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Danusha Laméris, Bonfire Opera: Poems
wolf hall series 2 episode 5
First Look Pictures from Wolf Hall: The Mirror and the Light
source
Wolf Hall: The Mirror and The Light new pics | The Guardian
Outside factors might partially explain Wolf Hallâs journey towards darkness. But the story itself has its own natural arc. âThe first six episodes were about ascent,â he says. âThey were about Cromwell scrambling from a poor, ill-educated background to the top of the power structure. They had a mood of optimist chutzpah. This is the story of a descent. By its nature itâs going to be much darker.â Executive producer Colin Callender agrees. Nonetheless, he feels that amid all the talk of darkness, we shouldnât forget about the light. âAt its core, itâs about a man reflecting on his life,â he says. âCromwellâs looking back â thatâs the mirror. But heâs also looking forward â thatâs the light.â
oooooh, i love tudor history! i know you're only reading wolf hall and i think that only features katherine of aragon and anne boleyn but do you have a favorite wife of henry viii?
his work wife. thomas cromwell
ARE YOU FUCKING STUPID????? Kindest regards,Â
Claire Foy as Anne Boleyn in Wolf Hall (2015)
TRUE DETECTIVE 1x01 "The Long Bright Dark"
Paul McCartney during Robert Whitaker's Yesterday and Today photo session | March 1966 © Leslie Bryce
Rumours tour, 1977.
Pride & Prejudice (2005) dir. Joe Wright
kate bush âbabooshkaâ single photoshoot by john carder bush, 1980
SEX AND THE CITY âModels and Mortals"Â
SILVER SPRINGS Fleetwood Mac â The Dance (1997)
By 1997, Stevie Nicks and Lindsey Buckinghamâs romance should have been ancient history. The pair had split two decades prior, fueling Rumoursâ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called âSilver Springs,â Nicks turned and faced her former flame as she sang the songâs rueful bridge: âTime cast a spell on you, but you wonât forget me / I know I could have loved you but you would not let me.â The pair locked eyes, and Nicks gradually built to a cathartic howl â âIâll follow you down âtil the sound of my voice will haunt you / Youâll never get away from the sound of the woman that loves youâ â indicating that, for her at least, resolution had never really come.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was âfor posterity,â as she told Rolling Stone at the time. âI wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,â she later told Arizona Republic.
The trackâs primary exposure was as a B side to âGo Your Own Wayâ â Buckinghamâs own expression of anger and revenge against Nicks, where he claimed that âpackinâ up, shackinâ up is all you wanna do.â The song would become one of the bandâs biggest hits, charting in the Top 10. âHe knew it wasnât true. It was just an angry thing that he said,â Nicks told Rolling Stone in 1997 of the âpackinâ up, shackinâ upâ line. âEvery time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, âIâll make you suffer for leaving me.â And I did.â
Of course, Nicks had the exact same motivation when she wrote âSilver Springs.â In a 1997 interview with Arizona Republic, she explained the songâs message as âIâm so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.â
âBrittany Spanos, âSilver Springsâ: Inside Fleetwood Macâs Great Lost Breakup Anthem
it's too bad smoking is expensive and bad for you and everyone around you because we will never be able to replace the specific intimacy of lighting someone else's cigarette for them
âI believe that there is a certain amount of mysticism that all women should have, that you should never tell all your secrets, that you should never tell everybody all about you.â
âStevie Nicks, Spin Magazine, October 1997