Daemonâs Hairâą appreciation post pt. 1/??
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Daemonâs Hairâą appreciation post pt. 1/??
Guys can we talk about this Matt Smith renaissance that is happening right now!
âŠall of this doctor who news is making me want to come out of hiding. How are we all doing haha!
Spider-man 2 (2004) dir. Sam Raimi.
KIKIâS DELIVERY SERVICE é愳ăźćź æ„äŸż 1989 | dir. hayao miyazaki
FEZ AND LEXI EUPHORIA | 2.01, Trying To Get To Heaven Before They Close The Door
EMMA WATSON, TOM FELTON HARRY POTTER 20TH ANNIVERSARY â RETURN TO HOGWARTS
EMMA WATSON, RUPERT GRINT HARRY POTTER 20TH ANNIVERSARY â RETURN TO HOGWARTS
The Amazing Spiderman (2012) dir. Marc Webb + letterboxd reviews
Itâs easy to feel hopeful on a beautiful day like today, but there will be dark days ahead of us too⊠There will be days where you feel all alone⊠And thatâs when hope is needed the most. No matter how buried it gets or how lost you feel, you must promise me that you will hold on to hope. Keep it alive. We have to be greater than what we suffer. My wish for you⊠is to become hope. People need that. And even if we fail, what better way is there to live? THE AMAZING SPIDER-MAN 2 2014 | dir. Marc Webb
weâre dancing round the kitchen in the refrigerator light
âI was looking forâŠinformationâŠabout me. A life I never knew.â
Music in Film: Last Night in Soho (2021) dir. Edgar Wright
ANYA TAYLOR-JOY as Sandie LAST NIGHT IN SOHO (2021) dir. Edgar Wright
âThe first swap was a repeated move where we did the shot with Anya and Matt, and then just did it again with Thomasin. Even when we were doing it, I didnât know we were going to be able to pull it off. And the reason itâs so good is because Matt Smith and Anya and Thomasinâs continuity is just so dead-on. And I was like, âWhy donât we just shoot all of them?â âHow long can we keep this going?â Because itâs intoxicating to watch. Thatâs supposed to be the idea of the scene. The first dream sequence is alluring and glamorous and intoxicating, seductive. So that was how it came about. Other than that shot, youâre watching one unbroken take. Watching that is like an amazing dance in itself, because really, a shot like that is a collaboration between the three performers â and then also the fourth performer in the scene, Chris Bain, the Steadicam operator. The shot stands and falls on him being in the right place at all times. The idea was, the longer we can keep these shots going, the more immersive it will be. You feel like youâre living vicariously through her. Itâs about not breaking the spell. Itâs like weâre showing you a reality of something, even if what weâre showing you is very fantastical.â - Edgar Wright
LAST NIGHT IN SOHO 2021 | dir. Edgar Wright
Eloise Turner + Outfits
LAST NIGHT IN SOHO (2021) dir. Edgar Wright Costume design by Odile Dicks-Mireaux
Last Night in Soho (2021) dir. Edgar Wright