this made me feel weird to look at

hi this is my art blog. links

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❖ links to all socials ❖

❖ tag directory ❖

◈ original art ◈

all oc art oc art by setting: deerwood | cybdee | lafossa | grauheim | eugénie et le cauchemar | kittyquest | emilia magica oc art by character: orchidee | seelie | isotta | epifania | valencia | cesare | silvia | rodrigo | eugénie | lorens | le cauchemar | the huldra | dru

◈ fanart ◈

mahoyome | magia record | homestuck

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the return of modern au scene orchidee, for a tiktok. happy junicorn 🦄

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dahlie and azalees mother and orchidees great grandmother, narzisse hennenberg

mostly i wanted to draw a couple things. i wanted a unicorn with this body type (and most of it is hidden! argh!) and i also wanted to draw a unicorn with a double horned hennin because i thought it would look neat. so i gave both of those attributes to her. i feel like narzisse would have personally preferred dahlie as her heir had she had any ability in necromancy. instead she went with azalee, who makes up for not being the first choice with her whole… like…. (gestures vaguely)

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bad news

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mulholland dru-ve

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maddocke mac moryis with an unnamed woman, best described as an advisor of sorts

after emil bracks "planning the grand tour"

it feels a little ridiculous to draw maud and moryis' middle aged son after only having drawn them once, but unfortunately my mind moves faster than my hands. i already know how their story generally goes. maddocke mac moryis is their only child, and i think my first example of what a "hybrid" looks like in this world among folk who are able to reproduce. you can see we are following pokemon rules here. maddocke mostly resembles his mother, with a few traits that indicate his father is a gnoll. did you expect him to be a hairless cat? thats a fair assumption. but him not having any of that longer hair atop his head that maud has can be described as baldness among whiskin. nencia is "bald," too. maddocke inherits the earldom in lieu of his cousin/moryis' nephew, and theres a whole spat involved with that

silvia and maddocke are very like minded. he quickly discerns that silvia is a necromancer from the fallen city of lafossa, which is why she shows her scarification so openly here. silvia travels more often than not, but after becoming acquainted with maddocke finds herself coming back again and again. both feel as though they have met their equal in each other, but its not a "will they or wont they" - its more of a "they wont, but maybe in another life." but i like to think that in maddockes final days, an old friend comes to see him one last time. and when the funeral is done and the sun has set over the earls grave, a witch comes from the trees to raise him again, freer this time. or maybe not! i like silvia as a solitary, trickstery figure once she leaves lafossa. maddocke is not the first man by any means to be taken with her and her mysterious rizz

not a ton of ideas lately. i want to try (AGAIN) to start drawing in a more sketchy, unfinished style. its kind of my moby dick. i also have another video idea

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seelie gets too high and freaks out

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refs for a new couple that may OR may not be featured very often due in no small part to them not having a super solid story. this is maud and moryis and they live in holmorall, which is in the northwest corner of the fractured isle

maud selbie is an expat from the freefolk of iscolain. "freefolk" refers to a new nations that spring up in the years following the stampede, but for the most part the kingdoms they broke off from are too busy with other shit to try and reincorporate them. so you have these unofficial democracies running with varying levels of lawlessness. they do pretty okay for the most part, but maud has a histrionic/narcissistic streak and thinks she could have a better life beyond iscolain. which isnt really true, but once you leave the freefolk they dont let you back. sort of an echo of whats going on with orchidees story post-lafossa

maud basically works her way up from the bottom of the societies she travels through via scamming and fraud. when one day she sees the earl moryis mac niniane riding horseback through the streets in a parade, she is entirely taken by him. she weasels her way into a mid-ranking family and is able to successfully bid for his hand, mostly because she was such a menace to the family shes scamming that they were eager to be rid of her. this should have been a harder task, but moryis is more or less middle aged and did not expect marriage to be something he ever participated in, so the bar was low. he is the runt of his family and fought his brothers literally tooth and nail for the earldom, though because he has no children his nephew is his named heir

the thing is that moryis knows maud is pretending to be something she isnt, but is interested and attracted enough to entertain her and figure out what she wants and what her problem is. he might be pleasantly surprised to know that she doesnt want anything other than a comfortable life with a husband she perceives to be extremely desirable. they affectionately refer to one another as "lord husband" and "lady wife"

yeah, yeah, okay… maud looks a lot like eugenie. i like those kinds of designs, okay? when i was little i would refer to himalayan rabbits as "siamese rabbits" and german shepards as "siamese dogs." i tried to make them distinct, okay? but yeah im showing my cards here. i think i could have also stood to make moryis uglier. i want to be someone who can draw more than just pretty ladies… even seelie SHOULD be uglier than they are. maybe once i draw him a few times ill get the hang of it. hes a gnoll, but hes based more on chinese crested dogs and a couple of mexican and peruvian breeds of hairless dog. other gnolls dont find him very appealing. these two also have an age gap of about 10-15 years. i dont really like age gaps a lot, but it suited them, so there you have it

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genie and effie

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more tiktok stuff 🪦

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its all fun making your ocs life hell until they pull up

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awkward furry perspective dot mp4

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his tendies....

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speak! speak!

after john everett millais' 1895 work of the same name, with a little dash of marianne stokes' 1908 "death and the maiden"

a scene thats been rattling around for a month or so while i worked on other things. i want to someday write this scene as well, but it has been hard to find the internal voice of a freshly-turned wanpyr. was most excited to draw a mad azalee during her last days… though intimidated too

the initials in the bed canopy are my favorite little detail. this was formerly the bedchamber for both nikolaus and his elder brother, willimar

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a "tiktok" "animation" "meme" for orchidees of all ages

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la trattativa, revised

another revised work. this one was from 2024 so it needed a lot more work. vatatsa was the only element that ended up mostly unscathed, which is fitting given this ones context

thats the same contract i ripped from the background of 'the reluctant bride,' sans orchidees signature. for this one i made her dress in a different color from the viscontis. despite isottas penchant for blues and purples, i made her match her mother to signify that they are (mostly) of the same goal here

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the reluctant bride, auguste toulmouche, 1866

a revised version of a piece from late last year