Jenny Holzer at Tate Modern

shark vs the universe
noise dept.
tumblr dot com
Aqua Utopia|海の底で記憶を紡ぐ
styofa doing anything
"I'm Dorothy Gale from Kansas"
No title available
Lint Roller? I Barely Know Her

Product Placement
occasionally subtle

roma★
Cosmic Funnies
RMH
trying on a metaphor

oozey mess
Not today Justin
cherry valley forever

Kiana Khansmith
art blog(derogatory)
$LAYYYTER
seen from France

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States
seen from United States
seen from United States
seen from United States
seen from United States

seen from Sweden

seen from United Kingdom

seen from United States
seen from Belgium
seen from Poland
seen from United Kingdom

seen from Türkiye
@sequinsoup
Jenny Holzer at Tate Modern
YES / NO 16cm x 16cm Embroidered Textiles Aisling Smyth
“Am I Enough?” 32cm x 32cm Embroidered Textiles Aisling Smyth Cross stitch on Silk - Hand Painted and Glitter bombed Cotton - Naturally dyed Cotton - Reclaimed Pink silk - Reclaimed Embroidered duvet cover - Blanket Stitch - Fly Stitch - Herringbone Stitch - Hand beading - French Knots - Log Cabin Patchwork Self Deprecation
So lovely to use this old encyclopedia as a reference point for the embroidery I’m making today. Found it whilst rummaging in my local Cancer Research charity shop.
‘Can This Last?’ 13′‘ x 13′‘ Embroidered Textiles Aisling Smyth White Work cross stitch on Silk - Sashiko Mending Stitch on naturally dyed Cotton - Drawn Thread Work on Irish Linen - Hand Painted glitter bombed Cotton - Pink silk - Embroidered duvet cover - all brought together in a Log Cabin patchwork. Layers of fabric, historical techniques, emotions and Imposter Syndrome.
The skins and stones of 3 Avocados after being simmered for 2 hours. The water initially went a dirty brown colour and then slowly developed into a gentle pink. I strained the water and popped my fabrics in, the result was a nice washed back pink dip.
Avocado Dye
BALANCE: Initial sketchbook pages and samples.
Gathering some fabrics together and giving them a dip or experimenting with mark making/painting over the top. Dying the fabric naturally has been a great option as I’m keen to keep the toxicity levels as low as possible in producing this work. The fabrics have been reclaimed, and I’ve picked up some great textiles from my local charity shop. Feels good to #supportthehighstreet and it’s lovely to work with fabrics that already have some history of wear and softness as opposed to fresh off the role.
Hey Friends! Apologies for the radio silence on Tumblr. For the past couple years I’ve been on the hustle in the Film world doing my best to forge a career in the notoriously competitive and secretive Costume industry. I relocated from Belfast to London in 2017 to further this goal and although I’ve been having a great time living it up in a new location this has taken its toll on my own embroidery practice. Jumping from job to job, along with long working hours and getting settled in a new city has left me with little energy left to devote to studio work - which has left me feeling a bit unfulfilled as there has been a pretty huge element of my life missing. Although it is fantastic to work with Costume Designers and this provides a varied creative outlet, there is nothing like the satisfaction and sense of accomplishment that comes from realising a piece of your own work from concept to the final product. For the past couple years keeping a journal has served as a craft substitute, and I have built up some pretty charged and significant pieces of writing around the pressures/highs/lows of working as a freelance artist. I have started to build a body of textiles around these pages. It is my hope that the finished collection will serve not only as a healing mechanism for me, but maybe the viewer as well. I gladly welcome your feedback or comments. Thanks! Aisling xx
Ireland visits 2017 - 2018
Work Life 2017 - 2018
Home life 2017 - 2018
London Life 2017 - 2018
Working on some small samplers and feeling so inspired. It's nice to dealve into history again and work in a slow and considered pace on my own practice and not for clients. It's giving me time to reflect and these little motifs may be the beginning of a new body of work for exhibiting.
Working on some very tiny applique this evening. So small I need a pair of tweezers to handle the fragile little pieces. I love a challenge!