I'm going away some place to begin again. Will you come with me?
THE CHILDREN'S HOUR (1961) dir. William Wyler
Noah Kahan
🪼
we're not kids anymore.

bliss lane
Claire Keane
Show & Tell
will byers stan first human second

★
2025 on Tumblr: Trends That Defined the Year
Lint Roller? I Barely Know Her
Mike Driver

shark vs the universe

oozey mess
Jules of Nature
No title available

pixel skylines
todays bird

gracie abrams
I'd rather be in outer space 🛸

Love Begins

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@richgrayson
I'm going away some place to begin again. Will you come with me?
THE CHILDREN'S HOUR (1961) dir. William Wyler
rolling our long blocks like stakes into the earth
PROJECT HAIL MARY 2026 • dir. Phil Lord & Christopher Miller
pagebound is inching closer to being the replacement for goodreads I have needed for so long
The phrase “Tip: I am so fucking mad” will not leave my brain
repeat after me: i am a sexy bitch and no one ruins my 2014
I am a sexy bitch and no one ruins my 2014
“scientists don’t want you know” is a phrase that always cracks me up because if you actually meet a scientist they will be shaking and crying like an overstimulated chihuahua with the need to let you know
honestly my favorite thing about hardison is that he has no real tragic backstory, he's just like "i am very smart and therefore i should be allowed to do crime" and he's entirely correct
i love everyone reblogging this going "yeah! soft boy!" in the tags bc that's my other favorite thing about hardison (i have many) and that's that he's never particularly treated as morally grey bc he is constantly so kind and loving and good and also he enjoys some crime
parker: i have severe psychological trauma and i steal things to cope bc i don't know how to relate to people
eliott: i have a tragic history being entangled in the mafia and even now i could kill the most dangerous fighters without firing a gun
hardison: if money is fake, why not for me and my grandma who i love? :)
Yes!! I love Hardison's orientation towards right and wrong, in part because it's such a fun, powerful contrast with other members of the team.
You have Parker, who has been designated as bad and wrong since she was a very young child and who has let go of any expectation of being anything else, so that identifying and doing what she thinks is the right thing is consistently an overwhelming and scary experience for her;
Then there's Eliot, who can point to exactly when and how he became irredeemable in his own eyes and whose highest ambition now is to do the wrong thing for the right people this time at least;
Nate, who is clinging to all of these ideas about morality and legality and good and bad that are completely inconsistent both internally and with his behavior, because his very normative view of the world was shattered and he never put the pieces back together in any kind of coherent way;
Sophie, who sees right and wrong as primarily about relationships between people, like she does everything else: right and wrong is in how you engage and who you hurt interpersonally, anything more abstract is irrelevant. But within that, there's also this weight to how she engages, this sense of regret at how she's treated people in the past that we never really see the full scope of;
And into this morass of regret and alienation and self-doubt, beautiful sunshine child Alec Hardison sails with this completely coherent, straightforward understanding: he's doing the right thing. He understands the systems creating and maintaining inequality and he's winning against them. He doesn't feel bad at all about breaking the law because he doesn't respect it as having any moral weight, and why should he? He's right. Y'all I love him so much.
FIREFLY | 1.02
BUFFY THE VAMPIRE SLAYER | 6.07 "Once More, With Feeling"
HOW’S THAT HOUSE THAT RAISED YOU? - Lev St. Valentine
You see it, right? How it was a kindness? It's no existence, Dick. Reliving pain, over and over. A cycle of agony.
OUR PLANET 1.01
One day I got high and found the family's bird guidebook. And I thought about how crazy it would be if you knew all the birds in that book.
LISTERS: A Glimpse Into Extreme Birdwatching (2025) dir. Owen Reiser
no one can say that the Mets aren’t funny as fuck
"If you can't handle me at my 12 game losing streak, you don't deserve me at my 10-run 12th inning comeback." - Mrs. Met on her finsta probably