hey did anyone hear a single discordant note in the leitmotif just now
Misplaced Lens Cap
Sweet Seals For You, Always
KIROKAZE
cherry valley forever

@theartofmadeline
Not today Justin
hello vonnie
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occasionally subtle
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blake kathryn
d e v o n

Andulka
sheepfilms
we're not kids anymore.
Monterey Bay Aquarium
The Bowery Presents
ojovivo

Product Placement

Kiana Khansmith
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@shelleizm
hey did anyone hear a single discordant note in the leitmotif just now
writing a garbage essay feels like you’re the cow who gave birth to the two headed calf. in the morning, my professor will wrap him in newspaper and dissect him on a cold operating table. but here he is alive, under the pale glow of my computer screen. he is beautiful. there are twice as many logical fallacies as usual.
oh no, I never thought of that and now it's bugging me too :D and the responses are unhelpful
#I think the boring but most likely answer here would be french#if the events of the story take place in the 18th century it's very likely that walton (an educated man) Would know it#but what's very interesting is that Shelley specifies that the Creature learns french!#but it's the only time (in a book which contains a lot shifting perspectives) that the topic of language really comes up#as far as I remember (via @ratuszarsenal)
Yeah, it seems the most likely! :D And also the most preferred answer I think, seeing the tags and comments.
But you're wrong on the topic of language, it comes up many times! In fact, only Victor's time at the university, and the conversation between Walton and the Creature is missing, among all the mentions of characters of different nationalities speaking with each other
In letter IV (in the 1818 edition), Walton writes about Victor:
On perceiving me, the stranger addressed me in English, although with a foreign accent.
Safie's language (the Creature learned French because she was learning French):
I soon perceived that although the stranger uttered articulate sounds and appeared to have a language of her own, she was neither understood by nor herself understood the cottagers
Mentions of The Creature speaking or reading are always about French:
Fortunately the books were written in the language the elements of which I had acquired at the cottage; they consisted of Paradise Lost, a volume of Plutarch's Lives, and the Sorrows of Werter.
'By your language, stranger, I suppose you are my countryman;—are you French?' 'No; but I was educated by a French family, and understand that language only. [Volume II, Chapter VII, 1818 edition]
After Victor destroys the female creation and threw the remains and his chemical instruments into the sea, he's found by the Irishmen who spoke English:
As it was, I merely remarked that they spoke English, and I therefore addressed them in that language. “My good friends,” said I, “will you be so kind as to tell me the name of this town and inform me where I am?” [Volume III, Chapter III, 1818 edition]
The nurse of the jail he was put in afterwards:
Her tone expressed her entire indifference; she addressed me in English, and the voice struck me as one that I had heard during my sufferings [Volume III, Chapter IV, 1818 edition]
The magistrate who accused him:
Fortunately, as I spoke my native language, Mr. Kirwin alone understood me; (...)
His countenance expressed sympathy and compassion; he drew a chair close to mine, and addressed me in French— [Volume III, Chapter IV, 1818 edition]
And also the book has several mentions of various character's nationalities, like Walton's lieutenant is described as an Englishman, Frankenstein's family is Genevese but the families living around them are married to the French and English etc etc.
Funnily enough, noone is described as speaking German, despite so much of the plot taking place in Germany (both Ingolstadt, as well as the French family's cottage are located in Germany)
I guess it's another interesting side-effect of the Creature being so studious in that early part of his life and then never having access to it again: he demands a mate from Victor but not books, despite having had such a deep relationship to them early on.
Perhaps his experience with the family soured him on learning? His lack of learning-drive by the time he reconnects with Victor is is part of his (mutual) disgust with humanity by that point, or his attempt at divorcing himself from it (ofc this is just his stated (?) position; he is clearly very invested in the relationship with Victor, especially after the destruction of the mate; ofc in Victor's telling of it the Creature has regressed to a child taunting their parent in the last third).
Language being a social activity, and specific languages being social expressions ties into this too; but ofc the creature himself uses language for its other purpose, that of ordering the world and the mind for an individual, that of expression. But as we see, his ability to master language does not serve him socially: he is not accepted by the family once they see him, nor William (AIRC?) and especially not Victor - Victor does have the excuse of the double homicide by that point at least.
So presumably he's speaking French to Walton, Walton's a sea-faring guy, we know no other opportunity the Creature had to learn any other language, although he did follow Victor to (Scotland? Ireland? It's been over a year since I read it) so maybe he just found another hut to listen in on.
We don't know: after his great mid-book narrative we get very little of the Creature's interiority really, which is part of what makes the book's final section come off so great: the repentant creature Walton meets and despises really seems at odds with the monster Victor's been describing, and of course Victor himself comes off worse in Walton's final section than in his own narration (the speech to the sailors). I guess what I'm meandering around is that communication alone (language) does not seem able to save you in a world where people see you or remember what you've done. Why should the Creature want to learn English, if he doesn't want to communicate to anybody anymore (except Victor)?
Seasonal Affective Disorder is just emotional scurvy, all my core wounds are reopening and they won't be fixed until the big lemon in the sky comes back
I was born in the right generation I love making 1-6 note posts and being annoying on tumblr
Tag 9 people you want to know better!
From @darkandstormyranger (thank you! :D)
Reading: mostly stuff for uni, a lot of Lucjan Rydel's works and academic papers. But! I've recently finished a very sweet and interesting (though maybe a bit... clumsy) book, "Malvina, or the Heart's Intuition" by Maria Wirtemberska. She would have loved hansry fanfiction.
Last Song: "Battle Cries", The Amazing Devil (!!!)
Last Film: the new "Frankenstein" movie, but I didn't really like it, I prefer the book :((
Last Series: I think Wajda's "The Promised Land" (Ziemia obiecana) but not the movie, the series? XD
Sweet or Salty: sweet 😔✊
Coffee or Tea: tea! I go insane from drinking coffee, it's tragic
Working on: translation of my "The Plague" fanfiction into English and also!! Three research papers for uni, two of them rather big ones!! A tiny bit of yapping: one of them is about medievalism in polish late XVIII and early XIX century; the main one that I'm focusing on the most is about Slavs in Lucjan Rydel's works and my side project (this one I'm doing for myself!!) is about Central Europe in Jarosław Iwaszkiewicz's "Sława i chwała".
Tagging with no pressure: I don't really know anyone here 😔 so if someone wants to do this, feel free
Thanks for tagging me and have a beautiful day :DD
Everyone loves me for my repetitive speech, my odd noises, my constant forgetfulness, and my repetitive speech
call him bubonic the way he plagues me
blorbonic plague
Bernat Martorell, Saint George Killing the Dragon (details)
1400-1452
fanfics are one of the best things that humanity has come up with. i fucking love reading stories about my favorite characters from people who have the same brainrot as me
I get road rage as a pedestrian
It’s so unfair i don’t get to see where evolution will go in 50 million years
Ooooh I'm so excited!
Sunrise, Parabellum
insta: _fiyeli
Polish biologist, ecologist, and professor of forest sciences Simona Kossak (30 May 1943 – 15 March 2007).
Top ten medieval animal illustrations in manuscripts
(vibrating intensely with barely repressed excitement) yeah sure that sounds like something i could do
FIRST PRIZE GOES TO:
(from a french book of hours, c. 1400s)
sad mandolin-playing cat with its vulva out. i love this cat so much. i have a picture of it on my wall and one time i thought about it while i was high and it made me laugh so hard that i nearly threw up. sad mandolin-playing cat with its vulva out is my favourite medieval animal; there is no contest, nothing comes close.
SECOND PRIZE:
(from the gorleston psalter, east anglia, angland, c. 1310-24)
i'm a really big fan of weapon-wielding rabbits in medieval art. it was hard to pick just one, but i eventually chose this guy: a gleeful rabbit getting ready to whang the king's head off with a big axe (king's expression suggests forlorn resignation).
drolleries of murderous rabbits crop up a lot in 13th and 14th-century manuscripts - sometimes jousting, sometimes overseeing executions, sometimes riding into battle on the backs of other animals - and it's generally thought to be a form of carnivalesque comic subversion, upending the stereotype of the rabbit as a meek, docile prey animal. there's a fun article about rabbits in medieval art here, if you want to see some more examples.
THIRD PRIZE:
from Der naturen bloeme, the netherlands, c. 1350)
i think this is supposed to be a mussell, but God, just look at him. he's perfect. ideal body, peak performance, no notes.
as for the remaining 7:
4. crows holding a Very Important Meeting
5. old (mer)man yaoi. well actually i don't know what's going on here but it seems intimate
6. forg
7. distressed lion receiving a manicure
8. a brave attempt at an elephant
9. happy little bat :3
10. the oldest cat you have ever seen
i hope you enjoy these beafts as much as i do!!
by Ernest Bieler