Normal is an illusion @rumbelleforever - Tumblr Blog

love-little-lotte

Favorite red gowns in period drama

Keira Knightley in Anna Karenina (2012)

Nicole Kidman in Moulin Rouge! (2001)

Michelle Pfeiffer in The Age of Innocence (1993)

Vivien Leigh in Gone With The Wind (1939)

Michelle Dockery in Downton Abbey (2010-2015)

Caitriona Balfe in Outlander (2014-present)

thecrownnet

🌟 Downton Abbey: A New Era 🌟

UK Posters. In cinemas April 29.

stevienick

✫ CATS IN FILM ( 2 / ∞)

bell, book and candle (1958) coraline (2009) the princess diaries (2001) the hunger games: catching fire (2013) breakfast at tiffany’s (1961) alice in wonderland (1951) hocus pocus (1993)

thetransalien-deactivated202207

Some really interesting triva I learned yesterday when I met Michel Breton, a talented concept artist who worked on Coraline.

To accentuate the idea that Coraline’s home was boring, Henri Selick asked the team to break the perceptive in the kitchen of the pink palace by putting a small angle on the floor and the ceiling to make the overall picture/atmosphere of the scene more bland, you can clearly see the difference upon comparing the set of the kitchen in the other world.

Apparently it was a pain in the ass for the animator cause they could only animate the characters going from side to side across the set and they also had to work on a angle, but they did an excellent job cause the final product look amazing and really put an accent on the ‘’boring’’ perspective of the scene!

@laikaworld

nukaswift

Do y’all remember the 2006-2009 era of kids movies that were all about hidden fantasy and adventure and they all had the same vibes but wildly different stories? Cause I do.

goofyzachy

If you need another reason to hate those crappy CG Swan Princess Sequels just remember

they actually ripped off the ending to Enchanted. You cannot make this stuff up.

mydearthisbe

Unpopular opinion: The Swan Princess is actually one of the best love stories of its genre.

Derek and Odette get to know each other over a period of years, rather than days. Though they’re very unenthusiastic about spending time together, by the time they’re teenagers they start hanging out, playing cards and “playing dress-up”

The story deconstructs the “love at a glance” trope. Though Derek and Odette both acknowledge their feelings at a glance, when Derek is too taken aback at Odette’s beauty to list anything else he likes about her, she refuses his marriage offer

But Derek does love her for more than her beauty, he’s just unable to communicate how he feels. Take his conversation with Rogers. “You must see something other than Odette’s beauty.” Derek’s response, with complete sincerity is, “Of course I do. She’s like… you know. How about… And then… I mean, right?” And he looks at Rogers like he should know exactly what that means. When that elicits no response, he says, “I don’t know how to say it.”

For her part, Odette already loves Derek as a person. She doesn’t hesitate about who falls under the “man she loves” factor of her curse. Her doubts, by her own words, are about his immaturity

And when Odette is about to die, Derek tells her, “I love you… your kindness and courage. I always have.” That’s the vow Odette wakes up to. Derek finally articulating exactly why he cares

They love each other so much they sneak away from their own wedding party. What kind of royalty does that? I love them and their love