sheepfilms

JBB: An Artblog!
art blog(derogatory)

Kiana Khansmith
Cosimo Galluzzi
Three Goblin Art

izzy's playlists!
Jules of Nature

No title available
Aqua Utopia|海の底で記憶を紡ぐ

Origami Around
trying on a metaphor
Sade Olutola
Alisa U Zemlji Chuda
Cosmic Funnies

⁂

❣ Chile in a Photography ❣
Show & Tell
DEAR READER
Claire Keane
seen from Canada

seen from Malaysia

seen from United States
seen from Canada

seen from United States
seen from United States

seen from Germany
seen from Romania
seen from Netherlands
seen from Canada
seen from Canada

seen from United States

seen from China

seen from Pakistan

seen from Türkiye
seen from Norway

seen from Malaysia
seen from Italy
seen from United States
seen from Türkiye
@rbboyblue
Oh. MY!
Being gay doesn’t mean you can’t appreciate wholesome & pretty…
Brothers in Arms. Thank you.
And let’s chip the China. It’s about time…
Those trees and the lush gardens! 🥰
Photographed by Annie Leibovitz for the October 1995 issue of Vanity Fair, this portrait of Julie Andrews celebrated her return to Broadway in Victor/Victoria, the stage adaptation of her acclaimed 1982 film. The musical featured a book by Blake Edwards, music by Henry Mancini (completed after his death with additional material by Frank Wildhorn), and lyrics by Leslie Bricusse. Directed by Edwards and choreographed by Rob Marshall, the production opened at Broadway’s Marquis Theatre on October 25, 1995, and ran for 734 performances and 25 previews before closing in July 1997. Critics praised Andrews’ star performance, Rob Marshall’s energetic staging, and showstoppers such as “Le Jazz Hot!”, though some reviewers found the score and book less consistently successful than the original film. The production became especially famous when Andrews declined its sole Tony Award nomination, arguing that the rest of the company had been unfairly overlooked—a gesture that generated national headlines and helped boost ticket sales.
Summer!
Bluequestrian 🏇🌝🎠🐎❤
Reece Calver - London Contemporary Dance School