Photos from the last day of my summer course when we held an exhibition at Kommendanthuset in Malmö. It feels so sad that it's over and that I maybe never will meet some of the students and teachers again.

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Photos from the last day of my summer course when we held an exhibition at Kommendanthuset in Malmö. It feels so sad that it's over and that I maybe never will meet some of the students and teachers again.
A beautiful day when we ate ice cream by the sea after a lecture. I love sitting here, looking out over the sea. I feel free!
Portrait of Jane Jacobs for The Architectural Review. Lovely mag, if you can find a copy be sure to pick it up.
Beautiful flooring at the ground floor of Kommendanthuset
Photo dump from my visit to Landskrona
Jane Jacobs - Downtown is for People (Fortune Classic, 1958)
In Landskrona this building is located, The Townhouse, designed by the architects Jonas Elding and Johan Oscarsson. The building has received both praise and criticism, and it certainly raises many emotions, which I think is fun!
I always advocate for the importance of architects to be interested in the urban environment around the building and show consideration for the existing environments. Concerning this house, according to many critics this was not taken into account. It's just a white box that they slammed into the cultural-historical buildings at Gamla Kyrkogatan. But in this case, I feel that they are wrong. I don't think it fits worse than any other brick buildings (pale copies) on the other side of the street. Here, I actually feel that the white box adds something and makes the street more alive.
Respect for the former settlements is extremely important but what "building tradition" implies can be discussed. The new buildings in a busy city center do not need to be subordinate to the existing when it comes to aesthetics and expression.
The art of success to get new buildings to interact with the old in a harmonious way, is a major challenge and also places high demands on the architects and their expertise. To allow those to a certain extent contrasting each other is a common way to relate to. I think Stadsbiblioteket in Malmö is a fine example of how to combine new and old buildings and which also blends in with the surroundings.
No, I like this house! I like how it still relates to the environments existing scale and proportions, and the fact that it captures and contributes to the rhythm where the street has high and low buildings. And as I'm a sucker for material meetings and fine, subtle architectural engineering solutions. I die a little when I see how it has been worked with; the facade and its encounter with the ground and that the house does not have a socket base. Such small and fine meetings make me so happy!
JANE JACOBS. “THE DEATH AND LIFE OF AMERICAN CITIES”.
Ok, so The Death and Life of American Cities by Jane Jacobs, is a very fascinating and thrilling book. She makes it clear right away that there is a problem with the cities, with the development of residential areas, parks, zoning laws and other aspects of the city. This is because the designers created them to be so, not because they are such in their nature. She criticizes the way urban planners and also politicians are not listening to their hearts. The people who have some sort of power position in society today choose to believe the things they hear instead and follow the trends that prevail.
Jacobs makes me through this book; sharpen my gaze on the city, to once again emphasize the importance of seeing the life in the city and the particularity of city life. She gives me explanations on how the lack of life has arisen and how it really develops. She contributes with the help to articulate the demands of a working city.
Now, after reading the entire book, I would like to comment on Chapter 9 - "The Need For Small Blocks". In this chapter Jacobs discusses how valuable tightly spaced streets and short blocks are, which made me very interested. She argues that the blocks and streets create the conditions for a vibrant and urban diversity. Longer blocks isolate pedestrians and restrict their freedom of movement, leaving many streets in a silent fate. The more fine mesh the street network is, the more the flow of residents and visitors spread in the city, and that it becomes more even.
Jacobs also criticizes the idea that giant blocks would be more efficient land use. Instead, she believes that the short blocks provide opportunities for businesses to grow and that tightly surrounding streets can generate diversity simply by the way they operate. The streets attract users of different kinds and thus contribute to a growing diversity. According to me, this is a very interesting reading and exciting way to see the city. It also led me to think of Space Syntax, something I will definitely come back to.
Yesterday we went to Denmark to visit Louisiana - Museum of Modern Art. I love that place! The exhibitions were amazing and very interesting and I like how they have curated everything in such a beautiful way in all the different rooms, and that they satisfy several different layers of interest among the visitors all the time. In addition, they still didn’t steal my focus from what I was astonished of the most; the amazing architecture I found myself in. The buildings design; with the discreet pavilions and semi-transparent glass corridors. The spatialities were certainly overwhelming, and not to mention the subtle details and the overall theme of the museum's various parts. How they in an incredibly beautiful way handled the material meetings and various functions, windows that disappeared into the ceiling, open rooms with visibility and magnificent, stylish and tasteful lighting.
If you then zoom out a bit, through the windows that actually is the only thing that distinguishes the museum's interior from the outside, one sees how well the components are connected. Since opening in 1958, the architects Bo and Wohlert, together with Claus Wohlert, supplemented and gradually expanded the museum. The parts fit today perfectly into the surroundings of trees, lawns and water. The interaction between the elements definitely creates a special whole for us visitors. I'm sold.
Last Monday we visited Ladonien, a sculpture park in Kullaberg's nature reserve in Skåne, with the sculptures Nimis and Arx. Ladonien is built and created by artist Lars Vilks and has developed into a fictive country. Vilks should have created Nimis as a "revenge on the sea" after being close to drowning. I was very impressed by these works of art! All the driftwood and sparsely nailed together planks and tree branches that formed these passages, towers and rooms were amazing. I also like how it makes me feel tempted to play, to climb up as high as I can and explore new avenues. Even the stones between the Arx and Nimis give me such desire to play and I'm jumping happily between them. I really like art and architecture that promotes the playfulness in us humans and contribute to activity. It’s very interesting!
KEVIN LYNCH. THE IMAGE OF THE CITY.
Kevin Lynch published the book The City Image and Its Elements in 1960 and has, what I understand, become a classic book in urban planning.
The primary knowledge developed in this book is that a city's structure is not only the physical reality, but it also sits in the citizens’ consciousness. Everyone has their own unique and individual image of the city. These images that guides us through everyday life, planners would be able to use to identify the "public image" that people have of their city. Mentally we humans can adapt to any situation in the city, but planners often use different design approach that simplifies the city orientation.
Kevin Lynch brings up five different categories in the book that can be used in studies. There are design elements that have been broken up into different layers. He defines them as: paths, edges, districts, nodes and landmarks. Paths are the main roads of the city and the common points. The roads should be well defined, have an origin and destination, with a landmark on the road. Edges are those that give parts of the city spatial structure. A beach or parks are examples of good alternatives, as they should be as visually obvious as possible. They should be strong but they must also be planned to be permeable. Districts are the major areas that you can put names on and are held apart by visual guides. Things like class and use often define them. Nodes are places that require extra attention from the viewer, for example the transit station. A landmark is something that helps people to orient themselves, something that stands out in the city. They can be lavish and visually attractive, or anything that stands in sharp contrast to the background.
I like how Kevin Lynch is so straightforward in this book, and when he speaks of these design elements in different categories in this way, I think of another book I read. The book is called The Anatomy of Sprawl (2001) written by Brenda Scheer. She divides cities in layers to understand its urban structure. A very interesting book in which she argues that the different layers sets the conditions for how changes in the urban space can occur, especially in a time perspective. She divides the different layers in site, superstructure, infill, buildings and objects. The topology sets the conditions for urban sprawl, where the lower layers puts imprint on how the top layer can be developed. Brenda Scheer's analytical models place the urban spaces different components in a hierarchy. This is how she describes the different layers:
”Site. This includes landform, bodies of water and vegetation. Superstructure. This includes paths and land boundaries that exist prior to urban settlement or are created to substantially restructure an urban settlement (such as urban renewal areas or new highways). Infill. This includes finer-grained patterns of paths and plots that nestle within the superstructure, and are the basic framework for the construction of all built forms. Buildings. This includes habitable structures including houses and institutional and commercial buildings; also the enduring and highly visible structures (such as bridges) that inhabit the space of the paths. These structures are built within the areas defined by the plots or paths of the infill and endure for decades or centuries. Objects. This includes cultivated vegetation (hedges, trees and lawns), man-made objects (fences, towers, signs, monuments, wires), underground infrastructure and surfaces (parking lots, driveways, sidewalk and street paving). These objects are also constructed within the plots and paths of the infill but have a shorter endurance” (Scheer 2001:30).
This is a very interesting way of looking at cities, I think. I get the same feeling in the book by Kevin Lynch and I will definitely read the entire book to familiarize myself with his approach.
JOHN FALK. MUSEUM VISITOR IDENTITIES.
I have thought about what Juliee Decker, a Professor of Museum Studies, was talking about in class on Tuesday.
Which one of Falk's museum visitor identities do I have and how I navigate? I find it hard to say just one, but I would say that I initially is an experience-seeker. Just because I always want to plan, do research, and lists. I make lists of things, almost every day, such as what to do for the day, what I want to get done within two months, what I have to shop or just places I want to visit before I die.
Anyway, as experience-seeker, I look up things I want to see, plan how and when I'll get there, and then I go. But once I'm on the spot and have seen what I have been looking for, I think I switch to an explorer identity. Then I wander happily around for myself and welcome all unexpected experiences that being thrown at me. In that way, I think I protect myself from what I'm afraid of, to miss out on something!
When we walked around inside the museum, I was very impressed with the building, the large open halls by the stairs, the visibility and the simplicity of the sober detail that you can see if you study the room carefully. The "White Cube"–like room on the top floor, where they exhibited various art objects were amazing. I liked the high ceilings and the light that came from above from the small windows high up. How the ceiling was rounded in some places, and gave the objects a light they would not otherwise have received. Very interesting!
Two days ago, me and a bunch of friends visited Malmö Live to eat dinner together. Afterwards we went up to the sky bar on the 25th floor and the view was magnificent.
It was awesome to see how the whole city structure looked from above, I've never done that before. All the lights and that sky, amazing. I will definitely go back there to experience it in the day time too.
Pictures of Fluc_2
BUILDINGS IN TRANSFORMATION.
I often find myself thinking about the city and how it is constantly changing. On buildings in transformation, conditions that change, and also take a starting point in the existing. I think this is important. How the existing environment and the social life that exists on the site today, can be part of a process of transformation.
I read in the book Urban Catalyst: The Power of the Temporary Use (2013), that in Vienna, they have a program called einfach-mehrfach. It is an initiative in which city planners and policy makers works to enable projects based in the existing environment, and take advantage of it by seeing it as a resource (Oswalt et al 2013:53).
In another book, called Architecture Depends (2009), Jeremy Till writes about how architects often try to free themselves from the unknown, like the environment and the people. Preferably starting with a clean slate. In the book he also writes about the architects attempt to imagine architecture as eternal and independent, but that is to ignore reality and relinquish responsibility. One should in the creation of architecture realize that there is an interaction with humans, taking the existing environment into account. (Tip of a book worth reading!)
Fluc_2 is a building located in Praterstern in Vienna's city center. Here they have taken advantage of an old underground tunnel, and transformed it into a nightclub and some sort of a cultural center. Klaus Stattmann, the responsible architect, said in an interview I read; that participation and recycling is the project's architectural foundation. He wanted it to look like as if the project never will be finished, in order to give the feeling that the building can continue to develop. This, I think he succeeded with, merely because of the design of the structure; where you constantly can merge more buildings onto the existing one, to get the structure to continue to grow. It can thus be adapted to the contingencies that time can throw against it in the future.
I think it's nice, how to not let themselves be hampered by the time and the existing, that they never saw it as a problem. They took into account the existing environment and tried to create a meaningful solution. One should take responsibility, and already in the planning of the development and design process plan for what may happen in the future. That you as an architect or planner; does not see it as a finished item, but as an evolving one. I think the buildings thereby become more sustainable in the long run.
Fluc_2 lives on today, even though it once was built for something else, they are now being used with a new content. They could have demolished the building to get a fresh start, an empty land to build something new on. Instead, they took account of the history, preserved the building and let it live on in a new context. The value that is retained, are linked to the history and preserves the memories that create continuity in a buildings story.
Moreover Stattmann had people in mind, he saw the importance of including the future users. If conversations had not been made with the users of the site, and if the architect had not seen the possibilities in the social context; the building would probably never become the club that it is today.
Cities have the capability of providing something for everybody, only because, and only when, they are created by everybody.
Jane Jacobs
What is outside and what is inside? What is public and what is private? Semi public? Semi private?
This is something I'm very interested in and I'm always looking for these types of spaces.
This picture is from the Filmoteca Cinema in the heart of Barcelona’s Raval neighbourhood. I took it when I was on a study trip in Barcelona last year and I have thought about this café ever since.