Packed with bold new directing and art backgrounds you’ve never seen before, this work feels like a fresh challenge, bringing together high-quality visuals that convey the history and traditions of Kyoto Animation. Since it is being distributed worldwide on Netflix, it has attracted intense attention not only in Japan, but also overseas.
In this issue, we bring you a 10-page feature delving into the appeal of the series, consisting of staff and cast interviews. First, please enjoy the stunningly beautiful illustrations of Kihachi and Yosuke down to the finest details!
Drawn by key animation director, Uno Nakata, Yosuke is wearing his yukata and a sliver of his back thigh is exposed. The butterflies on the textile might suggest metamorphosis and youth. Very appropriate especially the way the anime crew presents his character. Kihachi’s on the other hand, has taiko (drums, methinks), which could be interpreted as celebration. His black kitsune mask doesn’t follow a religious meaning, but “a contemporary dramatic treatment; meaning depends on the maker and context.”
As for the background: The sight of cornelian cherry bonsai on their right side, the fruit means steadfast love. Then there are the bonsai pine trees in the background, which are reminiscent of Noh Theatre that bridges the deities and the common folk. And the soft pink camellias that could mean admiration spread behind Yosuke.
It is a flower that says, "I am so glad you are in my life." However, the pink camellia holds a special, poignant meaning: it symbolises longing for someone who is missed.
All the objects in the background makes me think of the duo’s connection to Seiroku Sakamoto. Both Kihachi and Yosuke miss him although, perhaps, in a different way.
