By VirtuallyInsane
Monterey Bay Aquarium

tannertan36

pixel skylines
occasionally subtle
noise dept.
đȘŒ
The Stonewall Inn
let's talk about Bridgerton tea, my ask is open
Cookie Run:Kingdom Official!

Origami Around
Fai_Ryy
Not today Justin

blake kathryn
Aqua Utopiaïœæ”·ăźćșă§èšæ¶ă玥ă
Noah Kahan
official daine visual archive
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EXPECTATIONS

Product Placement
macklin celebrini has autism

seen from United States

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@scarlett-midnightt
By VirtuallyInsane
A WIP of a skull Iâm working on. Thinking of adding floral elements or such.
Iâm not entirely happy with it yet; might take another hour or so with extra fine sandpaper. But I made myself a historical bone needle and have two more rough ones roughed out and drilled. Threaded it with linen thread just to do a couple stitches on linen and see how it works.
Step 1; get deer leg bone. Or cow. Or any mammal, really. Needles made from the bones of your enemies would be pretty cool.Â
Step 2; get the dremel, some saw blades, some sandpaper wheels, and some diamond cutting weels. Also get some 1/32nd drill bits for drilling the holes.Â
Step 3; Cut a chunk off the deer bone with the saw blade the length you want the needles. Wear respratory protection; this gets dusty. And, of course, eye protection.Â
Step 4; switch to diamond cutting wheel for greater delicacy, cut chunk into as many needles as you feel you can get from that bit.Â
Step 5; switch to drill bit. Very carefully drill hole for thread in each blank.Â
Step 6; switch to sandpaper bit. Start sanding the blank into shape.
Step 7; once you have it smoothed down into shape and just need to do final truing up and smoothing, switch to extra fine sandpaper wrapped around a dowel. Carefully sand away until finished. Still working on this bit tbh.Â
And thatâs how you make a bone needle because the cheapest on etsy was $40 and you have Chronic Crafting Disease, AKAÂ âI bet I could make thatâ
can the bone be whittled or shaved down with a razor to make a finer point?
I am trying to refrain from experimenting because I do not have the space for another project.
⊠also this is actually good story research now that I think about it. Oh lord I have another project for the future donât I?
It could, but TBH this goes through cloth just fine. (Tested on denim, cotton, linen, and wool broadcloth) and a finer point I fear would snap off.Â
Itâs JUST over an inch and a half long and 2 mm thick at its thickest point. Think I can get that down to 1 mm thick with some more time sanding. Though, should note, this is in line with historical archeological finds for size as-is.Â
The Priestesses of Astarte, from Pierre LouĂżsâ The Songs of Bilitis by Willy Pogany (1926)
Maxfield Parrish (American, 1870-1966), Dingleton Farm,1956. Oil on gessoed masonite, 11.5 x 15.5 in.
Absolutely.
Also? Speaking of Audiobooks, I have the following to say: 1. Neil Gaiman's "Sandman" series has an absolutely amazing audiobook version of it. 2. Sadly, it is primarily available through Audible, which is owned by Amazon, which I refuse to buy from and/or give my details to if I can at all avoid it. 3. Now... Gaiman's a great author, and I normally wouldn't advocate pirating his stuff - but he's also successful enough for me to argue that losing the revenue of those few leftist fans in his audience that ideologically refuse to buy from Amazon probably wouldn't make a dent in his finances. As such, I will also make note of the fact that you totally shouldn't google "sandman audiobook free" or similar terms, in order to find a variety of pirated versions of said audiobook. (Similarly, the Sandman comics are also available for free, for those that can't afford to buy the series and would otherwise be unable to read them)
It wonât make a dent in my income, no. My income on the Sandman audiobooks is a percentage of what DC comics makes licensing the material, and another payment for being the narrator. (Not a huge amount of money. We canât afford to pay Michael Sheen or James McAvoy or Kat Dennings or any of the other amazing starry people who take part in this what they get as film and tv stars. They do it for âI love Sandman and want to be part of itâ rates.)
On the other hand, the Sandman audiobooks are really expensive to make. They have a huge cast, and an amazing backstage group of sound designers. Audible will make them as long as they make money. If the listening figures drop because people are listening to them through other sources Audible might well stop making them. And then a lot of people take cuts in their incomes and that would actually, in the case of the not-famous hardworking voice actors (for example) would mean a real loss of money for the people who do need it.
If you donât want to listen on Audible, why not buy (or better yet, get from your library) the CD or the MP3 CD version, and transfer the files?
@neil-gaimanâ Thank you for the shout out to public libraries. However, since Amazon acquired Audible, they refuse to license those audio books for library usage. Which means downloadable book collections for ALL libraries are diminished, because Audible is a big producer of them and has a huge collection. As fewer and fewer people have CD players on hand, there is less demand for audiobooks on CD, so fewer titles are being released on CD, so itâs a bit of a catch-22. I am still upset my newer car has an âinfotainmantâ center instead of a CD player. Much easier to pop in a CD well going down the road, then trying to get you phone to synch up and play your audiobook. In the future, it will only be downloadable audio books available for most titles, and at that point Amazon has fucked everyone over by buying Audible. The other solution, beyond violating copyright, is to put pressure on the Federal Government to break up the monopoly that is amazon, but I donât see that happening any time soon.Â
You pointed out DC licenses Sandman, and you have no control over them choosing Audible.  As a well-known author, I hope in the future you can insure your tittles are made into audiobooks that are available for library systems to license and share with the public. As a Public Librarian, I have to try to explain to irate patrons, that yes, the audio book you want is on amazon, but amazon wonât let they library system âbuy itâ for you to listen too for free, because they want all your moneyâ on a regular basis.  We would LOVE to get patrons those books, but amazon wonât let us.
I was delighted that Audible licensed Sandman and did the audiobooks because I'd been trying, with Dirk Maggs, for 29 years to get the Sandman audiobooks made, and every other outlet we had approached in that time, including the BBC (twice, in 1993 and in 2013) said no. I'd rather the audiobooks existed. They may have become bestsellers but nobody else who could have made them was interested.
Libraries can (and do) buy both the audio CD versions and the MP3 CD versions. If there wasn't a way for libraries to get hold of them I would be talking to Audible, but there is.
Diana, Huntress by Jules Joseph Lefebvre (1879)
MalĂĄ Fatra (Slovakia) |Â borievkyphotogallery
You move into an apartment with a bedroom that has a wall painted as a forest scene. You fall asleep and when you wake up, you notice a cabin that was never there before. A week later, you see a light in the window.
*does magic but in a ditzy way, like a real himbo*
Howl's Moving Castle, 2004
Stealth Witch Tip - Digital Grimoires
So hereâs a fun thing I just figured out during the construction of my digital grimoire.
If you use a Chrome browser and you scroll through sites like Sacred Texts or Project Gutenberg and you find something you like? You can open it in a new tab, Ctrl-P to print, and save the whole damn document as a PDF. Then you can pop it into your digital grimoire folder or save it to a drive and voila! Instant searchable source material for research, light reading, and citations.
This can also be done with some webpages. You may have to finagle a bit depending on the formatting on the page, but it could be a quick way to store up info sources without forgetting where they come from. Very helpful for good blog articles.
Iâve also been saving images for constellations, crystals, tasseography, tarot spreads, herb identification, and lots more. Not to repost elsewhere (although Iâm saving a Read-Me file with their sources alongside them) but just for my own reference.
So if you donât have / canât have / canât afford books, this can help you get started!
.:: Defining Traditional Witchcraft ::.
What is Traditional Witchcraft?
According to Michael Howard, Trad Craft refers to âany non-Gardnerian, non-Alexandrian, non-Wiccan or pre-modern form of the Craft, especially if it has been inspired by historical forms of witchcraft and folk magicâ.
Traditional Witchcraft, therefore, is not a single monolith. We can, in fact, distinguish between:
Operative Witchcraft or Folk Magic
Ritual(istic) Witchcraft
This first difference is taken from Margaret Murray; she used the first term for indicating the practice of magic, as carried out by cunning folk and folk magicians, and included the non-religious practice of spells, charms, divinations, etc. âwhether used by a professed witch or by a professed Christian, whether intended for good or for evil, for killing or for curing. Such charms and spells are common to every nation and country, and are practised by the priests and people of every religion. They are part of the common heritage of the human race and are therefore of no practical value in the study of any one particular cult.â (The Witch-Cult, p. 11.)
The second term (also called âDianic cultâ by Murray) indicates, instead, âthe religious beliefs and ritual of the people, known in late mediaeval times as âWitchesâ. The evidence proves that underlying the Christian religion was a cult practised by many classes of the community, chiefly, however, by the more ignorant or those in the less thickly inhabited parts of the country. It can be traced back to pre-Christian timesâ. Therefore we can say that Ritual Witchcraft is the cult of pre-Christian Deities or Spirits connected to the witches.
While the ideas of Murray about this cult have now been discredited, other scholars have reopened this field as a viable area of study, discovering many ecstatic witch-cults. The most known academics in this field are: Carlo Ginzburg, Ăva PĂłcs, Emma Wilby, Claude Lecouteux, Wolfgang Behringer, Sabina Magliocco, GĂĄbor Klaniczay, Gustav Henningsen and Bengt Ankarloo.
Relying on the work of these scholars, we can say therefore that Ritual Witchcraft was/is the religious system surrounding the Sabbath, the Procession of the Dominae Nocturnae from house to house, the spiritual flight, Elphame, the Wild Hunt, the Night Battles, etc.
As we can understand, even if the majority of the Ritual Witches were/are also Operative Witches (practitioners of Folk Magic), not all the Operative Witches were/are also Ritual Witches. The majority of Folk Magicians/Operative Witches, in fact, didnât go to the Sabbath, didnât astrally fly, didnât astrally go with the Wild Hunt, from house to house with the Domina Nocturna, to Elphame/the Otherworld or to the Night Battles. Ritual Witches did.
We can say, therefore, that Operative Witchcraft is a practice, while Ritual Witchcraft is a religion.
Traditional Witches who are secular are, therefore, usually Operative and not Ritual Witches. While the distinction between Ritual and Operative Witchcraft is an established one in the Witchcraft community, I introduce a new, according to me useful, second distinction, inside Ritual Witchcraft (i.e. Witchcraft as a religion), by borrowing the terms âRevivalismâ and âReconstructionismâ from Polytheism, in which itâs an already established terminology:
Hereditary Witchcraft
Revivalist Witchcraft
Reconstructionist Witchcraft
Hereditary Traditional Witchcraft brings together all the traditions that claim a lineage from the Witchcraft of the past.
Revivalist Traditional Witchcraft is inspired by folklore, trials and the figure of the witch without any presumption of hereditarity. Unlike the Reconstructionist one, it leaves ample space for personal initiative and the influence of other traditions, without slavishly following the history in every single detail.
Reconstructionist Traditional Witchcraft, finally, tries to resume, starting from the in-depth study of folklore, historical trials and documents, the exact practices and beliefs of Historical Witchcraft. For example, the pantheon of Spirits, the festivities, the structure of the Sabbath, the structure of the offerings, and so on.
An important aspect for those who practice Reconstructionism is the resumption of the names of the Gods (or it would be more correct to say, of the âDeific Familiar Spiritsâ or âMajor Spiritsâ) forgotten and remained only in the trials papers and in folklore. The idea is to reopen roads, ways to these Spirits. Reconstructing therefore means paying homage to these Spirits and allowing those interested to re-establish a connection with Them.
We said before that Traditional Witchcraft is not Wicca. Whatâs the difference?
According to the Traditional Witchcraft author Lee Morgan:
âIt could easily be said that one of the major differences between the modern revival referred to as âTraditional Witchcraftâ and the other modern revival known as âWiccaâ, is that Traditional Witchcraft draws on âfolkloric materialâ and is largely âshamanicâ whereas Wicca is more of a fusion of Western Occult ceremonial and natural magic traditions.â
(From: Lee Morganâs âA Deed Without a Name: Unearthing the Legacy of Traditional Witchcraftâ)
Right now the storm is storming, as it's been doing for the last two days. I took this on Friday when there was a moment of sunshine, even if it hadn't stopped raining. Lots of failed rainbow photos with a fancy camera because the rainbow was too close to get into a picture, and then my battered old phone in panorama mode took this.