I imagine little Knight's scream sounds a lot like the Hollow Knight's, but it's hard to put that into onomatopoeia
dirt enthusiast
noise dept.
YOU ARE THE REASON

Andulka

⁂

PR's Tumblrdome
Lint Roller? I Barely Know Her

if i look back, i am lost
AnasAbdin
TVSTRANGERTHINGS

oozey mess
almost home

★

ellievsbear
Sweet Seals For You, Always
RMH
One Nice Bug Per Day

No title available
he wasn't even looking at me and he found me
Monterey Bay Aquarium
seen from United States

seen from Switzerland
seen from United States

seen from Türkiye
seen from United States

seen from United States
seen from United States
seen from Egypt
seen from United States

seen from United States

seen from Panama
seen from Brazil
seen from United States
seen from United States

seen from T1
seen from United States

seen from Malaysia
seen from Canada
seen from Egypt

seen from United Kingdom
@randomchance
I imagine little Knight's scream sounds a lot like the Hollow Knight's, but it's hard to put that into onomatopoeia
I Do Not Need A Writer → Will You Help Me Write It?
This is their song btw
(x)
difficulty: 10.00 execution: 10.00
Deb/Ava + Hugs
Deb/Ava + Hugs
Something I bring to the table as an avid television watcher (lol) is an obsessive attention to the way that characters, like real people, can only say one thing at a time and sometimes they’re saying what they mean and sometimes they’re saying what needs to be said to get something done and sometimes they’re saying what they don’t mean and all the possibilities in-between. I’m constantly aware that even when listening to a character who’s been written with care and intention, that care and intention (infused by both writer and actor) shows up not only in what is said but in the negative space around all the words. I think this is probably a big reason why I tend to be pretty generous about TV—I won’t say overly generous, but some would. I can’t stand it when dialogue sounds off, but as long as it’s in pitch I’m willing to explore a multitude of reasons for everything that’s said and left unsaid.
So I basically feel giddy about Hacks 5x7 because of all the different stuff they fit into their approach to fake dating and the very real relationship lessons that emerge:
Kelly and Monica end the episode genuinely believing that Ava and Deborah are in a relationship—and that’s not only their truth, it’s just TRUE (I’ve seen some posts mourning the concept of Ava and Deborah’s conversation as they drive away being about making the gay fans feel silly for thinking Ava and Deborah could be in a relationship, but personally I think the episode was written to honor the lesbians’ outsider perspective even if their perceptions aren’t perfectly 100% accurate)
Ava, a character who has done her very gentle yet pointed due diligence around opening doors for Deborah to explore her bisexuality, repeatedly refers to Deborah as straight in this episode of all episodes. There are so many different reasons for why she might do this, including wanting her own emotional distance from the insanity of having performed a lesbian relationship with Deborah of all people when she’s felt so strongly about her for so long, including wanting to respect Deborah’s personal truth about her sexual orientation even if she disagrees (because what right would she have to use a word other than the one the person in question uses?), including the possibility that Ava has evolved in her own thinking about Deb to conclude that maybe Deb is right about being straight. And this is to say nothing of what might be going through Deborah’s head as she hears herself described this way. Is she comforted to be perceived as straight? Does she agree? Does she consciously or unconsciously find it easier to stick with that than to reopen earlier conversations?
It’s only after spending a weekend making up very personal lies about her sex life with Deborah that Ava confronts her tendencies to overshare in a way that could believably stick and cause her to rethink her approach to conversations where she’s out of her element.
Deborah, established in 1x1 as something of an equal opportunity offender, is insecure enough about looking dumb that she resorts to parroting clichés and somewhat nonsensical lesbian jokes, which of course makes her look actually dumb like she was afraid of. S5 has been particularly good about showing Deb’s own awareness about how afraid she is of being made a fool, and she’s had to confront a lot of rumors and perceptions while under this non-compete/restraining order that prevents her from being able to perform. She is literally and legally cut off from a substantial portion of her truth, or at least how she expresses it. Her jokes aren’t great or anything, but I think that’s the point. Deb is only convincing about the fake relationship when she’s staying in the moment and observing/enacting/improvising with Ava, and in front of an audience that’s solely comprised of her bisexual creative soulmate and two lesbians, her prepared material falls as flat as it ever does.
The deep undercurrent of intimacy between Ava and Deborah is never stronger than when they’re alone together or acting like they’re alone together. When Ava interrupts the apology meet-up with Kelly and immediately launches into the intimacy of their domestic lives together?! When they come up with the same “out of [my/your] league” joke in the car at the end, finally getting to be for real funny about why their relationship wouldn’t work in ways that reinforce why the relationship they do have works perfectly?! When it genuinely feels like Ava cheated on Deb with Monica because Deb actually would need monogamy in a sexual relationship scenario and she and Ava both know that to the point that the commitment feels real to them?! Ahhhhhhhhhh!!!!!! Ava and Deborah might not be in a committed sexual and romantic relationship with each other, but the intimacy and chemistry and deep commitment they do have is—BY FAR—the realest thing about either of their lives. (And I honestly think is a good thing.)
So, yeah. I’ve been reading both the celebrations and critiques of this storyline and understand all the reactions, but really wanted to share the things that made me enjoy not only the trope-y goodness but what I felt were some of the most authentic exchanges of information in five seasons of carefully-constructed dialogue.
the crux of the finale is that neither Ava or Deborah want to lose what they have. Ava doesn’t want to lose Deborah period, and Deborah can’t bear the thought of their relationship (or the memory of it) changing because of her illness. They’re both so scared and love each other so much and need each other so bad
costume designer Kathleen Felix-Hager never misses:
"And can we talk about the scene in the dance club? I love that scene so much. There’s that throwaway line where Ava says, “I get to dress you.” You don’t see that outfit in its totality, but that jersey Deborah wears is a jersey Ava wore in “Montecito,” and she’s wearing a pair of cargo pants and electric blue cowboy boots. When she’s just looking at Deborah and realizing, Deborah’s so alive and free and happy, dancing, and Ava’s like, “I might be losing her.” In the scene after, where they’re sitting in the window watching the sunrise, we see Ava in a fur coat of Deborah’s, and Deborah is wearing a leather jacket of Ava’s. They’re really connected, they love each other, they get each other. It’s so hard for Ava to let go, she doesn’t want to let her go, so she literally wraps [Deborah] around her. That was a very intentional choice on my part."
dressing deborah in ava's soccer jersey she wore to the lesbian cottage (real boyfriend moment)??? the two of them wrapping themselves in each other's coats as they quietly watch the sunrise.. because ava can't let her go she's literally wrapping deborah around herself..... but what does that say about deborah wearing ava's coat!!! God!!!
Also in this same interview she mentions Ava's wearing red sneakers in the final shot of the show as a nod to wizard of oz"there's no place like home." bc laughing arm in arm with deborah is where she is finally home!!!!!
I really love how the scene where Deborah decides not to kill herself mirrors the one of her hiring Ava as her writer. The thing that convinces Deborah to live is also the thing that brought her and Ava together in the first place and it's beautiful.
1.07 // 2.03 // 5.03
Jean Smart & Hannah Einbinder
Jean Smart & Hannah Einbinder
HACKS (2021 - 2026) Ava & Deborah In Every Episode
Ava and Deborah's vacation in Paris HACKS Finale (2026)
How It Started vs. How It Ended
Hannah Einbinder and Jean Smart photographed by Chantal Anderson for The New York Times