Rob Pointon (British), Llandudno Pier, North Wales, Contre Jour, 2026, Oil on linen
TVSTRANGERTHINGS
we're not kids anymore.
sheepfilms

祝日 / Permanent Vacation

Kiana Khansmith
taylor price

Andulka
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almost home

tannertan36

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if i look back, i am lost
Peter Solarz
cherry valley forever

❣ Chile in a Photography ❣
RMH
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Cosimo Galluzzi

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@redaos
Rob Pointon (British), Llandudno Pier, North Wales, Contre Jour, 2026, Oil on linen
would you consider yourself an intelligent and sensitive pervert?
i've been saving this in my inbox for months because i don't feel like i have the words to match this. it's a shameful breach of my humility to answer yes, yes i do consider myself an intelligent and sensitive pervert. i love how you worded that. this is like a therapist's screening question.
did you guys know that imagining something = as good as having it
it's actually better than having it because you dont have to have it
TRUE.
The red sun. I don't know if there will be wildfires this year, but this is a view we see quite often.
Carved stone window with a painted landscape on mother-of-pearl inlay.
Available
EVERYOBODY GET DOWN HES TAKING A CREATIVE LIBERTY
Pride, Greenwich Village, June 1986
I think the battle is long since lost on what the “-coded” suffix means, but I (old movie guy specifically invested in queer coding) seem to be unable to let go of how annoying I find the fuzzy popular use of the term. This is probably a flaw in my character.
Coding is intentional, it’s a way of communicating indirectly with the audience through a shared language of signs. That’s why it’s called coding, because it’s communicating in code. It isn’t when a thing reminds you of another thing.
Christine Hong - Breathe II, 2025 - Acrylic, modeling paste on wood panel
“Freedom always has a price.”
― Persepolis (2007) dir. Marjane Satrapi, Vincent Paronnaud
what needs to be done to bring washing macines across to the same plane of time that the rest of us are on
Nicholas (Nikolai) Matorin :: The rhythm of work, 1960 | src soviet photomasters
Yuri Abramochkin :: An employee of the artificial synthetic fiber plant in Barnaul at work in the weaving shop, 04.15.1960.
Cyril Power (British, 1872-1951), The Tube Staircase, 1929. Linocut printed in yellow, cobalt blue and black on thin oriental laid paper, block: 444 x 258 mm.; sheet: 532 x 320 mm. Numbered 30/50
Sigmar Polke Untitled 1999 Synthetic polymer paint on paper 26.875 x 39.875 in. (68.3 x 101.3 cm)
Gillian Anderson attends the "Teenage Sex and Death at Camp Miasma" Photocall at the 79th Cannes Film Festival (May 13, 2026)
“In 1986 Grandma was worried I wasn’t settling down. So I told her I was having a relationship—with a woman. “I am settling down, in my own way.” And the sunlight settled on the dust on the mantlepiece and the cat settled in Grandma’s lap and Grandma said there were two nurses boarding in her mother’s house in Yorkshire in 1916. And Grandma said she was in love with one of them. 70 years later, she still remembered waiting at the bottom of the boarding-house stairs to blush and smile hello at the funny, dark-eyed nurse she loved. Love between women? Unforgettable.”
— Eleni Prineas, in Finding the Lesbians: Personal Accounts from Around the World (via elliesattlers)
Edvard Munch, The Sun, 1911
Petoskey stones ~ fossilized coral that lived 350 million years ago - the rocks rounded in the surf along the shore of Lake Michigan near Petosky, Michigan