Romania
Jules of Nature
Alisa U Zemlji Chuda
Lint Roller? I Barely Know Her
Today's Document
PUT YOUR BEARD IN MY MOUTH
dirt enthusiast

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One Nice Bug Per Day
DEAR READER
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Claire Keane
2025 on Tumblr: Trends That Defined the Year
occasionally subtle

tannertan36
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roma★
wallacepolsom

JVL

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Origami Around
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@serdaraltin
Romania
From the exhibition “Was ist Kunst? – Mirrors of Production” curated by Tobi Maier
“We have forgotten that the world is there prior to us. We have forgotten how things have preceded us, how mountains grew up before our gaze existed, we forget how plants are called before we think to call them and recognize them, we have forgotten what it is plants that call us, when we think about calling them, that comes to meet our bodies in blossom. In these violent and lazy times, in which we do not live what we live, we are read, we are forcibly lived, far from our essential lives, we lose the gift, we no longer hear what things still want to tell us, we translate, we translate, everything is translation and reduction, there is almost nothing left of the sea but word without water: for we have also translated the words, we have emptied them of their speech, dried, reduced, and embalmed them, and they can no longer recall to us the way they used to rise up from the things as the burst of their essential laughter, when, out of joy, they called each other, they rejoiced in their fragrance-name; and “sea,” “sea” smelled of seaweed, sounded salt, and we tasted the infinite loved one, we licked the stranger, the salt of her word on our lips. To allow a thing to enter in its strangeness, light from the soul has to be put into each look, and the exterior light mixed with the interior light. An invisible aura forms around beings who are looked at well. Seeing before vision, seeing to see and see, before the eyes ‘narrative. This is not sorcery. Its the science of the other! An art in itself; and all the ways of letting all the beings with their different strangeness enter our proximity are regions that ask to be approached, each with an appropriate patience. There is a patience for the egg, a patience for the rose; a patience for each particular animal, there is a patience for all kinds of patiences, to practice, to develop […] A patience pays attention […] doing nothing, not upsetting, filling, replacing, taking up the space. Leaving the space alone. Thinking delicately of. Directing the mixture of knowing looks and loving light toward. A face. Surrounding it with a discreet, confident, attentive questioning, attuning to, watching over it, for a long time, until penetrating into the essence. […] We need everything. All things: all the time. Everything that has happened, everything that can happen. We need the time of presences, to approach things until they are close to us, us with them, before them, giving each to each other…”
— Hélène Cixous, from Coming to Writing and Other Essays
Thorens Excelda “Sprechapparat” / portable phonograph, 1934-1947. Switzerland. Via Museum für Gestaltung Zürich
Artist Covers Entire Walls With Incredible Large Murals of Cities Around the World
Paris-based artist Thomas Dartigues (aka Decktwo) illustrates different cityscapes around the world in his incredible, large-scale mural art. A former street artist, Dartigues ditched the spray can in favor of black markers for his minimalist line drawings. Sketched across large sheets of paper and walls, each sprawling cityscape drawing features some of the world’s most famous landmarks, rendered in incredible detail.
closing in
hidden prism
Cars are parked next to the Hyundai production facility in Montgomery, Alabama, USA. The plant has a capacity of 300,000 automobiles and also contains the production facility for their engines. This is one of my favorite Overviews that we created in 2017 and we’ll be sharing more in the coming days! - @benjaminrgrant /// Source imagery: @nearmap (at Montgomery, Alabama)
Futuristic Portholes Capture the View from France’s Aging ‘Tours Aillaud’ Apartment Towers
Eighteen towers filled with more than 1,600 apartments were built by architect Emile Aillaud between 1973 and 1981. The housing complex is found in the Pablo Picasso district of Nanterre, an inner suburb of Paris. The residential towers range from 7 to 38 floors, yet each share peculiar windows shaped like futuristic portholes. French photographer Laurent Kronental has long been fascinated by these windows and their towering hosts which serve as the subject of his 2015-2017 series Les Yeux de Tours.
Vintage Photographs of the Incredible Railroad Bridges With Timber Trestles From the 19th and Early 20th Centuries
In the 1830s, the railroad boom started a new era in the building of railroad bridges pushing engineers to build towering wooden bridges that have become synonymous with the era. Timber trestles were one of the few railroad bridge forms that did not develop in Europe. The reason was that in the United States and Canada cheap lumber was widespread and readily available in nearby forests. The Pacific Northwest of the U.S. and the province of British Columbia, Canada became the central region for hundreds of logging railroads whose bridges were almost all made of timber Howe trusses and trestles.
Snow days @aoifereddan captures @centralparknyc
i’m sorry this is just too neat
Doyle
25 Beautiful Colour Palettes To Use In Your Next Design Project