can’t have shit in pennsylvania

amelia | 29 | she/they | ace lesbian | ssttitd fanfic writer | bellows family extraordinaire | main to @jellicle-shifters-au

[shapeshiftersandfire]

hi i think emma frost should get the shit kicked out of her a little bit. like yes i know this woman is an extremely powerful telepath who could hold her own if someone came at her but also. i need her to be beaten within an inch of her life with a tire iron

[shapeshiftersandfire]

LOOK at her. look at her and then look me in the eye and tell me you wouldn’t want to see this woman black and blue and bloody

[shapeshiftersandfire]

hi i think emma frost should get the shit kicked out of her a little bit. like yes i know this woman is an extremely powerful telepath who could hold her own if someone came at her but also. i need her to be beaten within an inch of her life with a tire iron

[3rabbit]

daughter (non-practicing)

[3rabbit]

sister (deadbeat)

[shapeshiftersandfire]

someone: this book is enemies to lovers!

me:

[whumpster-dumpster]

Character A taking whatever verbal abuse Character B throws at them but the second B aims it at Character C, A is not standing for it

[inanauthorsworld]

writer wip asks✨

❤️: what’s the working title? 🧡: what were previous working titles/ideas? 💛: what is the title based on? 💚: how long have you been working on it? 💙: how has the idea changed between starting it and where it is now? 💜: where are you in the writing process? 🖤: what are your MC names? 💔: give a brief character bio of your 3-5 MCs ❣️: which scene has been hardest to write so far? 💕: what has your favorite scene been? 💞: which future scene are you looking forward to writing? 💓: is it part of a series or standalone? 💗: what genre is it in? 💖: are you planning on publishing it? if so, how? 💘: give us a huge spoiler 💝: who has your favorite character arch? give a brief summary 💟: how is your style different in this work compared to previous ones? has it more shifted for the story or just developed in general?

[straight-to-the-pain]

Thinking about a character you can’t humiliate. You can try your best to degrade and embarrass them but it doesn’t matter. Humiliation implies loss of status, but what have they to lose? It’s not like your opinion of them matters. They can’t lose standing in the eyes of someone they have no respect for.

[ramblesamongstardust]

I understand the "I will die for you" ship dynamic, but what about the "I will not let you die, I will not let myself die- we will, at any cost, survive" kind of couple?

[pret-boy]

"I wish we met sooner" is such a gentle sentiment. I love you so much I not only want you in my future, but in my past too. I want to have known you when we were small stupid kids, have held hands together as we played outside. I want to have stressed out over exams together, nudging a mug of still steaming hot chocolate against your elbow to get you to focus. I want to have told you I love you before I did anyone else. I want to have held you in my arms when all those sad memories you describe to me were still fresh wounds. I want my past to have been full of you, and full of meaningful memories with you. I want my past lives to have been spent with you, whether as two lovers, or two housecats cuddling by the fireplace on a snowy day, or two flowers that just happened to bloom on the same day, next to each other. I want to have consumed your existence and intertwined it with my own since my birth, never to be separated from you for a moment. I want to have loved you throughout it all, for all time.

[drwcn]

How to Write a Realistic Hospital Au/Setting

Because I’m frustrated with real life work stuff :( I’ve decided to distract myself by doing this. Disclaimer: I obviously only have my own country (the Handsome Ryan Factory) as reference, so if this isn’t how it is where you’re from, sorry. :/

The Environment

Hospitals do not smell like disinfectants. Hospitals smells like….nothing. If it’s a nice hospital and the facilities are relatively new/renovated, hospitals are generally scentless places (the ventilation system is better). The only time it’ll smell like disinfectants is when the housekeeping staff just cleaned a room after a patient has been discharged. Older hospitals and units like internal medicine which takes care of a lot of longer term patients and older folks smell…well not great. It seems like people and bodily fluids.  

Hospitals are cold. The OR is even colder (unless for whatever reason you need it to be warm for a specific procedure). 

Background noise. There are machines making noises the background, little beeps of the IV pumps or the heart monitor. Normal beeps are slow, alerts are fast. 

Intercom - every time something happens that requires a code to be called, it’ll come on the intercom and the entire hospital hears it. Common ones are: code blue = adult cardiac arrest (ex: Code Blue - K6, Code Blue K6) They tell you what the code is and where to go. The code team (usually an ICU team) will show up. Code pink = neonatal cardiac arrest. Code red = fire. Code yellow = missing patient. Code white = violent encounter (security will be called up). Code orange = external disaster (a train derailed). Code Silver = deadly weapons (gun, knife). Code Brown = hazardous spill. Code Black - bomb threat/suspcious object. Code Green= evacuation Etc. 

There will be rooms on “precaution”. Signs will show up on certain doors/rooms, because that patient might have some kind of communicable disease through contact/droplet/air. 

The Staff

Nurses are not rude (unless you’re writing a rude character). I see a lot of “the good tough nurse” caricatures where it’s like jab and shove - No. A good nurse can be assertive, can be knowledgeable, can be no non-sense, but they shouldn’t be rude and patient consent is always present. If a patient says they don’t want a shot, they don’t get the shot. No matter how seasoned, how tough, how burned out a nurse is, everyone is habituated to start a conversation with introducing themselves. “Hi, Mr/Ms/Mrs/Miss ____, my name is _______ and I will be your nurse today.” Once the nurse and the patient is acquainted with each other, they can be a little bit more casual. 

Hand washing is a constant thing. The most often thing you see is staff rubbing their hands together in and out of rooms because they just pumped a handful of hand sanitizer. 

There are other people other than the medical and nursing staff. Personal Support Workers (PSWs) are very present and they help with the washing and the bathing, and changing incontinence briefs. Nurses also do this as well in some hospitals. You might see Nurse Managers come around for administrative stuff (ie discharge), Physiology Therapy and Occupational Therapist will make their rounds on those that need it (especially after an accident), Speech Language Pathologists for those with swallowing problems after a stroke. Social Worker for those who are going through a difficult life situation. 

The medical team gets confusing. Because there are medical students (clerks), junior residents, senior residents, and there are attendings. Your patient character can be confused. 

Internal Medicine - the “ologys” : general internal medicine is where typically a lot of folks get admitted. The doctors who take care of these people are internists. Other popular sub specialties of internal medicine that sometimes get their own wing/unit are: cardiology, neurology, respirology and oncology. If a specific specialty is needed, the doctors of that specialty is paged for a consult.  

Surgery - do not have every surgical specialty in one team. That’s not how the surgical teams are divided. If one of your character is in Gen surg, and the other is in Neuro, they’re not gonna be spending their day constantly bumping into each other unless their surgeries are adjacent OR rooms for some reason. Their patients probably won’t even be on the same unit. 

If you’re writing surgery, don’t forget Anesthesiology. Patients coming out of surgeries can either go to PACU  Post Anesthesia Care Unit or the ICU (intensive care unit). 

Specialists can read scans by themselves, but most of them time, they need a Radiologist to do it. Biopsies are processed and read by pathologists. 

The Action 

If a patient flat lines, don’t “shock” or defibrillate them. TV shows constantly gets it wrong. The only two shock-able rhythms are ventricular fibrillation (V-fib) and ventricular tachycardia (v-tach). (There are other pathological rhythms that require cardioversion, but we won’t get into it). Your fictional patient could still have a rhythm and be unconscious. 

If a patient is unconscious or has either V-fib or V-tach or flatlined, call Code Blue. Literally have one of your character say it, “Call Code Blue.” Or press the code blue button that’s above the bed on the wall. 

If a patient flat-lines, your characters should start CPR and inject epinephrine (1mg and every 3-5 minutes). 

Don’t “lost 3L of blood”. If they did…they’re gone. Exsanguinated…unless they’re being transfused at the same time. A 70 kilo man typically has 5L of blood. A lot of preg fics have the woman lose a ton of blood during childbirth. Remember 500cc or 500 mL of blood in a nonsurgical setting is considered hemorrhage, and 1L in surgical setting. As a 5′3′’ female I can tell you I probably only have 2-3L of blood in my body. 

Things to talk about in conversation between two staff: heart rate (normal in adult 60-100), blood pressure (ex” 120/80 systolic/diastolic) normal systolic 100-140 normal diastolic 60-90); respiratory rate (normal 12-20 per minute), O2Sat (you want most people above 95%), temperature.

Red blood cell count and hemoglobin being low indicate anemia. High white blood cell count typically mean infection. Electrolytes can be out of wack: sodium, potassium, calcium, magnesium, are some of the typical ones. Blood pH can be either high or low. High pH is alkalosis. Low pH is acidosis. 

Hypothermia (because this is a popular one). Don’t do what Rose did in Titanic. You’re not dead until you’re warm and dead. Rewarming for severe hypothermia should be slow and in a hospital setting. For mild to moderate hypothermia, if it helps with your plot, yeah they can cuddle skin to skin. 

[cartoonrival]

im completely addicted to Open Link in New Tab

[cartoonrival]

if Open Link in New Tab is wrong then baby i dont want to be right

[shapeshiftersandfire]

once i start writing the first episode of the wolves it’s over for you bitches

[shapeshiftersandfire]

you’re never gonna believe this

[shapeshiftersandfire]

once i start writing the first episode of the wolves it’s over for you bitches

[gratefulturbot]

i DON'T need them to kiss i need them to come to the sobering realisation that their souls are merged and no part of them is extricable from the other anymore

[stormwaterwitch]

Me @ my followers who are going through last days/weeks of school

[inthetags]

reblog and put in the tags a piece of fiction you would rewrite because it had potential but the writers just botched it.

[starpains]

on “the blond,” “the older man,” and other crimes against third-person limited

You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?

That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.

But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.

Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.

If you want to create distance or irritation, you can do it on purpose —

“The idiot from accounting emailed again.”

That’s character voice. That’s judgment. That works.

But otherwise?

As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.

If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.

Because inside someone’s thoughts, there are no “blonds” or “brunettes.”

There are only people they know.

[wisteria-lodge]

Really good explanation of the fundamental problem with this type of writing.

(and why it's one of my huge pet peeves)