Buffalo ‘66 | Vincent Gallo | 1998
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
One Nice Bug Per Day
Cookie Run:Kingdom Official!
occasionally subtle

gracie abrams
hello vonnie
Show & Tell
h
EXPECTATIONS

shark vs the universe
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

Game Changer & Make Some Noise

titsay
noise dept.
art blog(derogatory)
Noah Kahan
d e v o n
Not today Justin
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@rubelux
Buffalo ‘66 | Vincent Gallo | 1998
Michael Snow’s photograph from 1960.
Lumerians - Transmissions from Telos Vol. III (Full Album)
Garage psych and great visuals from Oakland, California
Joel Peter Witkin, Teatro di Morte, 1989
‘BEATLES ELECTRONIQUES’: THE BEATLES WARPED BEYOND RECOGNITION, 1969
Nam June Paik
In October 1965, Paik screened his first videotapes as part of a series of “happening nights” at the Greenwich Village nightclub Cafe au Go Go—a venue that included Lenny Bruce and the Grateful Dead among its roster of performers. … Beatles Electroniques, 1966-69, made with the experimental filmmaker Jud Yalkut, is nothing less than an early black-and-white music video. Paik grabbed bits from the mock documentary A Hard Day’s Night (directed by Richard Lester in 1964), refilming and further distorting the footage through his video synthesizer (developed with engineer Shuya Abe). Snippets of the Beatles’ faces are caught in a loop of warped abstraction. To accompany the endlessly folding imagery, Paik created a sound track with Kenneth Lerner, which featured fragmented Beatles songs recited again and again. Whereas the original film is an upbeat paean to Beatlemania, Paik’s strategies of appropriation and repetition are conceptually closer to Andy Warhol’s silk-screened paintings of celebrities such as Marilyn Monroe, 1962, and Steve Reich’s phasing of spoken words from a publicized racial incident in his sound composition Come Out (1966). Like these works, Beatles Electroniques brought seriality into the realm of sensory overload.
The Holy Mountain (1973)
i love this movie
"Your generation is lazy and apathetic!"
My generation is sick of corruption and inequality. My generation is beginning to pour out into the streets to fight. My generation is going to change the world; a world which you let fall into a pattern of oppression and unscrupulousness because it fed you small comforts and commodities that you exchanged for silence. Take a seat.
Jane Birkin, c1973 (Jean-Pierre Fizet)
Belle de Jour (1967) - dir. Luis Buñuel
‘I have come to die with you’: Nico performs ‘Genghis Khan’ on French TV, 1979 http://dangerousminds.net/comments/i_have_come_to_die_with_you_nico_performs_genghis_khan_on_french_tv_1979/ (via Dangerous Minds[http://dangerousminds.net] )
me = art