Escapism Via Writing.

WIP bits of things I'm writing. Run by Skquill. Icon by Squigglegigs

[quills-findings]

An Archive of Our Own, a project of the Organization for Transformative Works

Happy holidays, here is the last chapter of TLG!

Thank you.

[grantwilson]

paul refeereno and paul robailiffo should fall in love. get foremanlino involved, call that a paulycule

[digitalkiddo]

If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.

1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.

2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.

3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.

4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.

5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.

Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.

Reblog to save for later. Your WIP will thank you.

[quills-findings]

The more she spoke, the more color burst into his eyes. Painting a scenery of vibrant shades he didn’t know existed until now.

[imastoryteller]

20 Ways to Show Extreme Fear in Your Writing

As I dive into researching signs of fear for my horror WIP, I wanted to share some of the most compelling and visceral reactions I’ve come across. Whether you’re writing a chilling scene or crafting a character’s panic, these 20 signs of fear can help bring tension and realism to your story.

Physical Reactions

Hyperventilating — sucking in air but never feeling like it’s enough

Chest tightens — feels like a weight or hands pressing down

Limbs shaking violently, knees buckling

Complete loss of muscle control — collapsing or unable to stand

Cold sweat soaking through clothes

Heart hammering so hard they feel it in their throat or head

Tunnel vision — the world narrowing down to one terrifying focal point

Ringing in the ears or sudden deafness, like the world drops away

Dizziness / feeling faint / vision blurring

Dry mouth — unable to speak or even scream

Uncontrollable Behavior

Screaming / sobbing / gasping — involuntary vocal outbursts

Panic run — bolting without thinking, tripping over everything

Clawing at their own skin / chest / throat — like trying to escape their body

Begging / pleading out loud even if no one’s there

Repeating words or phrases — “No, no, no” / “This isn’t happening”

Hiding instinctively — diving under tables, closets, or corners

Desperate grabbing — reaching for someone, anything solid

Loss of bladder or bowel control (for extreme terror)

Total mental shutdown — frozen, slack-jawed, staring blankly

Memory blackout — later can’t recall what happened during the worst moment

[writing-with-sophia]

Poison list

While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:

Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.

Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.

Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.

Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, blurred vision, dizziness, an increased heart rate, and even death when ingested.

Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.

Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.

Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.

Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.

Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.

Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.

Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.

Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.

When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.

If you want to read more posts about writing, please click here and give me a follow!

[hayatheauthor]

100 Dialogue Tags You Can Use Instead of “Said”

For the writers struggling to rid themselves of the classic ‘said’. Some are repeated in different categories since they fit multiple ones (but those are counted once so it adds up to 100 new words). 

1. Neutral Tags 

Straightforward and unobtrusive dialogue tags: 

Added, Replied, Stated, Remarked, Responded, Observed, Acknowledged, Commented, Noted, Voiced, Expressed, Shared, Answered, Mentioned, Declared.

2. Questioning Tags 

Curious, interrogative dialogue tags:

Asked, Queried, Wondered, Probed, Inquired, Requested, Pondered, Demanded, Challenged, Interjected, Investigated, Countered, Snapped, Pleaded, Insisted.

3. Emotive Tags 

Emotional dialogue tags:

Exclaimed, Shouted, Sobbed, Whispered, Cried, Hissed, Gasped, Laughed, Screamed, Stammered, Wailed, Murmured, Snarled, Choked, Barked.

4. Descriptive Tags 

Insightful, tonal dialogue tags: 

Muttered, Mumbled, Yelled, Uttered, Roared, Bellowed, Drawled, Spoke, Shrieked, Boomed, Snapped, Groaned, Rasped, Purred, Croaked.

5. Action-Oriented Tags 

Movement-based dialogue tags: 

Announced, Admitted, Interrupted, Joked, Suggested, Offered, Explained, Repeated, Advised, Warned, Agreed, Confirmed, Ordered, Reassured, Stated.

6. Conflict Tags 

Argumentative, defiant dialogue tags:

Argued, Snapped, Retorted, Rebuked, Disputed, Objected, Contested, Barked, Protested, Countered, Growled, Scoffed, Sneered, Challenged, Huffed.

7. Agreement Tags 

Understanding, compliant dialogue tags: 

Agreed, Assented, Nodded, Confirmed, Replied, Conceded, Acknowledged, Accepted, Affirmed, Yielded, Supported, Echoed, Consented, Promised, Concurred.

8. Disagreement Tags 

Resistant, defiant dialogue tags: 

Denied, Disagreed, Refused, Argued, Contradicted, Insisted, Protested, Objected, Rejected, Declined, Countered, Challenged, Snubbed, Dismissed, Rebuked.

9. Confused Tags 

Hesitant, uncertain dialogue tags:

Stammered, Hesitated, Fumbled, Babbled, Mumbled, Faltered, Stumbled, Wondered, Pondered, Stuttered, Blurted, Doubted, Confessed, Vacillated.

10. Surprise Tags

Shock-inducing dialogue tags:

Gasped, Stunned, Exclaimed, Blurted, Wondered, Staggered, Marvelled, Breathed, Recoiled, Jumped, Yelped, Shrieked, Stammered.

Looking For More Writing Tips And Tricks? 

Check out the rest of Quillology with Haya; a blog dedicated to writing and publishing tips for authors!

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[smallestflowtree]

PSA for fanfic writers

[tlbodine]

For the last goddamn time...

"Kill your darlings" means "if something is holding you back, get rid of it, even if it sounds pretty."

That's it! That's all it means! It means if you're stuck and stalled out on your story and you could fix the whole block by removing something but you're avoiding removing that thing because it's good, you remove that thing. That's the darling.

It does NOT mean

That you have to get rid of your self-indulgent writing

That you should delete something just because you like it (?wtf?)

That you need to kill off characters (??? what)

That you have to pare your story down to the absolute bare bones

That you have to delete anything whatsoever if you don't want to

The POINT is that you STOP FEELING GUILTY for throwing out good writing that isn't SERVING THE STORY.

The POINT is that you don't get so HUNG UP on the details that you lose sight of the BIG PICTURE.

Good grief....

[prof-grace-aspen]

Also, you don't have to like, delete it from existence. Keep a second document full of the Darlings. You never know when you'll need it later.

[leisureflame]

"I CANT THINK"

If you write, I assure you you have thought that.

Fear no more child, for I have found a solution.

it's called Rapid writing

something we learned when I was in 9th grade drama class and I cannot emphasize enough just how effective it is. Its actually what gave me the idea for my first book.

Stop what you are doing and do what I tell you

go grab either a pencil and paper (or open an empty document)

set a timer for 2 minutes

ask a friend to give you a random sentence. I have a few examples that I myself rapid wrote to: a) I looked around and saw b) the old lady hung from the ceiling and laughed c) purple paint dripped from her long purple fingernails d) there is a hole in my ceiling. e) when I am sad I... f) When you close the door, I... g) there is a wooden door with a gold doorknob

Now the most important thing is not to think of this sentence before you start writing. as soon as you decide which one if you are choosing from my examples (or as soon as you hear it if you are getting if from a friend), start the timer.

start writing the sentence and without hesitating just keep writing. the #1 rule here is to not stop or hesitate for a single second until the 2 minutes are over. you can write nonsense if you want and if you REALLY can't continue then write some random words for a couple of seconds then continue AS LONG AS YOU ARE STILL WRITING.

another rule is that you are not allowed to delete. even if its a spelling error, just ignore it.

after the timer is done, I promise you will have something to work with. now copy the paragraph you wrote and paste it below, here you can start fixing spelling errors and adding things at your own pace because now the creative side of your brain has opened.

don't think about the way you are writing or the words you use, think about the story you are telling. the idea.

Sometimes you will get something beautiful and deep like I did here:

When I am sad I go to my blanket, not many people know about it, all they think is happening is that a child likes to cuddle in a blanket, but no. my blanket has a special thing about it, it is a magical blanket, well, not the blanket itself but the embroidery on the blanket, it simply takes my sadness away but it adds the story of my emotions to the embroidery, my blanket is a very pretty one, it is a pastel blue color and it has so much silk embroideries that you just think its patterns, but it isn't, if you look deeper you will find stories every one of those stories came from someones tears... my tears. whenever i cry, i wipe my tears with my blanket and my pain goes but my story stays.

or

there is a wooden door with a gold doorknob on the door there is a painting of you, and there are many locks on the door from top to bottom, when you open the door, there is a mirror. this door is the door to self discovery, from the outside there is a painting of how people think you look like but when you open the door, you get to see what you really are in detail and look at yourself they way you want to, you can smile or cry and the refection on the mirror will change but on the painting, it doesn't show ur emotions, just how people see you usually.

or you can get something so stupid like i did here:

there is a hole in the ceiling in my classroom. everyday a dinosaur would a pear and eat my lunch and i keep coming home hungry but my mom dsays she packed me enough food. so she didn't feed me. i told her a dinasour was eating my lunch but she said that disasours only live in Norway! so i went into the school vents looking for that idino and revenge my food, we met at last, held our weapons, i was holding a subway sandwich and the dino was holding a bana na MY BANANA  i lost it, so i attacked him one hit on the head and the whole species were extinct , people thousand of years from now said dinos got extinct because of a meteorite but i know better, also i am still alive because whoever kills a dino becomes immortal, also i killed my mom for not believing me and let her starve in her grave just like she let made me starve. and then i killed everyone who was a flat earther because i hate them and now i can kill anyone once i tap them with my super subway sandwich 

(by the way, ignore the horrible spelling, the examples i gave were from the unedited version.)

THE POINT IS ITS ACTUALLY SO HELPFUL. you can use it for a new story idea (i used the blanket one as an element in one of my WIPs and it helped the story a lot) or if you get something stupid like the dino one I wrote THATS GOOD THATS FINE because now you have your creativity going.

I challenge you to actually try this and PLEASE share it with me I LOVE reading other peoples rapid writings. have fun <3

tagging @cosmosandcapybaras24 @ajsbookshelf @gloryofdawn, @chaoticharmony93 @deception-united and anyone else who's interested to try this out and share with me!

[el-norawrites]

Build a fantasy religion

i didn’t see around a lot of indications about this, so i decide of making some short, direct and usefull indication based even on my experience. (feel free to add tips) 

Why create a religion for my world?: 

Religion is a big part of every culture that can influence the daylife of larg group of people so it’s important to define it if present in your world. The other thing is that is a good way for worldbuild, you can define the life of people, the way cities are built and the way of think of the population.

Where to start:

- Polytheist or monotheist: choose the type of religion that fit better your world, it’s important because polytheist and monotheist religions have some differencesthat have relevance when you write. (not only the number of gods but for example how gods are workship or how are build temples)

-Read about real religions: this is a good base and you are going to see a lot of aspect that you have to take count of. Reinterpret is a way of creating a new one, so you can take prinples for example.

-Decide the characteristics of the God/s: After have a clear idea of what you want to do (example: religion similar to Romans’ one or a mix between Egyptians and Greeks gods) you have to put cleare some poits:

Is you god/s good or bad? : so how is see by humans, what is famous for, which is their temper, is revengeful or their forgive, if it is feared or loved or both. If you create more gods then you can decide to make them represent somenthing.

Did your god/s in contact with humans?: The relationship with humans; so if they are between humans and if humans know about it. In this case when and how they do so. If they don’t meet humans you have to decide if they communicate with them and how.

Physical appearance: if they had a physical appearance describe it or describe characteristics that the god have when in physical form.

- Worship: While the poits before where about the poit of wiew of the God/s, you have always to define how humans venerate God/s. Some points:

Is all the population religious?: This is important because there you can determine the relationship between who belive and who not or between different religions. Or say if is imposed.

What role have religion in the State: So if religion have a political power, how much power have and if is used for good or for bad.

What are the religion institutions: There is a leader of the cult, what are the offices and how they are built, how much the istitutions influence the population. 

Where: where is workshiop God/s (temples or churches or at home)

HOW: this is probably the most important aspect but the more compless too. Here you need to define how people practice their own religion so if they only pray or do make sacrifices, if there are rules that influence the daily life, if there are festivity or particular ritual, if there are simbols that are workship.

The Name: The name can be 1 word or more but it’s better if not more than 4 because it have to be somenthing that affect. It can be a word or a period that describe a foundamental principe of your new religion, or somenting like “The believe of X” .

A thing that is always good to keep in mind is that religions tend to give a sense of belonging to the believers. This can be use in a lot of way and is a important specially if your new religion have political power or a big influence on population.

I hope it help someone. (feel free to add tips)

[novlr]

How to Write Betrayal

Betrayal is a powerful plot element that is represented in countless stories. The gravity of betrayal brings a profound depth to character dynamics, plots, and themes alike, making it an indispensable tool for writers to explore emotions, conflicts, and the complexities of human nature. Let’s explore some quick tips on how to write betrayal!

Behaviour

Secretive actions

Dishonesty

Becoming emotionally distant

A sudden change in routine

Pushing people away

Nervous or fidgety movement

Frequent lying or making up stories

Unexpected aggression or irritability

Unjustified mood swings or emotional outbursts

Increasingly defensive

Interactions

Disturbed interpersonal relationships

Frequent misunderstandings or fights

Withholding information

Avoiding personal discussions

Insincerity in conversations

Frequently cancelling or missing plans

A sudden shift in relationship dynamics

Quick to deflect or place blame

Frequent subject changes

Gradual emotional detachment

Body Language

Avoiding direct eye contact

Defensive stance and crossed arms

Covering mouth or touching face

Shuffling or restless movements

Forcing smiles or laughter

Constantly looking around or at the ground

Stiff, tense posture

Heavy breathing or frequent sighing

Avoiding touch or skin contact

Exaggerated gestures

Attitude

A lack of concern or empathy

Increasingly personal and hurtful arguments

Erratic or unpredictable reactions

Self-centeredness

Insincerity

Dismissive or negative attitude

Callous disregard for other's feelings

A negative or pessimistic outlook

Inability to handle criticism

Withdrawal from relationships

Positive Story Outcomes

In the wake of a betrayal, a story can manifest various positive outcomes that add depth to the plot and its characters. Relationships can be strengthened, showing their resilience. Characters may discover newfound self-reliance and learn valuable lessons about trust and forgiveness, leading to an increase in empathy and understanding, personal growth, and the reinforcement of personal values. These experiences can encourage a clearer understanding of personal boundaries, prompt self-reflection, introspection, and the development of healthier coping mechanisms. Ultimately, these positive outcomes can bring about improved communication and honesty, forming the silver lining in the cloud of betrayal.

Negative Story Outcomes

The aftershocks of betrayal can reverberate throughout your story. This might include an irreparable fracture of trust and damage to relationships. Betrayal can trigger psychological trauma, leading to an increase in suspicion and insecurity. Feelings of inadequacy or self-blame may surface, and characters can experience a heightened sense of isolation. The fear of forming new relationships or trusting others can become overwhelming. There may also be an escalation of conflict or violence and the reinforcement of negative behaviours or patterns. Damaged self-esteem or self-worth may be another repercussion, and this can encourage destructive coping mechanisms.

Helpful Synonyms

Treachery

Deception

Double-crossing

Duplicity

Backstabbing

Two-faced

Disloyalty

Unfaithfulness

Infidelity

Falseness

Perfidy

Treason

Fraud

Deceit

Slander

Misrepresentation

Falsification

Chicanery

Double-dealing

How to Write Betrayal: A Quick Guide for Writers - Novlr

Betrayal is a powerful plot element that is represented in countless stories. Let's explore some quick tips on how to write betrayal.

[quills-findings]

It’s gonna hurt like hell, but we’re gonna be well…

“You know she doesn’t love you, right?” Summer, always sunny and chipper, looked skeptical now. Her lips in a sneer, her eyebrows raised like she was ready to see Diggins crack.

“I know she doesn’t.” Diggins replied. The most sure he’s ever been in his life. “She doesn’t love me like I love her. And I am fine with that. Because I know that she has her own way of showing how she cares, how she loves and the fact that I can see her express that. Express it towards me. Is more then anything I could ask for.”

I listen to Soap by the Oh Hellos and think about their friendship and it’s honestly the one thing from Dirt I always go back to. Diggins and Heather friendship after the events of the fire. I hold them so close.

[thecaffeinebookwarrior-deactiva]

Resources For Writing Deaf, Mute, or Blind Characters

Despite the fact that I am not deaf, mute, or blind myself, one of the most common questions I receive is how to portray characters with these disabilities in fiction.

As such, I’ve compiled the resources I’ve accumulated (from real life deaf, mute, or blind people) into a handy masterlist.

Deaf Characters:

Deaf characters masterpost

Deaf dialogue thread

Dialogue with signing characters (also applies to mute characters.)

A deaf author’s advice on deaf characters

Dialogue between deaf characters

Mute Characters

Life as a Mute

My Silent Summer:  Life as a Mute

What It’s Like Being Mute

21 People Reveal What It’s Really Like To Be Mute

I am a 20 year old Mute, ask me anything at all!

Blind Characters:

The 33 Worst Mistakes Writers Make About Blind Characters.

@referenceforwriters masterpost of resources for writing/playing blind characters.

The youtube channel of the wonderful Tommy Edison, a man blind from birth with great insight into the depiction of blind people and their lives.

An Absolute Write thread on the depiction of blind characters, with lots of different viewpoints and some great tips.

And finally, this short, handy masterpost of resources for writing blind characters.

Characters Who Are Blind in One Eye

4 Ways Life Looks Shockingly Different With One Eye

Learning to Live With One Eye

Adapting to the Loss of an Eye

Adapting to Eye Loss and Monocular Vision

Monocular Depth Perception

Deaf-Blind Characters

What Is It Like To Be Deafblind?

Going Deaf and Blind in a City of Noise and Lights

Deaf and Blind by 30

Sarita is Blind, Deaf, and Employed (video)

Born Deaf and Blind, This Eritrean American Graduated Harvard Law School (video)

A Day of a Deaf Blind Person

Lesser Known Things About Being Deafblind

How the Deaf-Blind Communicate

Early Interactions With Children Who Are Deaf-Blind

Raising a DeafBlind Baby

If you have any more resources to add, let me know!  I’ll be adding to this post as I find more resources.

I hope this helps, and happy writing!  <3

[thecaffeinebookwarrior-deactiva]

Updated with more resources, specifically for characters who are blind in one eye.

[wisteria-lodge]

So my problem with most ‘get to know your character’ questioneers is that they’re full of questions that just aren’t that important (what color eyes do they have) too hard to answer right away (what is their greatest fear) or are just impossible to answer (what is their favorite movie.)  Like no one has one single favorite movie. And even if they do the answer changes.

If I’m doing this exercise, I want 7-10 questions to get the character feeling real in my head. So I thought I’d share the ones that get me (and my students) good results: 

What is the character’s go-to drink order? (this one gets into how do they like to be publicly perceived, because there is always some level of theatricality to ordering drinks at a bar/resturant)

What is their grooming routine? (how do they treat themselves in private)

What was their most expensive purchase/where does their disposable income go? (Gets you thinking about socio-economic class, values, and how they spend their leisure time)

Do they have any scars or tattoos? (good way to get into literal backstory) 

What was the last time they cried, and under what circumstances? (Good way to get some *emotional* backstory in.) 

Are they an oldest, middle, youngest or only child? (This one might be a me thing, because I LOVE writing/reading about family dynamics, but knowing what kinds of things were ‘normal’ for them growing up is important.)

Describe the shoes they’re wearing. (This is a big catch all, gets into money, taste, practicality, level of wear, level of repair, literally what kind of shoes they require to live their life.)

Describe the place where they sleep. (ie what does their safe space look like. How much (or how little) care / decoration / personal touch goes into it.)

What is their favorite holiday? (How do they relate to their culture/outside world. Also fun is least favorite holiday.) 

What objects do they always carry around with them? (What do they need for their normal, day-to-day routine? What does ‘normal’ even look like for them.) 

[quills-findings]

Laur: is it bad?

Garrett: no-no. Not at all!

Jess, interjecting: yeah no it’s really bad.

Garrett: yeah man it’s gnarly as hell. it’s gross.

[norelationtoatticus]

All the writing advice that says every scene has to move the plot forward, every scene has to serve a purpose, every scene has to accomplish something...

I'm not saying it's not true. It mostly is, yeah, kind of. But so much of that advice misses something really important, and I think following that advice without this extra layer can kill your voice and strip all the personality out of your writing if you're not careful. So here is my writing tip: yes, every scene should serve a purpose. But remember...

Trying to make the reader laugh is a purpose. Making the reader cry is accomplishing something. Giving the reader a moment to breathe and live in your world helps carry them through the plot.

I see this most often with writing advice about writing sex scenes: only include them if they serve a purpose. Okay? Maybe the purpose of them is to make the reader horny.

"I want a reader to feel *this way* when they read my work" is just as valid of a guiding principle for your writing as any beat sheet you want to follow for plot, or story structure, or character growth. Considering all of those elements in tandem, balanced with one another, will make your writing richer and will make your voice more unique and memorable.