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Nastassja E. Swift,Ā Passage, when momma lets my braids flow down my back, 2020
kind of obsessed with this old man on instagram - he gets so few interactions on any of his posts but he's always posting from some kind of bird-filled maritime situation with club music playing in the background
āTime does not bring relief; you all have liedā - Edna St. Vincent Millay
(transcript under the cut)
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Crossing Kingās Cross, 1996 by Magdalena JetelovĆ
The Kingās Cross section of central London has been significantly marked by its industrial past dating from the 18th century. This part of London, comprised of a network of industrial plants and warehouses and traversed by railway tracks and canals, is set to become a modern urban crossroad.
The former modernity of the railway station of 1850 and visible traces of the then dynamic development of the area are perceived today as time which has stopped. The past of Kingās Cross is represented by abandoned industrial buildings and old railway operations; its future consists of modern transport and communication technology. The present is a transitory period, a kind of āno manās timeā.
A laser beam indicating the future line of the TGV railway in the existing landscape links the physically present past without real action and the so far virtual future, a direct path of the speed of the light replaces half-time life. Photography changes into a new form afforded by the speed of the train.
Frances Arno Saphro (Ukrainian, 1877-1962) Art Deco Needlepoint Tapestry, 1935
Material Culture
"But AI can't do your job. It canĀ helpĀ you do your job, but that doesn't mean it's going to save anyone money. Take radiology: there's some evidence that AIs can sometimes identify solid-mass tumors that some radiologists miss, and look, I've got cancer. Thankfully, it's very treatable, but I've got an interest in radiology being as reliable and accurate as possible. If my Kaiser hospital bought some AI radiology tools and told its radiologists: "Hey folks, here's the deal. Today, you're processing about 100 x-rays per day. From now on, we're going to get an instantaneous second opinion from the AI, and if the AI thinks you've missed a tumor, we want you to go back and have another look, even if that means you're only processing 98 x-rays per day. That's fine, we just care about finding all those tumors." If that's what they said, I'd be delighted. But no one is investing hundreds of billions in AI companies because they think AI will make radiology more expensive, not even if that also makes radiology more accurate. The market's bet on AI is that an AI salesman will visit the CEO of Kaiser and make this pitch: "Look, you fire 9/10s of your radiologists, saving $20m/year, you give us $10m/year, and you net $10m/year, and the remaining radiologists' job will be to oversee the diagnoses the AI makes at superhuman speed, and somehow remain vigilant as they do so, despite the fact that the AI is usually right, except when it's catastrophically wrong. "And if the AI misses a tumor, this will be the humanĀ radiologist'sĀ fault, because they are the 'human in the loop.' It's their signature on the diagnosis." This is a reverse centaur, and it's a specific kind of reverse-centaur: it's what Dan Davies calls an "accountability sink." The radiologist's job isn't really to oversee the AI's work, it's to take the blame for the AI's mistakes. This is another key to understanding ā and thus deflating ā the AI bubble. The AI can't do your job, but an AI salesman can convince your boss to fire you and replace you with an AI thatĀ can'tĀ do your job. This is key because it helps us build the kinds of coalitions that will be successful in the fight against the AI bubble." - Cory Doctorow, The Reverse Centaurās Guide to Criticizing AI
A Story To Tell | Rozana Eid Collection
excerpts from erin in the morning's article on the ioc's ban on transgender women and sex testing policy
2,300-Year-Old Saddle Blanket from the Altai Mountains of Siberia: this saddle cover was preserved in the frozen barrows of Pazyryk for more than two millennia
This elaborate saddle blanket dates back to about 400-300 BCE. It was discovered in the Pazyryk barrows, located in the Altai mountains of Siberia, where it had been preserved in the permafrost for more than 2,000 years. It's made of felt, leather, horsehair, and gold foil.
Above: the appliquƩs at the center of the saddle blanket
The central design features two identical appliquƩs, each depicting an ibex being pinned down by a griffin.
Above: close-up of the appliquƩs
The sides of the saddle cover are also decorated with circular pendants made of felt; each of these pendants is trimmed with leather, encircled by tufts of horsehair, and embroidered with a stylized depiction of a ram's-head. A pair of horned tigers can also be seen at the base of each pendant.
Above: the pendants that hang from each side of the saddle cover
This artifact is attributed to the Altaic nomads of Siberia, who formed part of the larger group of cultures that are collectively known as the Scythians (or Scytho-Siberian peoples).
According to the Hermitage Museum:
Saddles used by the ancient Altaic nomads differ from those used today. They had no wooden base and consisted of two leather cushions filled with reindeer and horse hair and sewn together on one side. Felt saddle covers were traditionally decorated with scenes showing a beast of prey tearing to pieces a herbivorous animal.Ā
The Scythians were among the first cultures to begin using horses as mounts, and they invented one of the earliest forms of saddle. They were extremely skilled and accomplished riders, and their early mastery of mounted warfare enabled them to gain control over vast sections of Eurasia. That dynamic led to the development of a very noticeable "horse culture," with horses playing a critical role in many different aspects of Scythian life (and afterlife):
The horse was an essential part of Scythian life and was the most important and multipurpose animal used by the nomads. Initially, the Scythians reared large herds of horses mainly for their milk and hides, but eventually were among the first people to harness the horse as a mount.
By the 7th century BCE, the Scythians were already master horsemen and controlled a vast corridor of land that stretched across southern Siberia, from the Black Sea to the fringes of northern China. This expanse of land was greater than the Achaemenid Persian Empire, which the Scythians outlasted.
The Scythians produced many horse-related artifacts that have been discovered at sites throughout Eurasia, but this saddle cover is one of the most elaborate and most well-preserved examples of that tradition.
Above: the saddle cover from Pazyryk
Two other artifacts from Pazyryk have previously been featured on my blog -- a 2,300-year-old plush bird and an elaborate horse headdress.
Sources & More Info:
Hermitage Museum: Saddle Cover
World Archaeology: Do the Clothes Make the Horse? Roles, Statuses, and Identities in the Pazyryk World
University of Washington: Artifacts from Southern Siberia/Pazyryk
Expedition: The Textiles from Pazyryk (PDF)
Cambridge University Press: The Origins of Saddles and Riding Technology in East Asia
Routledge: Pazyryk Culture Up in the Altai
University of Leicester: At Home, with the Good Horses (PDF) (this is a really great paper)
Riga, Latvia
Please don't go. Slide from my collection, 1974.
$4,195,000/4 br/3.5 ba
La CaƱada Flintridge, CA
Built in 1931
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