Cactus Short — 3D AE Layers
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Cactus Short — 3D AE Layers
A fun little experiment featuring my favourite little cactus.
Jake Roper Quote — Animated Type
A student project completed for my motion class
My first animation — Create Anything project from Motion I
Advertisers cross the ethics line when they see fit, to get your attention, making it only as ethical as the individual viewer sees it to be
Strategic Cheating Suggestions: Why advertisers may frequently choose to use this method
The theme of cheating can be found in many brand advertisements in the form of suggestion to cheat on the viewer’s current brand and try or even switch over to the advertising brand. This could be seen initially as merely a shock tactic to grab the attention of the viewer, or perhaps written off as the brand/advertiser thinking cheating in a relationship is something everyone can relate to having feelings of as a human behaviour. However, I want to argue that there are deeper reasons for why this method of advertising is chosen time and time again as a successful method to bring new users to their brand.
I do think that the initial factor of shock from a cheating ad is beneficial to the advertiser because without grabbing the attention of the viewer, there is no conversation. The shock comes from cheating being a currently not acceptable idea in relationships in our western society, even though this does happen somewhat often. Even the name “cheating” shows a bias towards this action being negative, rather than a more neutral name. If the viewer doesn’t even notice the ad, there’s no chance they’ll switch based on solely that.
Next, consider the implications of cheating and relationships in general. There is an assumption of a loyalty component in any relationship. The choice to be loyal is based on a number of different factors, for example the benefit to the user, and qualities such as reliability, benefit over cost, and other subliminal feelings such as the person (or product in our case) making the user “happy”.
This specific type of ad is really addressing users who are already using the product/service this particular brand is offering, who are not new to the game. They already know the qualities they are looking for in the product and perhaps have already had to shop around one or more times to get the brand they’re currently using, or “in a relationship” with and are loyal to. For targeting this user, it doesn’t do as much good just informing the viewer of the benefits of the product like a new user may find appealing, this old user knows what’s up already. They need more convincing.
In order to get a loyal user to consider another brand, one of a few things needs to happen. If the user’s current brand is comfortable, offers all the benefits for good cost, and is totally fulfilling, why would they try switching when that is a big risk that also requires more effort on the part of the user? If their current brand makes mistakes, this could cause the user to look for something better, or if the user gets bored with the current product and sees there are other newer products that do more and have more benefits. This is a factor that relies on the old brand though. In order for a new player to enter the game, they need to trigger the user’s curiosity at what else is out there and show that there’s something better coming along. This is where the cheating ad really takes the cake.
If the ad only mentioned the qualities they offer in the product/service as I said earlier the user would probably ignore the ad. No matter at what stage the users are in their relationship with their current brand (getting bored, underwhelmed, satisfied) this planting of the idea of changing brands could be watered and grown a lot easier thanks to the cheating idea. Some users may only need a little push to try something new and take that risk, and for others wanting to avoid risk, this ad’s message acts as a solid foundation for them to build their reasoning so they can take the risk out of the option. Overall, it’s a pretty cohesive strategy which is why I think many brands try to use this approach when trying to attract new business.
Removing what’s blocking the view: A reflection on the halting of outdoor ads
One problem apparent through the use of outdoor advertising is the capability of advertisements to ruin what otherwise might be a beautiful landscape. Many cities around the world are attempting to increase their tourism via ecological and geological attractions, something that excessive advertisements could ruin. Another large issue with advertisements in cities is the relative numbness that the general populace has towards them. Walking around in any city, you should see varying advertisements plastered over walls and the sides of buildings. Over time, the effectiveness of ads becomes less and less as they become a part of everyday life. Generally, the only efficient way to make an ad more appealing than the others is to make it significantly more flashy, thus drawing attention away from the other drab advertisements, but also away from the natural (or urban) surroundings. So, many cities are looking to ban urban billboards (São Paulo’s already on the bandwagon — link, link, link)
Unfortunately, since advertising is the staple method to get a message to the viewer, advertisers will always be looking for the best place to contact their audience, and may sometimes miss the negative effects that their actions have on the surroundings. If one company does not participate in aggressive advertising, that company will likely fade from relevance, meaning that unless aggressive laws be put in place or everyone agrees to halt (a hard to pull-off coordination for sure) there will still be advertisements wherever the people are.
With the advent of more digital connections, and these connections being constantly available to consumers by way of their phones and other smart devices, advertisers have the ability to more easily reach their target audience. The digital space is quickly becoming a much more viably affordable advertising option over print due to the nearly unlimited amount of space available, the lack pf printing costs needed, and the ability to more quickly respond to consumers and other variables that could help in the advertising grind, in contrast to the highly contested areas within large cities and along scenic routes. The digital medium allows advertisers to have a more personalized and immediate interactive connection to their target audience, which is more appealing to the audience as individuals.
Overall, the movement to deny advertisers the ability to plaster ads all over cities and the landscape has probably stemmed from a change in the modern human experience in addition to the years of buildup of advertising space. Less time is spent taking in the scenery and existing in the physical world, and so perhaps it is a good idea that we make the time we do spend away from screens a bit more relaxing and naturally visually pleasing by removing the competing advertisements.
Blog Post Time!
This meme was created for me as a part of our advertising and marketing class by the wonderful and talented Ashley at Mastic Tastic — Where she has the meme I made for her http://mastictastic.tumblr.com/
For a project where on the surface, we needed to create a meme representing the brand of the other person, I think the actual point of this project is to show that how the brand views themselves and how they want other people to see them can differ greatly from how the user actually sees the brand. Although this can be seen as an exercise in how well the other person knows you, or the user the brand, it also shows how well the brand is communicating their message as well.
Although this meme doesn’t quite fit me since I did actually finish my degree at the University of Guelph over a year ago, it does reflect the frustrations that occur when someone just isn’t seeing the same perfect connections that I do between my degree and why I am now in graphic design. I went to university to learn to problem solve in new and different ways, and be better able to properly articulate my thoughts and how I arrived at them. I focused on studio art and psychology: brain and cognition as my specialities while I was there since I was focusing on topics that interested me without an end goal career in mind.
I was able to take a variety of courses, which included anthropology, behavioural neuroscience, sensation and perception, art: objects and things as well as other themed art history courses (which ended up being a quarter of my degree), sculpture, painting, interactive multimedia, chemistry, and structured ASCI courses for people in my bachelor of arts and sciences program where we found the connections between where people think art and science divide, and more.
Looking at the degree from the perspective of all of these separate courses does make it appear like it has nothing to do with graphic design to an outside observer, but I believe all for those experiences have everything to do with visual communication — the definition of graphic design — but that’s a topic for a whole other blog post.
Advertising as a Laughing Matter: Effective or Best Avoided?
Advertisers have many methods they use to best appeal to their target audiences, with the content containing some sort of appeal to emotion, a benefit of the product, a fact, or even a brag. Methods used to deliver this information to the viewer can really impact how they perceive it, like how audiences are often more likely to believe information presented by those they believe have authority and are therefore trustworthy. The method and content of the ad also work to inform the audience about the brand’s identity, so it’s in the advertisers’ best interest to communicate the message as clearly, convincingly, and memorably as possible. Although there is some evidence that humour can have a shorter staying time, attract attention but fail to follow through with sales and interest; and even insult people and do damage to its brand, I think that it can be a useful tool in an advertiser’s toolbox to fully build a brand’s identity.
When informing the target audience about a product, trust can be signalled by showing that the product is reliable, is a good deal, has great longevity, has a great scope of usability, and has high reliability. Newness can also be a great additive after showing reliability, much like how many flock to purchase the newest Apple products when they’re released: Apple likes to flaunt both how they are trustworthy, and flaunt the new features of their products exuberantly. Newness can be the best because of new features, and the feeling of being special of getting something that no one else has yet can be a great motivator for the consumer.
Creativity is another attractor of attention of the target audience, and although this can be very impactful, such as with the Old Spice “The Man Your Man Could Smell Like” (link), creativity can also be quickly forgotten. These end with viral marketing campaigns that aren’t remembered for very long (link), but as Old Spice shows there are exceptions to this general trend. Cleverness, good timing (such as the Oreo ad tweeted during the Superbowl blackout), and humour fit with creativity in that they can stir attention quickly and intensely, but it often fizzles out. This is in contrast to ads that show purely reliability or more traditionally stable ideals.
I think that traditionally stable ads should be mixed with shorter and more impactful ads in order to reach the widest amount of variation in their audience. As much as a target audience for a campaign should be very strict so that the campaign is the most impactful, each person is an individual and has their own outlooks on life, relations they have with others, and connections to ideas and things that are unique from other peoples’. Similar to how humorous ads can offend people even within the target audience (the Harley Davidson ads insinuating improper relationships with young women as an example), A simple and singular approach may miss out on some of the target audience. So, by using multiple methods, a company may actually be more effective than by avoiding the humour entirely.
Even if the humour offends some, I think that what can be gained by diversifying a little in order to invite a slightly larger range of people into the audience greatly outweighs what little problems the humour can do. As long as the company doesn’t cross any major moral or legal laws, I think people can look beyond being a bit offended by some humour that misses their mark.
The Role of Advertising in Rising Obesity Rates
Many studies suggest that advertising and the prevalence of food photography online do have a role in the expanding waistlines of people in North America. A study by the University of Southern California found that when people viewed images of high-calorie foods, the parts of their brains in charge of appetite and reward lit up when in fMRI testing. This leads to preliminary findings that these same brain centres may contribute to overeating and obesity (link). Even something as simple as “foodstagramming” where diners take photos of all of their meals to share online, indicate that we have an unhealthy relationship with food (link). Since food advertisements are crafted to be as appetizing and delicious-looking as possible, it makes sense that ads also contribute negatively in our overweight and unhealthy society.
As much as advertisers have a job to sell their product, which may be a 650-calorie burger plus its meal deal including fries and a shake, I feel like there should be some ethical whistle blowing going on. Consumers are often unaware of what they’re putting in their body, and how what is in it relates to their health. After all, “that burger looks like it tastes good, so why isn’t it good for me?” can be a hard question to answer unless you’re actually a bit interested in learning about health. If they are interested, in a best-case scenario it is an inconvenience to track down nutrition information, and in worst cases, it can be very hard to find, understand, and then apply to your own diet. For a lot of North Americans, just having easy access to food can be a struggle, so when the latest fast-food icon advertises for a whole meal for under $5 it sounds like nothing could be wrong with it.
When we take a new medication, companies are obligated to warn of any side effects and cautionary notes about what to and not to take the medication with. With obesity showing large negative effects on people’s health, and it goes without saying that unhealthy food and obesity go hand in hand, really why shouldn’t advertisers also be obligated to notify their users of potential issues with their food? Fast food comes with no “consume no more than 1 burger per day so not to exceed sodium levels and raise your risk of a heart attack” on its wrapper, unlike medications that come with a 20-50 page booklet of instructions. Both items are going into our bodies and changing them. With obesity affecting such a large percentage of people, concerns need to be directed at informing the consumer, and assisting the consumer in making easier, healthier choices.
Arguments against food ads having effects on the consumer note that children play inside more, are less active, and are consuming similar caloric amounts to 10 to 20 years ago, so what evidence is there that halting ads for food during kids’ programming will have any effect? Other studies do show that children 8-18 years old consume multiple media types and do so more than ever (link), so when it’s been shown that people tend to snack more, eat less healthy, and consumer more calories in front of screens (link), it does really spell disaster on the horizon. Younger children are at more risk because they can’t differentiate between normal programming and advertising, children under 8 don’t understand that ads are persuading them, and “product preference has been shown to occur with as little as a single commercial exposure” (link) which is very concerning considering that more and more of ads are for high calorie/high sodium content foods. Additionally, since adults are often the ones around the children with food, if the adult is making unhealthy choices, the child will often be subject to them as well.
Overall, our unhealthy obsession with food has grown alongside our more sedentary living styles, resulting in a raise in unhealthy weight levels and negative health outcomes from this extra weight. Since the way in which we interact with the world is increasing in screen form, and ads are prevalent in this medium, it should be up to the advertisers to hold some responsibility to knowing that making good choices as a consumer is hard, and we sometimes need help. Letting consumers know that the combo isn’t always the best deal when you’re dealing with your health, asking yourself “am I hungry or am I actually tired/thirsty?”, and trying to avoid the triggering ads altogether by DVR-ing your TV shows or using the commercial time for other things, is probably not going to be done by advertisers of food though. Many consumers won’t just happen upon this information themselves either, so there is really a missing piece in the education puzzle somewhere, which is currently showing the image of far too low of health standards. Perhaps it is up to our governments to make up for this missing puzzle, or perhaps that link is elsewhere, but regardless someone needs to step up to assist in halting our unhealthy behaviours before it becomes too late for too many consumers.
Blog #2 — Ethics and Implications of Photoshop & Ads
When discussing the use of photo manipulation in advertising, I think that it is not definitely only a question about whether it should be done or not, but rather a question about in what cases is it done and how should the images be used. Photoshop touchups deal with the idea of truth in advertising, leading into a discussion of ethics in advertising (see last week’s post for more on this topic). The idea of creative licence should be carefully considered in relation to the responsibilities of the advertisers to the viewers, but it can be hard to determine where and why to draw the line since the idea of responsibility in the advertiser is a hotly contested subject.
When considering the impact edited images have on the viewer, I think it is important to remember that it is not just your intended viewing audience that may see the image. Younger girls can be very impressionable, and with the prevalence of low self-esteem in pre- and teen girls in North America, the misrepresentation of women's bodies in the media and the usage of images to create sexualized images predominantly rather than images of, for example, power and intelligence can change the way young women grow up and see the world and their place in it. From the article entitled Photographic Representation of Women in the Media: “staff members at Post are responsible for what is produced in the paper and readers tend to accept the newspaper as the ‘norm’ and as a mirror of ‘reality’” which shows that readers are very easy to sway, even if unintentional, into believing a situation is the normal way things work solely by hearing about it from a source they see all over the place, in this case the newspaper.
When photos are edited, it equates to changing the truth of the photo. Although one may argue that photos never represent the truth since the photographer set up a false set and chose the many variables in the photo to orchestrate what the photo looks like, by further manipulating the photos you are taking away any integrity the image had left. There is also the common thought that photos provide photographic evidence of the truth, which can be trusted. However, this is not the case. Photos can be very easily edited with today’s technologies, and the term “photographic evidence” really should be rethought with the ability to edit photos right on our smartphones.
Moving beyond the impressionable youth idea, it can be argued that creating images with creative licence can be positive by creating eye candy satisfaction. Much like looking at cute puppies and beautiful flowers in real life or on Pinterest, the image of pretty women could be argued at providing aesthetic benefits. Your advertisement can also act metaphorically in that you could say that the edited appearance is what your product gives to the user (eg. with foundation makeup) which could be misleading, or could be good representation, but the consumer doesn’t know implicitly which. With so many retouched images out there, it is far more likely that the consumer just accepts the image. Even if we were to ditch the incorrect notion that photos represent the truth, there would still be many issues with editing photos. In this process we would first need to make everyone aware that photos are not real, much like unicorns. The fact that we take relief in seeing famous stars in all of their wrinkled glory means that to some extent we are needing proof of these stars’ real-ness, thus we we must think on some level that maybe, just maybe, there are some people who look like those edited and retouched fake images on the fronts of the magazines in the grocery store. And in that idea, I think there is a serious fault in our representation of photos in the media and advertising being, intentionally or otherwise, shown as a truth and creating a standard to which no human being can stand up to.
I have no definitive plan on how we may move towards aiding in addressing these issues, but I think starting the conversation going, as it is now, could be a good start as the public’s investigation picks up traction. Perhaps in this conversation we will be able to better define the line between deception, fantasy, and where the truth needs to be shown.
Tonight’s mini project — The lunar eclipse, made super special with the moon additionally being 14% larger in the sky than usual. Pretty neat stuff!
Advertisements can be irritating when they interrupt our favourite shows or obstruct our view out the window on the bus. They can also amuse us when they’re clever or humorous. When ads get in our way or cause a negative reaction in the viewer, it can be quite a challenge to judge where we should draw the line, and to say “Hey, that’s not ok!”
There are a few different government agencies that work to police the ads and ad agencies all over the world. In Canada, it is the Advertising Standards Canada group that produces The Canadian Code of Advertising Standards. As said on their website: “The Code is broadly supported by industry and is designed to help set and maintain standards of honesty, truth, accuracy, fairness and propriety in advertising.” All of their rules are centred around this, and the group also accept complaints from consumers regarding ads they think go against the Code. The Code’s scope includes details about what advertisers can say about price claims, guarantees, testimonials, safety, advertising to children and minors, all the way to unacceptable depictions and portrayals.
I personally think that the scope the Code covers in Canada is reasonable and contains very good points to help the consumer avoid dishonest products and services by preventing the advertisement of them as such. I also think it is great that there are services in place where consumers may voice their complaints about ads, however, I am not sure how successful these individual complaints may be in each individual instance since by the time they complain, many other people have probably seen and been affected by the ad in question.These complaints may aid in future beneficial changes to the Code, but perhaps the damage had already been done depending on the severity of the ad.
I cannot speak for ad agencies, but it does make sense that since the consumer is inundated with so many visual pieces of advertisement that the ad agencies would need to potentially resort to more drastic measures in order to grab the attention of the consumer. When there are so many things to look at, all vying for attention, you definitely need to somehow stand out from that monotony. Shock is certainly one method of doing this, but there are other ways to get attention that the agencies could use as well, such as humour like the Old Spice commercial that went viral a couple years ago.
I think it does matter that ad agencies are offending other groups of people even though their target audience aren’t offended. Just because they aren’t in the target audience does not mean that they will not be forced to look at and experience the ad when it may be plastered to the side of busses or on billboards. I think that it is inconsiderate to not think about how you may be effecting other people with shocking ads. Obviously, there needs to be a place to draw the line or else it would become “all ads that are controversial in the least bit will be banned” which is not realistic, but agencies should have to consider the impacts at least to some degree, which is where the Code can come in.
I do think that it is a deliberate strategy to get your ad banned so that the publicity from the banning will do the work for you. There are people in the world that will respect your company for having the confidence to create something that turns heads, which can be another benefit. There’s no way that agencies are somehow missing the fact that their ads are shocking, they can’t be surprised when viewers react strongly to a message they’ve created after their marketing team has researched so much about their viewers before they even started the ad campaign.
In terms of the brand’s reputation, I’m sure that there is a line that exists where their reputation may be tarnished if they cross it. That line exists between controversial and the morally wrong. Since morals are a very personal thing, this line is drawn separately from person to person, but within different cultures there are common collective morals that do exist. If an ad was to cross that morally wrong line strong enough and in the right culture, I do think their reputation will be tarnished. If it stays just in the area of controversial, it would be beneficial to the company instead.
An example of this could be the anti-abortion ads on Guelph Transit busses, versus the recent Rainbow Doritos campaign to combat mental illness and suicide in LGBT youth. In the first example, graphic images were attached to the ad on the bus, and the phrasing of the accompanying text made it sound like the option for an abortion doesn’t exist, which it does. The use of graphic images on busses was also offensive as you can’t get away from the images as easily as if they were in a magazine. This campaign tarnished the group’s reputation in Guelph. With the Doritos campaign, they are reaching back to those against their ideas to continue the conversation, supporting their campaign in ways that is controversial, but I consider less morally wrong regardless of the fact that I do support their message.
Where we will continue to draw our lines as individuals and as a culture will be interesting to see as our culture continues to learn and grow, and advertisers continue to toe the line carefully.
A study of photographing liquids with a focus on the brand.
I will be posting more of my work on this blog, visit my Behance page to see my current portfolio as I update it.
An illustration to accompany a news article on an interesting topic. Writing and drawing completed for Visual Dynamics course.
I will be posting more of my work on this blog, visit my Behance page to see my current portfolio as I update that as well.
Icon Poster Project - Given a random song by a Canadian, create a symbolic poster using the title or lyrics to shape the icon.
I will be posting more of my work on this blog, visit my Behance page to see my current portfolio as I update it.