heaven in hiding

[alicenthightcwer]

Daemon’s Hair™ appreciation post pt. 1/??

[raggedymans]

Guys can we talk about this Matt Smith renaissance that is happening right now!

[raggedymans]

…all of this doctor who news is making me want to come out of hiding. How are we all doing haha!

[chrishemsworht]

Spider-man 2 (2004) dir. Sam Raimi.

[titlecard]

KIKI’S DELIVERY SERVICE 魔女の宅急便 1989 | dir. hayao miyazaki

[kazs-inej]

FEZ AND LEXI EUPHORIA | 2.01, Trying To Get To Heaven Before They Close The Door

[laurens-german]

EMMA WATSON, TOM FELTON HARRY POTTER 20TH ANNIVERSARY — RETURN TO HOGWARTS

[laurens-german]

EMMA WATSON, RUPERT GRINT HARRY POTTER 20TH ANNIVERSARY — RETURN TO HOGWARTS

[rylandsgrace]

The Amazing Spiderman (2012) dir. Marc Webb + letterboxd reviews

[thewinterclown]

It’s easy to feel hopeful on a beautiful day like today, but there will be dark days ahead of us too… There will be days where you feel all alone… And that’s when hope is needed the most. No matter how buried it gets or how lost you feel, you must promise me that you will hold on to hope. Keep it alive. We have to be greater than what we suffer. My wish for you… is to become hope. People need that. And even if we fail, what better way is there to live? THE AMAZING SPIDER-MAN 2 2014 | dir. Marc Webb

[namtan]

we’re dancing round the kitchen in the refrigerator light

[lostcosmos]

“I was looking for…information…about me. A life I never knew.”

[madeline-kahn]

Music in Film: Last Night in Soho (2021) dir. Edgar Wright

[hunterschafer]

ANYA TAYLOR-JOY as Sandie LAST NIGHT IN SOHO (2021) dir. Edgar Wright

[birdmans]

“The first swap was a repeated move where we did the shot with Anya and Matt, and then just did it again with Thomasin. Even when we were doing it, I didn’t know we were going to be able to pull it off. And the reason it’s so good is because Matt Smith and Anya and Thomasin’s continuity is just so dead-on. And I was like, ‘Why don’t we just shoot all of them?’ ‘How long can we keep this going?’ Because it’s intoxicating to watch. That’s supposed to be the idea of the scene. The first dream sequence is alluring and glamorous and intoxicating, seductive. So that was how it came about. Other than that shot, you’re watching one unbroken take. Watching that is like an amazing dance in itself, because really, a shot like that is a collaboration between the three performers — and then also the fourth performer in the scene, Chris Bain, the Steadicam operator. The shot stands and falls on him being in the right place at all times. The idea was, the longer we can keep these shots going, the more immersive it will be. You feel like you’re living vicariously through her. It’s about not breaking the spell. It’s like we’re showing you a reality of something, even if what we’re showing you is very fantastical.“ - Edgar Wright

LAST NIGHT IN SOHO 2021 | dir. Edgar Wright

[frodo-sam]

Eloise Turner + Outfits

LAST NIGHT IN SOHO (2021) dir. Edgar Wright Costume design by Odile Dicks-Mireaux

[chewbacca]

Last Night in Soho (2021) dir. Edgar Wright