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hucklenberries

insane cinematography actually

melsglasses

mmmm lavalamp

divorcedfranklangdon

just a reminder that it's fuck ICE forever

catchymemes

writing-with-sophia

Poison list

While it's important to approach writing with creativity and imagination, it's crucial to prioritize responsible and ethical storytelling. That being said, if you're looking for information on poisons for the purpose of writing fiction, it's essential to handle the subject matter with care and accuracy. Here is a list of some common poisons that you can use in your stories:

Hemlock: Hemlock is a highly poisonous plant that has been used as a poison in various works of literature. It can cause paralysis and respiratory failure.

Arsenic: Arsenic is a toxic element that has been historically used as a poison. It can be lethal in high doses and can cause symptoms such as vomiting, abdominal pain, and organ failure.

Cyanide: Cyanide is a fast-acting poison that affects the body's ability to use oxygen. It can cause rapid loss of consciousness and cardiac arrest.

Nightshade: Nightshade plants, such as Belladonna or Deadly Nightshade, contain toxic compounds that can cause hallucinations, respiratory distress, and even death.

Ricin: Ricin is a potent poison derived from the castor bean plant. It can cause organ failure and has been used as a plot device in various fictional works.

Strychnine: Strychnine is a highly toxic alkaloid that affects the nervous system, leading to muscle spasms, convulsions, and respiratory failure.

Snake Venom: Various snake venoms can be used in fiction as deadly poisons. Different snake species have different types of venom, each with its own effects on the body.

Belladonna: Also known as Deadly Nightshade, Belladonna contains tropane alkaloids such as atropine and scopolamine. Ingesting or even touching the plant can lead to symptoms like blurred vision, hallucinations, dizziness, and an increased heart rate.

Digitalis: Digitalis, derived from the foxglove plant, contains cardiac glycosides. It has been historically used to treat heart conditions, but in high doses, it can be toxic. Overdosing on digitalis can cause irregular heart rhythms, nausea, vomiting, and visual disturbances.

Lead: Lead poisoning, often resulting from the ingestion or inhalation of lead-based substances, has been a concern throughout history. Lead is a heavy metal that can affect the nervous system, leading to symptoms such as abdominal pain, cognitive impairment, anemia, and developmental issues, particularly in children.

Mercury: Mercury is a toxic heavy metal that has been used in various forms throughout history. Ingesting or inhaling mercury vapors can lead to mercury poisoning, causing symptoms like neurological impairment, kidney damage, respiratory issues, and gastrointestinal problems.

Aconite: Also known as Wolfsbane or Monkshood, aconite is a highly toxic plant. Its roots and leaves contain aconitine alkaloids, which can affect the heart and nervous system. Ingesting aconite can lead to symptoms like numbness, tingling, paralysis, cardiac arrhythmias, and respiratory failure.

Thallium: Thallium is a toxic heavy metal that can cause severe poisoning. It has been used as a poison due to its tastelessness and ability to mimic other substances. Thallium poisoning can lead to symptoms like hair loss, neurological issues, gastrointestinal disturbances, and damage to the kidneys and liver.

When incorporating poisons into your writing, it is essential to research and accurately portray the effects and symptoms associated with them. Additionally, be mindful of the potential impact your writing may have on readers and the importance of providing appropriate context and warnings if necessary.

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quasi-normalcy

I find it personally offensive how many bad writers can get published so easily.

quasi-normalcy

I used to find it reassuring, like, "Haha, wow, if THIS can get published..." but now I take it to mean "It doesn't matter if your book is good or not, all that matters is if you're in the right social circles (and you're not)"

littlemissmanga

As someone who used to acquire for an indie publisher ... it sucks on the other end, too. We don't WANT to work on shitty books with shitty writing. But bossman wants to make money, and shitty writer has marketing clout/knows the right people/is already published (even if it's only online/ebook).

I used to read the most AMAZING submissions I'd be forced to pass on. Like, there was one, a literary fantasy featuring a bi deaf protagonist who learns how to navigate a spectrum of relationships while discovering herself (I don't want to give too many details out of respect to the author/don't want her concept stolen) and I couldn't get it acquired no matter how thorough my proposal and marketing plan was because she was a debut author with fewer than 10k Twitter followers and we needed that advance money for another Fifty Shades knockoff (this was a few years ago lol).

BUT PLEASE DON'T LET THAT DISCOURAGE YOU! If you're a writer, and you're trying to get published, don't give up!! If your first novel isn't getting traction with either a house or agency, publish it yourself on amazon. Get that "debut" moniker away from your name. Prove you can sell your shit and keep working.

A good agent will work with you to come up with a marketing/publicity proposal. That will be huge in getting houses to notice your work - makes the acquisitions team's job easier as they can point to it and tell bossman "we have a plan". Look online for titles that have high ratings/are on the NYT list that can be compared to yours. That helps give acquisitions an idea of what they're getting into - and how to represent your book to their ED/publisher.

A good agent will also help you target editors/imprints whose lists match your book, increasing your odds of getting positive feedback or even constructive feedback. If I had a submission that just wasn't quite ready for publication, I'd give detailed notes of what I wanted and ask them to revise and resubmit.

Keep writing! Even if a book isn't picked up, start your next. It's so attractive to see an author with several unpublished works ready to be polished if you already like the work that's submitted. And more writing only refines your skills.

Yes, bad writers get published. And too many good writers, even when published, go unrecognized (if you like southern gothic fiction a la Where the Crawdads Sing, go read The Past is Never, which came out four months earlier and got NO national attention but is BEAUTIFUL). Be such a good writer that you break those odds.

Because you can. I've read your stuff on Tumblr. On Ao3. On Fanfiction.net. On Wattpad. You can do it.

quasi-normalcy

This is actually practical advice; thank you.

forineffablereasons

The Good Omens Cross-Stitch Pattern: Now Available!

The Good Omens Cross-Stitch is now available! 60 DMC colors, 286H x 429W. Colors, sizing information, and instructions are listed on the last page of the pattern. Details under the cut.

The original art is by our very own @tio-trile, linked, as deserved, on the official Good Omens Twitter!

This pattern is available for free! If you would like to donate, though, I do have a ko-fi.

If you have any issues with downloading the pattern, try it in an incognito window, and if that doesn’t work, please let me know.

Standard Print Pattern Large Print Pattern

Updated version of the pattern were released on 12.3.20. If you have been using the original version, please check the update as there were important corrections made to symbols and blank spots.

Standard Print Pattern Large Print Pattern

Version Compatible with the PatternKeeper app now available!

Happy stitching! xx Darcy

see below for notes, updates, and more!

Keep reading

forineffablereasons

NEW UPDATES. CHECK EM OUT ABOVE.

As always, happy stitching!

theavatar-asami

*collects magic, traumatized, charismatic, and swoopy-haired Laura Bailey characters like infinity stones*

rkdaily

from Earl Carpenter’s IG 🌹

cdaae

Raoul and Christine in Masquerade

llumdecuca

When you open a gum package in front your friends:

thesokovianaccords

No one gets me like they get me

centaurianthropology

Why C3E51 worked so well (a DM’s perspective)

I have seen a lot of absolutely bananas critiques of C3E51 (thankfully not nearly as many around here, far more on Reddit, which I should not have visited). And the ongoing theme of those critiques is that Matt should not have imperiled former PCs, and if he brought them in should have either done lengthy side-bars with those characters or let them win the fight against Ludinis and have a chance to take him out themselves, since they’re ‘god tier’ or ‘high level’ and that makes ‘logical sense’. What these critiques really boil down to, IMO, are people who were really invested in the former campaigns upset that their faves didn’t get to do cool things, treating it more like a TV show than a game. But even as a TV show, that would have been disappointing from a narrative perspective. Because even in a TV show, this is a sequel spin-off show, starring new characters. The story is about THEM. And more importantly, the game is about the players and about telling their story.

So let’s break this down from a DM perspective. How do you build a Kobiashi Maru situation for your characters? For those of you who aren’t familiar, the Kobiashi Maru is a Star Trek term for a scenario designed from the jump to be unwinnable (Kirk beat it by creativity, but later admitted that he missed the point of it). In Star Trek this was done to test what a future officer would do if faced with certain failure. In a D&D game it’s a little more complicated. Part of it is to set up the BBEG, put their plan in motion, and set the stage for the next leg of the game. But it’s also to give your players, who are clearly into it, a darkest-hour scenario. Not every player group is going to be into facing down the Kobiashi Maru, and it’s clear from the aforementioned critiques that a lot of them are on Reddit. Power-gamers who always want to win are not going to enjoy this sort of storytelling, but players who are really into RP and working through difficult times and failures will eat this stuff up. And this is absolutely the sort of table playing on Critical Role. There is a level of trust there that can only be built after years of working together, and this was finally the moment when Matt could pay off years of planning and campaign-spanning set-up.

Continua a leggere

shadow-manor

The rest of the thread is here.

tl;dr: Don’t monetize AO3, kids. You won’t like what happens next.

ratherembarrassing

read this thread. this is by far the most concise explanation of a lot of different issues that i’ve seen in fandom spaces in a while. cosigning both the linked thread and the thread about aus/uk/can law that’s linked in-thread.

billybluboy

AHDHXHEBSG TWITTER WRITERS DID WHAT NOW???? AND PEOPLE PAID THEM????

prof-grace-aspen

If someone has never taken a class that includes copyright law, they may not know this stuff, so I don’t necessarily blame random people for not knowing what copyright is, but like… maybe just maybe it’s something that should be taught????