Mercy, peace, and justice
Cherish and protect us
Battle born they send us
Covered in our noble blood
-Noble Blood, Tommee Profitt, Fleurie

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@shepards-and-archangels
Mercy, peace, and justice
Cherish and protect us
Battle born they send us
Covered in our noble blood
-Noble Blood, Tommee Profitt, Fleurie
"No, you cannot attend a black-tie event in two tons of power armour and associated weaponry."
Kasumi @ Shepard
shows up late to N7 day with a Garrus
Embers 🔥
Turian heads based on birds I like
Something I'm fond of saying is "The villain drives the plot but the hero sets the tone." Something that's very important about this is that the resolution to the conflicts presented need to match the hero's tone. If your story doesn't believe problems can be solved the way the hero wants to solve them... why is this the hero?
If you want your problems to be solved with brutal catharsis, then your hero should be someone who believes in brutal catharsis.
If you want your problems to be solved with forgiveness and reconciliation, then your hero should be someone who believes in forgiveness and reconciliation.
They don't have to begin there. This can be something they come around to over the course of the story, as they grow and change per their character arc. But by the time of their ultimate encounter with the villain, their values should be the values that drive the story forward.
There's this thing in D&D that some DMs do. Where, when you roll enough damage to deplete the monster's hit points, they'll turn to you and say, "That's a kill. Describe for the group how you take the monster down." And you're allowed to come up with some cool maneuver or something that your character did in order to deliver the finishing blow.
The hero's ultimate triumph over the villain is a lot like this. More than any other part of the story, this moment is their apotheosis. It should be a celebration of everything they are and everything they stand for.
You have defeated the villain; Now describe for the group what form that victory takes.
Sometimes… it just gets a little too much.
Very important discovery
hit target with sniper precision amiright
Some Ashley moments from the first visit to the Citadel that show off some interesting characterization that aren't that one line because that's all people talk about!
First off, another idle line from the Presidium (I wish these were still in 2 and 3 in addition to the longer conversations)
Ashley immediately picks up on the fact that there's something off about the Citadel. She's the only one that brings it up, and she's right- the Citadel is too perfect because the Reapers created it as a trap. No one has anyway of knowing that fact yet, but she does have a finely tuned bullshit meter.
Next, the first elevator conversation! Ashley does not in anyway, shape, or form trust Udina. She also has another line I didn't manage to screenshot about not trusting politicians.
(Yes, I know she defends Udina from Shepard during the coup, but the timing was suspicious- they were being pursued by Cerberus, and who comes out but Shepard, who was working with them only ~six or so months ago? Keep in mind she (or Kaidan) was also trying to defend the rest of the Council, and it's also very easy to get her to stand down of her own accord if you go visit her in the hospital and aren't a complete asshole.)
When Shepard brings up Garrus while discussing leads, Ashley speaks positively about tracking him down. She met Garrus at the same time Shepard did, and knows full well he's a turian. She's more than willing to work with him, and raises no objections to his presence until he's on a top of the line, experimental Alliance ship, in which case I understand questioning Shepard's decision. (For what it's worth, she has to be prompted into bringing up her concerns, unlike XO Pressley, who will complain the first time you speak to him before you even get to the dialogue options.)
Another idle line! As we find out in the endgame, her tactical observations are 100% correct. They're indeed good defensive positions for the defenders.
This is after talking to Harkin, who tries to bring up Anderson's failed spectre training with Saren. (I have Shepard basically say "shut up, I don't care, just tell me where Garrus is you asshole" for the record.)
Right before this, Kaidan says "Harkin is an ass" and says they shouldn't trust what he says. Ashley agrees, but doesn't immediately write it off. Instead, she wants to hear from Anderson himself, the person that was actually involved. She's willing to hear him out despite her suspicions.
That's all I have screenshots of, unfortunately. There's also a scene where if you take her and Garrus to confront Fist and talk the two warehouse workers down and let them leave, Garrus will say he never thought about talking armed threats down, and Ashley will say that sometimes shooting isn't always the answer. I didn't realize this line existed unfortunately so I didn't get it in time, but it's still really interesting if you ask me!
Some Fem!Sheps,l love her🥺💗
Something that really stuck with me while I was playing Mass Effect 2, and that I feel was so important to understanding the relationship between Shepard and Garrus, whether you romance him or not, is that Garrus is your only companion from ME1 who never moved on.
You died. The crew watched you die. Assumedly they grieved you, there was a funeral service, there were tears and all five stages of grief. Things were rough, but eventually life took on a shade of normalcy again.
Kaiden/Ashley got reassigned and continued their work for the alliance. Liara fights tooth and nail to get your body to Cerberus, but then it’s out of her hands and she becomes an information broker. Tali goes back to the Floatilla, like she was always supposed to. Wrex becomes a clan leader. And yes, they’re all fundamentally changed by their time on the Normandy, but no one seems as stuck as Garrus Vakarian.
Because he doesn’t go back to the Citadel. He doesn’t join the Turian Hierarchy. He ships himself off to Omega, one of the most dangerous places he could be, and makes a life out of pissing off the most dangerous people there. It’s kind of a suicide mission, especially after what happened with Sidonis. He kind of figures he’s going to die doing this, but what else can he do?
There is no normalcy for Garrus in a world without Shepard, and I think that’s why he’s always immediately ready to come back to the Normandy. The Normandy, and Shepard, are home for Garrus and that’s why I think romancing him feels like the natural conclusion for so many femme Sheps, because Shepard feels that way too.
Of all the companions, no one needs Shepard to live more than Garrus, and no one needs Garrus more than Shepard. They’re perfectly matched, as lovers, as friends, as soldiers, as whatever they are in your universe and when you’re that perfectly matched with someone, you never quite feel whole without them.
No Shepard without Vakarian.
Been thinking a lot about Mass Effect again, and I always liked the idea that Jack only killed so many people because she was always in hostile environments filled with dangerous people, so when she’s put in a position that brings out her more protective side, she is utterly shocked, disgusted, and horrified by the realization that she is a GOOD PERSON
you were born to do this
happy N7 Day!
[find prints here!]
I commissioned the ever so sweet and awesome @palavenmoons for another commission of Juxtaposed Shakarian and this time, a wing it comm!
I'm so excited to see what Pally did with it!
Come back alive.