying "i love this thing so much. i want to know everything about it, and i want everyone to be able to participate."
All of this!! Being into anime and manga and JRPGs in the mid-2000's in a small city in Canada, those early years a lot of the fandoms that became integral to who I am as a person, it was all because there were amazing fans putting in the time & effort to translate obscure manga. Not to mention the people who emulated older Tales games, translated them, etc. Nothing but respect and love to all of you!
Home (Pan)
My new flash fiction/short story is now up on my blog! https://rachel201writes.wordpress.com/2020/07/19/home-pan/ Excerpt:
Garret had a problem. Normally when he had a problem, heâd go pray at the temple of Fyni, Goddess of Revenge, and the issue went away. It didnât seem to matter that the God-Mark curling around his right bicep depicted actors upon a stage, marking him as a follower of Naimi, the Goddess of Art and Music.
He wasnât sure why Naimi didnât seem to care that when he was in trouble he prayed to a different god. Or rather, he prayed to the unseen figure that could only hear him when he prayed to Fyni.
He knew it wasnât the Goddess speaking to him. The voice was decidedly male, low and smooth. Heâd heard it more than once call him a mortal, which told him it was probably one of Fyniâs servants, a caeles.
Of course, that was also odd. Few caeles had been seen in the last 60 years. No one seemed to know what had happened, but where at least one at all times had occupied each Godâs temple, now they were silent.
The Harvester
My latest short story is now up on my blog! Check it out!
Excerpt:
Year 6435 AC Zalfari, Wirrowwirâs Capital Just outside the city walls
The boy was easy enough for Shael to find. His body mangled, bones broken, lifeless eyes staring out at the crowd of people who had gathered to mourn.
But she wasnât here for his body. No, she was here for his soul.
The little boyâs spirit was sitting on the ground, about 10 steps away from his body. Shoulders shook in silent sobs but the moment he noticed Shaelâs approach he snapped his head up to look at her.
He couldnât have been more than six and the caeles felt her heart give a sympathetic tug, he was so young.
âNo!â He cried, âI donât want to go! Not without my daddy!â
Read the rest here.
I mean I SAY I love the âEnemies to Loversâ trope but what I really MEAN is that I love the
âEnemies to Resentful Allies In A Time Of Crisis to Grudging Mutual Respect to Growing Fondness Concealed By Snark to Hurtful Betrayal to Slow Reconciliation With A Greater Understanding Of Each Other to Strange But Solid Friendship to Unexpected Feelings In A Time Of Crisis to Denying Their Feelings While Growing Closer As Friends to Epiphanies Of Love In The Worst Possible Circumstances to Mutual Pining to Unbearable Sexual Tension to Loversâ
trope
@killerqueen201 we literally just spoke about this!!! đ
@kaitie85386 this is me lol